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Showing posts with label wireless. Show all posts
Showing posts with label wireless. Show all posts

Friday, 10 September 2021

2BE Commercial Sabotage by 2RN

 

When 2RN took to the airwaves on January 1st 1926, two stations now operated on the island with 2BE broadcasting from Belfast. As soon as 2BE took to the airwaves in September 1924, the listening public south of the border demanded a domestic service from the Irish Free State government. They listeners demanded something different from apparently British and Unionist slanted output from the Belfast station. There was a sense of nationalistic pride in the opening of 2RN and while initially signal power would not see them as competitors to each other, their competition did however play out on the pages of the most read newspapers north and south of the border.

 

An unusual night of programming took place on both 2BE[1] and 2RN[2] on Friday February 19th, just weeks after the launch of 2RN. When 2RN began broadcasting in January transmission times were just two hours, 8pm until 10pm. By the beginning of February one hour had been added, 2RN now broadcasting from 7.30pm until 10.30pm. Programming from the Dublin station consisted mainly of instrumental and operatic music which led to complaints appearing in newspapers and trade magazines and comparisons being made with 2BE and British mainland stations.

 

On that Friday night, 2RN began with a tuning note at 7.30 allowing listeners both to tune in and identify the station. Two fifteen minutes talks were then broadcasts, the first one on Egypt, the second on savings certificates. From 8pm for the following 90 minutes 2RN relayed 2LO from London. Dublin listeners were treated to the Hungarian String Quartet, Vivienne Chatterton, Soprano who performed a number of Hungarian folk songs and readings by Dorothy Warren.

From BBC Genome

Meanwhile at exactly the same time on 2BE in Belfast from 8pm and heavily advertised in both the Northern Ireland newspapers and the Radio Times, a ‘Concert by the Dublin Artists’. The Belfast station was clearly audible in Dublin with a stronger transmitter than 2RN’s at McKee Barracks. The 2BE show consisted of performances by Gerard Crofts, Baritone, Jean Nolan, Mezzo Soprano and already a seasoned radio performer on 2RN, Arthur Darley[3], Violinist and the stage comedian and humourist Jimmy O’Dea[4].  The 2BE proved extremely popular with listeners, with Dublin listeners complaining about both the content of the relay from London and the quality of the rebroadcast. The Belfast Newsletter reported,

‘A troupe of instrumentalists give a concert this afternoon at the 2BE studios when many popular musical numbers will be included. A select quartette of Dublin artists (two vocalists, a violinist and an entertainer) are visitors at the station this evening, when an astonishingly comprehensive programme of Irish folk and other music will be broadcast between 8 O’Clock and 9.30.’

 


It was important for the new medium of broadcasting that listeners could read the schedules in the daily newspapers. There was an antipathy towards the Unionist leaning Belfast station from Dublin newspapers. This manifested itself when the two broadcasters clashed for listeners on that Friday. The Evening Herald published its ‘Broadcasting’ schedule but to divert attention from the obvious attraction of ‘Dublin Artists’ for Dublin listeners, they purposely inserted the 2RN schedule into the middle of the 2BE programme. It was an attempt to draw readers and possible listeners to the 2RN broadcasts rather than Belfast, it was commercial sabotage.

The Evening Herald February 19th 1926


[1] 440m Medium Wave

[2] 390m Medium Wave

[3] Played on 2RN’s opening night broadcast on January 1st 1926 and died December 1929

[4] Identified in the papers as James O’Dea



Friday, 26 February 2021

Harold Forster, The Art of Advertising 1920's Radio. The Marconi Hero

 


Today the real success of an advertising campaign can be reflected in how memorable their campaign was. Coca – Cola’s musical ads, ‘I’d like to Teach the World’, their reappropriation of Santa Claus from his original green out fit to the Coke colours of red and white are instantly identifiable, ‘For Mash get Smash’ or ‘It’s Martini’ are still fondly remembered. In the 1920’s the print media was the main weapon of the advertisers to reach the public but in the early part of the roaring Twenties, a new pretender to the advertising crown was making it way to market, radio.

 

The Marconi company led the way with innovation in both transmitting and receiving, producing the most popular ‘listening-in’ devices for the wireless. To deliver their message, the Marconi Company used the newspapers and trade publications. In order that their products stood out from the crowd, in 1923 they commissioned a series of drawings used in newspaper ads encouraging purchases of their radios sets. They showed how valuable they were to enrich the lives of those who invested in the new medium.

 

They contracted an illustrator and artist to capture the ‘joy’ of radio listening and his work created a sensation in the newspapers and for their readers. Radio became a must have. The graphic illustrations, portrayed in an art deco style were stylish, appealed to the emotions and illustrated how radio could make like better. Advertisers were selling a dream; the world of radio was elegant no matter where you were or what you did. Many of the Marconi portrayals were of upper class people in decorative, modernist settings, creating a utopia often far from the lives of working class post war Britons. The purchase of a radio set was far beyond the financial reach of many of those who were still recovering from the First World War. Homemade crystal sets were extremely popular with working class listeners. Marconi’s advertisements exuded luxury and created a theme that the new medium of radio would offer everything including music, weather forecasting and information talks.


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The illustrations displayed a modern affluent Britain. The surroundings are plush set in drawing rooms, with quality furniture and fittings. The men are smartly dressed, with nearly all of them smoking a pipe or a cigar. The women are drawn in elegant dresses and crafted hairstyles. The ballroom scenes exude affluence and a rich lifestyle and spell the end of the live music era replaced by music through the wireless. Radio is a unifier of the family unit as the drawings feature parents and their children, even the children enjoying the radio broadcasts with their grandparents. One depicts what appears to be a teacher and her children outdoors being educated by the radio broadcasts. In one scene a couple have gone to the country to have a picnic in their automobile listening to the radio while the enjoyed their moment yet if you look closely, they are not alone as another man watches on from the tree line. The radio set is shown as the perfect accompaniment indoors or outdoors.  The reality however for many living in the UK in the early twenties, all of this high-brow living was aspirational.

 

 

By 1923, the British Broadcasting Company had just been formed and had taken over the running of the various stations around Britain operated by wireless set manufacturers. On 18 October 1922 the British Broadcasting Company Ltd was incorporated with a share capital of £60,006, with cumulative ordinary shares valued at £1 each and six major shareholders,

The shares were equally held by six companies:

·        Marconi's Wireless Telegraph Company

·        Metropolitan Vickers Electrical Company

·        Radio Communication Company

·        The British Thomson-Houston Company

·        The General Electric Company

·        Western Electric Company

Marconi was at the heart of transmitting and manufacturers radio sets. They wanted to cement their position at the forefront of radio, in a crowded field of manufacturers. Harold Forster was employed to produce a set of illustrations that would be used in the newspaper campaign for their premier product ‘The Two Value Marconiphone’. The campaign, which was broadcast at a national and local level, helped the Marconi Company maintain its lead as the main seller of ‘listening-in’ sets in the UK. The illustrations used in the advertisements had two different styles often used deliberately in the publication they were placed in to appeal to various classes. The more elaborate drawings appeared in national newspapers and trade publications, and often as half page advertisements while the darker, less crowded portraits appeared in regional newspapers.

 


Forster, in his late twenties in 1923, would have an illustrious career as an illustrator and an artist. He did not confine himself to the Marconi work, illustrating many products and brands. He was responsible for pre-war Black Magic chocolate illustrations. He produced a number of the famous World War Two posters commissioned by the British Government including the ‘Keep Mum, She’s Not So Dumb’ and ‘Forward to Victory’ posters. He would also produce iconic movie posters including for the Jack Hawkins action film, ‘Angels One Five’.



Thursday, 17 December 2020

Waterford's Pirate Radio History 1934 - 1942.

 

Throughout the Second World War a number of illegal transmitters operated in Dublin rebroadcasting the speeches of William Joyce better known as Lord Haw Haw. Joyce, who had been born in the United States but raised in Ireland, became a committed fascist following his hasty departure from Ireland where he had assisted the Black and Tans in their fight during the Irish War of Independence. He ended up in Germany where he broadcast Nazi propaganda in English on transmitters seized from Radio Luxembourg. Beginning his broadcasts with ‘Germany Calling Germany Calling’ he continued broadcasting right up until the Allies arrived in Berlin where he was arrested. He was taken to Britain and tried for treason. He was convicted and hanged at Wandsworth Prison on January 3rd 1946. But other pirates, based in Ireland, were far less political in nature.

 

‘Where is Waterford’s ‘pirate’ broadcasting station?’ may have been a newspaper headline from the heyday of pirate radio in the eighties but it comes from the Irish Independent in 1942. Reports of the pirate broadcasts were initially made in early March to the Gardai in Waterford who passed the information onto the Post Office’s Chief Telegraph Censor[1] who in turn informed Irish Military Intelligence known as G2[2]. G2 were the protectors of the nation’s security during the Emergency. The man behind this brazen operation was twenty-four years old Francis Colbert.

 

Waterford had already seen a number of pirate radio broadcasts in the run up to the outbreak of the war. The Cork Examiner reported on July 9th 1934 under the headline ‘Mystery Broadcasts’,

 

‘Waterford has a mystery radio station. It was discovered to be on the ‘air; during the week broadcasting programmes of up-to-date gramophone records. No intimation was given, however, regarding its whereabouts.’

 

The station had gone on air at 1pm before Radio Eireann’s broadcasts had begun and was broadcasting on 280m medium wave. The frequency was easy to find for many listeners as it was between Radio Eireann’s 242m and the 342m of the BBC. The station closed at 2pm when Radio Eireann came on air but then returned at 11.30pm after the national broadcaster closed, staying on air until 2am when all the other broadcasters in the British Isles were closed. The night-time broadcasts significantly improved both the reach of the station and its listenership. For some weeks after, the station was occasionally heard announcing that they were testing only. Then there was silence, but in April the following year, 1935, the Irish Independent reported under the headline ‘New Mystery Radio Broadcast from Waterford’, the paper reported that the station had gone on air at 11.15pm on a Tuesday night once again after Radio Eireann had closed down. The transmitter was again broadcasting on 280m medium wave. In what was described as an ‘enjoyable broadcast’ a selection of orchestral and modern gramophone records were played before the station operator made a statement in a clear voice. The pirate transmitter was obviously well constructed as the modulation made for clear reception by the locals tuned in, in Waterford.

‘My dear listeners I will interrupt this programme to make an announcement. The majority of listeners have probably heard of the Limerick amateur station but for the benefit of those who have not I would like to explain that an amateur in Limerick has broadcast programmes which have been both injurious and objectionable.’  

He added,

‘I would like listeners to understand that I disapprove wholeheartedly and condemn abuses by this amateur of the powers his transmission station gives him’.


The spat over the airwaves reached the newspapers the following day when the Irish Press on their front page headlined ‘Another Mystery Station, Radio Rivals’. For many, the great pirate radio rivalries in Ireland were ERI and South Coast in Cork, Nova and Sunshine in Dublin in the 1980’s or the Radio Dublin and Alternative Radio Dublin’s battles from the seventies but a pirate radio rivalry had erupted on the airwaves in the 1930’s between stations in Limerick and Waterford.


The 1926 Wireless Telegraphy Act was introduced in November 1926, nine months after the official launch of 2RN. The Act would regulate the airwaves, write the rules on license fees and deem what should and should not be broadcast. The Act was supposed to be a deterrent to illegal broadcasting but that did not stop illegal stations broadcasting taking to the airwaves. One man in Limerick would break all the rules. Jim O’Carroll attended the Technical Institute on O’Connell Avenue in the city and developed a keen interest in electronics. As a result, while experimenting, he built a crystal receiving set that allowed him to listen to 2RN, the BBC and with improvements he began to listen to Short Wave broadcasts from America and Australia.

 

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In early 1935, O’Carroll added an oscillator to his receiving set and turned it into a crude transmitter that was powerful enough to be heard all over the city. After testing its limitations, O’Carroll had to find a home for his new station, as living with his sister was not an ideal location for secrecy. He eventually found a location on the third floor at the home of his friend Charlie O’Connor at 84 Henry Street. The station began broadcasting in February 1935 on 360m, very close to the powerful transmitter in Berlin, Germany broadcasting on its allotted frequency of 356.7m, which meant that both signals interfered with each other and often the Limerick station had to wait until the Berlin transmitter was turned off to get a good signal out across Limerick City. By April, reports of a Limerick ‘Mystery Station’ was reaching the national newspaper headlines.

 

The station was now named The City Broadcasting Station (CBS) as O’Carroll had been listening to CBS broadcasts from across the Atlantic and liked the sound of the name. He went on the air playing whatever gramophone records he could lay his hands on. On the air most nights from 7.30 – 10.30pm, the station continued with Billy Dynamite (O’Carroll) and Al Dubbin (O’Connor) at the controls broadcasting a mixture of speech, gramophone records, and relayed programmes from American radio, including the news and even swimming lessons on the radio.

 

The Limerick Leader reported on April 6th,

‘The operation of a mysterious broadcasting station in Limerick for some past time had the citizens and officials agog. Listeners-in are occasionally startled when they hear an unofficial announcer make reference to local matters and some well-known personalities.’

The Liberator newspaper in Tralee on the same day reported,

            ‘The annoyance caused by this is distinctly perturbing to owners of sets.’

 

The appearance of CBS on the airwaves of Limerick was greeted by a variety of different headlines. The Irish Examiner (6/4/1935) headlined their article ‘Wireless Nuisance’, The Kerryman (13/4/1935) spoke of a ‘Secret Radio Station’ while the Irish Independent described them as the ‘Mystery Station’. The station continued from February to October with the only change being its location, when the station moved to the home of Michael Madden at 25 Wolfe Tone Street who had been providing the batteries for the station’s transmitter. The station went from strength to strength and became the first station in Ireland to carry a paid commercial rather than the sponsored programming aired on the national station, when the Wolfe Tone Dairy began to advertise its products. The owner of the dairy was John Toomey, who ran a successful grocer/dairy/vegetable shop and was the proud owner of an ice cream machine, selling homemade ice cream cones. Summer was coming and ice creams would be a popular seller. O’Carroll said after,

‘As I began to get a little bolder, I discreetly canvassed for commercials. My first contact was the owner of the Wolfe Tone Dairy, Mr. Toomey. He had a fine grocer's shop but, in addition, he made delicious ice cream on the premises. I told Mr. Twomey that I knew a man who could contact the elusive Pirate and arrange to have his delicious ice cream mentioned on the air. He was to make no payment until he heard the broadcast. He offered the incredible sum of £10 if I arranged this transaction. Ten pounds was about a month's wages at the time. For a schoolboy one could almost retire! Needless to remark, as far as I know, that was the first radio commercial in Ireland.’[3]

There were queues down the street for the ice cream encouraging John Toomey to invest in a second machine to keep up with the demand.

‘An enduring sight in my mind's eye is a very long line of people reaching in the direction of what was then Gleeson's public house waiting to purchase cones and wafers from a delighted Mr. Toomey[4]’ said O’Carroll

The station began carrying ads for Clohesy’s Pub on Charlotte Quay, one of the most popular pubs in Limerick at the time. O’Carroll also added in an interview with the Limerick Leader in 1976, that

‘a committee running a sports outing in Castleconnell asked us to advertise their sports meeting, we had a ‘What’s On Guide’ in Limerick cinemas’.

 The advertising revenue was beginning to pay off for the radio entrepreneurs. The station would carry local news bulletins and because they broadcast late at night, they would collect the following morning’s national newspapers arriving in Limerick railway station at nine o’clock and broadcast the headlines for their listeners much to the displeasure of the Irish dailys, and this was replected in their coverage of the station.

 

In Limerick on October 31st, Halloween, while Michael Madden was on the air, the station had been tracked down and was raided by the police and an engineer from the Post Office Walter Dain. Madden was arrested and the equipment confiscated. O’Carroll partly blamed the raid on Madden himself, who had been drinking in local pubs boasting the fact that he was ‘the radio pirate’ and that information was relayed to the Gardai in Limerick. O’Carroll was in Dublin on the day of the raid visiting his mother and the day after the Limerick raid his mother’s house in Milltown was ‘ransacked’ according to O’Carroll as Gardai searched for links to a suspected IRA transmitter that was also broadcasting in Limerick.

 

Even before the court case following the 1935 raid had reached the courts, a radio station was reported on the Limerick airwaves in early February 1936. The station was advertising a local dance and encouraged listeners to support the event. Following a court case on February 28th 1936 Madden was convicted and fined £1 and 2 guineas costs. During the case Garda Lenihan said that,

‘during the illegal broadcasts names were mentioned and scandalous remarks used’.

It would be the first conviction under the 1926 Wireless Telegraphy Act.

 

In June 1936 another station was reported by the Irish Independent as being on the air, calling itself ‘The Curraghrock Station’. The newspaper reported two females were heard on air followed by a gramophone record programme. By July 1936, the tone of the station was causing problems for the authorities in the Limerick area and in Government circles in Dublin. The issue for the authorities this time was more urgent as the broadcaster was now broadcasting IRA propaganda. The announcer was reported as telling listeners that the station was set up ‘to disseminate Irish republican Army propaganda’.  This time the station used a frequency used by the Munich station and again like the station the previous year would have a better range once the Munich transmitter fell silent. The station was probably located in the Barrack Road area hence the confusion in the name as there is no ‘Curraghrock’ in Limerick.

 

This station was seized on September 4th 1936, when a house on Newnham Street was raided by Post Office Engineer William Carroll and Garda Lenihan. Despite this raid, another Limerick pirate transmitter was back on the air by September 16th, on the 360m frequency ‘treating listeners to a programme of gramophone records’ but while there were announcements, there was nothing of a political nature.

 

At the subsequent court case on December 4th, Edward Quin of Clancy Strand was prosecuted for maintaining illegal transmitting apparatus contrary of the 1926 Wireless Telegraphy Act. The State prosecutor stated that the items seized were,

‘one medium wave oscillator, one low frequency amplifier, one carbon type microphone, and one short wave oscillator’

Garda Lenihan stated in evidence that Quin tried to pocket a value from the transmitter which he later claimed he took because he had it sold and didn’t want to lose it. Lenihan disclosed that he had spoken to Quin on a number of previous occasions about the need to stop illegal broadcasting. All the wireless articles found in the house were produced to the Court and the GPO engineer Thomas Carroll then described what had to be done to test the-apparatus. The test broadcast worked ‘quite satisfactorily’. According to a GPO Inspector he had received a test message from the transmitter and the ‘message was quite distinct’. His finding was corroborated by another engineer Mr. T. White. The prosecution was determined to achieve a conviction and were willing to call several experts to ensure the result. They wanted to send out a message to propagandists who wished to use the radio waves to propagate their messages that they would close them and that the only broadcaster allowed to broadcast in the Free State was Radio Eireann.

 

While Madden and O’Carroll in Limerick were pirate broadcasting for entertainment purposes, a more sinister type of broadcasts had appeared on the airwaves in Dublin. On Friday October 25th 1935 at 2.30pm listeners on medium wave reported hearing a ‘mystery transmitter’ announcing that it was

            ‘Radio Phoblacht na hEireann, The IRA broadcasting studio.’

The station’s announcer gave a lengthy statement on the Irish Sweepstakes and announced a list of winners. The station then played some gramophone records including those of the famous Irish born tenor Count John McCormack.  The broadcast lasted about forty minutes. But the illegal broadcasting of entertainment programmes or occasional broadcasts from subversive organisations would become the least of DeValera’s problems as the nation faced into neutrality during the Second World War.

 

Further broadcasts from the Waterford station were noted on July 28th at 2pm, when a thirty -minute broadcast of music was interspersed with announcements in Irish that there would be further broadcasts to follow. But the airwaves of Waterford fell silent until September 1938 when the Irish Independent reported ‘Waterford Hears Radio Pirate’. They reported,

‘For several nights past, listeners who had sets tuned to a wavelength of 400metres were surprised to hear a man announcing that he played a number of gramophone records for an unseen audience. The announcer made no secret of the fact that he intends to continue broadcasting between 7.15pm and 7.45 pm during the week provided conditions were favourable.’

The Cork Examiner reported that the announcer had ‘a refined and well educated voice’. After its first broadcast on Tuesday September 27th, the Waterford pirate made three further broadcasts before disappearing once again from the airwaves.


To cement Ireland’s neutrality during the Second World War, the Government implemented the Emergency Powers Act 1939 to maintain control and to stifle the activities of the IRA. As part of the Act, amateur wireless operators and experimenters were required to hand in their equipment to the military authorities for the duration of the Emergency. Most of them did but some stayed below the radar.

 

To assist with the defence of the nation against which ever army decided to invade, the Government augmented the Army strength with a volunteer army known as The Local Defence Force (LDF). In January 1942 the commander of the L.D.F. in Waterford set up a communications section and he informed the Divisional Commanding Officer Batt O’Mahony to either procure a radio transmitter or to have one built.

 

The L.D.F. wanted the transmitter in order to contact Army HQ at the Curragh over one hundred miles away but the Government and the Army were hesitant about issuing transmitter licenses to the L.D.F. for fear they fell into the wrong hands especially subversives. There was a certain amount of paranoia in the country about the IRA and that organisations association with Nazi Germany. Francis Colbert was a radio repairman and a member of the L.D.F. and he accepted the task of building a transmitter but was told not to broadcast as no license had yet been granted. Colbert completed the build but instead of testing the transmitter as he claimed he was doing after his arrest on the Army frequency of 120m he began broadcasting on 230m medium wave, a commercial frequency. The transmitter was never going achieve its objective to make contact with The Curragh as its power effectively limited its radius to six miles.

 

The first broadcast of ‘The Irish Broadcasting Station’[5] was at 7pm on March 1st 1942. Colbert identified the station and played a selection of gramophone records for the listener’s pleasure. There were further broadcasts on March 5th, 8th, 9th 10th, 11th, 12th and 15th but his station’s location had been discovered. The station had been heard on various frequencies including 230m, 213m, 238m and 222m medium wave.

 

Post Office engineer Kevin McNeill[6] and Garda Michael Shaughnessey arrived at the home of Colbert at 2 Mendicity Lane, Waterford on April 21st 1942 following a tip off. The lane connected Railway Square with Johnstown. Colbert let the men in and on the second floor in a back room they discovered the pirate radio station. There was a large selection of gramophone records on the floor including the twenty-two identified by listeners and reported to the authorities.


Mendicity Lane to the Left of the photograph courtesy of the Waterford Historical Society

The raiding party seized the following

1          ‘Radiothon’ valve U 250

1          ‘Marconi’ valve U 10

1          ‘Philco’ valve 3E 42

1          ‘Magestic’ valve G 80 (in poor condition)

1          ‘Radiothon’ G Q 7

1          Variable condenser

1          Inductance

1          Rewound mains transformer

1          Valve holder

2          Plug in tuning coils

1          Morse Key

1          Power Pack

1          Part receiving set

1          2 ½ m send/receiving set

1          Valve Arcturus

A series of correspondence between the L.D.F., Gardai and the Military seemed to reduce the pressure on the need to have Colbert charged. He had been asked by the L.D.F. to build a transmitter and he claimed the broadcasts were only tests to make sure the transmitter was working and that the cost of the build came from his own pocket.

 

The urgency to close the station was dictated by two key factors. Firstly, the authorities were afraid that the Waterford station was another propaganda vehicle for the IRA similar to a station that had operated and had been raided in Dublin in 1939. Secondly the military were conscious of the fact that German bombers made use of radio transmitters to locate targets and while Ireland was neutral, the Waterford signal could have been used to direct attacks against British targets.

 

The matter was quietly dropped by the authorities although the case led to a more rigorous enforcement of the Emergency Powers Act with regards to radio transmitters rather than the lax attitude with regard to L.D.F. companies operating ‘illegal’ transmitter sets. The L.D.F. were eventually granted limited licenses to broadcasting on the Irish Army frequencies of 168m – 176m with a limited power output of thirty watts.

 

The Local Defense Force parading in County Waterford

Pirate radio in the 1970’s and 1980’s would pave the way for the legal independent commercial broadcasters of today.

 

Sources

The Military Archives Rathmines

An Cosantoir Magazine

The Irish Newspaper Archives



[1] Government Papers at the National Archives

[2] Military Archives

[3] From an article by Jim O’Carroll on Limerickcity.ie

[4] In O’Carroll’s story John Toomey was written as ‘Twomey’ but his death notice in 1951 denoted Toomey as the proper spelling.

[5] The name was also used by the IRA for a number of their pirate radio stations

[6] In May 1947 McNeill was transferred from Waterford to Cork and replaced by Dubliner J.J. Kyne (Munster Express May 30th 1947)