Long before the television thirty-minute soap and drama series, radio provided the serial entertainment. In the US there was This is Your FBI, Dragnet, Richard Diamond and Boston Blackie and the across the Irish Sea three was Sexton Blake, Sherlock Holmes and Father Brown. Here in Ireland, the early days of Radio Eireann also saw the creation of the thirty-minute cliffhanger serials. One of the most prolific writers in the genre in Ireland wrote under the pseudonym ‘Cusex’. According to the Evening Echo in 1969,
‘He has some six hundred radio
productions to his credit fifteen TV series, including "Duty Bound,"
which ran to six issues, eight other TV items, ten plays, of which
"Goldfish in the Sun," is my favourite; three film scripts and three
musicals, "The Golden Years," "The Last Troubadour" and
"The Impresario." Now his musical "Phil The Fluter" has
opened successfully in the West End.’
Yet
little is known or written about this renowned Irish playwright. ‘Cusex’ was
Cork born Donal Giltinan and wrote under an assumed name early in career as he
was a civil servant in the Custom and Excise service. Born in 1908 and he
attended Presentation College, Cork. After adapting and writing several radio
pantomimes his first radio show was a play titled ‘The Chieftain of Dartry’
broadcast in February 1937. In May of that year is first radio serial was
broadcast with the three episodes of ‘Beasts of the Border’. He followed this
up the following year with ‘Coup D’état’. The press described the show as,
‘The story of an imaginary European
state, the radios service of which is used to avert war and saves the existing
regime’.
Having
worked on the border with Customs in Monaghan, he used that experience to
create a variety show called ‘Castleblayney Calling’ featuring local artists
and musicians including the Castleblaney Ceili Band. That evening’s programming
ended with a secondary ‘Castleblayney Calling’ where Giltinan hoped to present
the famous Scothouse ghost, needless to say, without success.
Each
year pantomimes adapted by Giltinan were performed across Dublin and Cork
including ‘Alladin’ in the Father Mathhew Hall, ‘Cinderella’ in the Gaiety and
‘The House that Sean Built’ in the Opera House in Cork.
In
July 1939, he created a one-hour long variety show titled ‘Anything Can
Happen’. So popular was this radio show that it spawned a twice nightly show at
the Olympia Theatre staring and produced by the popular Dublin actor and
comedian Noel Purcell. Giltinan also created further variety shows for Radio
Eireann including ‘X’ and ‘Bath Night’.
In
1940, relayed from his native Cork was ‘The Cusex Half Hour’ which alternated
from variety sketch style comedy and comedic plays including ‘The Wings of
Ballinatub, the Flight of Fancy’. In January 1942, by popular demand, he was
back writing serials for Radio Eireann with the detective serials ‘Ask Sergeant
Murphy’. But the relationship between the prolific dramatist and the national
broadcaster turned sour when he sued Radio Eireann for £21, he claimed they
owned him for writing a seven-part series on the ARP that was broadcast a year
earlier. He lost the case and while he would write one more serial for Irish
radio, he moved to the UK to pursue his career, now having left the Civil
Service.
His
final and most popular serial for Radio Eireann was ‘Inspector Keen’. Starting
in 1948 with ‘Ask Inspector Keen’. The series is based on submissions of murder
clues and solutions by listeners; each programme contained two short plays
based on two of these submissions; the listeners whose solutions surpassed
'Inspector Keen's' solutions were awarded a prize. In May 1953 came a
six-episode cliff hanger serial titled ‘The Prince of Darkness’ featuring the
character of 'Inspector Keen', with a plot set in Rio de Janeiro. Then came two
10-part serials broadcast Monday to Friday over two weeks with an omnibus on a
Saturday, the first was ‘Inspector Keen and the Power Seekers’ and the final
outing was titled ‘The Return of Inspector Keen’.
Between
the two Keen incarnations he wrote a ten-part serial for the Irish Press,
‘Searchlight in the City’. Advertised as,
‘No, he wasn't out in 1916 and his
father wasn't in the G.P.O.! There was, indeed, some courage in " a
handful of men, badly armed, standing up against the military might of ah
empire." Donal Giltinan read avidly about the fighting, thrilled to the
capture of the rebels! Strange that among the leaders were a Count and
Countess! But from his West-British home Dublin might have been across the
Atlantic. To him it was as far distant as Tir na n-Og.’
The
Last Troubadour was a 1956 radio biography of Percy French broadcast on Radio
Eireann starring Chris Curran as French. The programme was the highlight of the
station’s Christmas Day schedule. This Giltinan turned into a musical comedy
‘The Golden Years’ and later led to ‘Phil The Fluter’s Ball’ becoming a major
hit. A BBC TV version of the play was broadcast in 1957 starring George Baker
and Joan Hickson.
‘The
Light in The Sky’ featured the life of another famous Irishman, Robert Emmet.
Dealing with a highly dramatic period in the life of Emmet, the18th Century
failed revolutionary, Giltinan asks many questions of history. How aspiring for
martyrdom was he? Was he a fair man? Was his judgement clouded by his
infatuation with the daughter of John Philpot Curran? Were his efforts to seize
Dublin Castle futile, given his small number of followers?
He
began working for BBC television, his first work was ‘The Gentle Maiden’
starring Joseph Tomelty and Sheila Manahan. First broadcast in February 1953,
the play was set in fictional waiting room of a railway station at Cloonana. A
month later his play ‘The Goldfish in the Sun’ was broadcast on BBC, once again
starring Sheila Manahan. In 1958 he wrote a six-part detective series titled
‘Duty Bound’. That same year he wrote a play ‘The Break’ for ITV. In 1963 he wrote an episode of the popular TV
series Armchair Theatre titled ‘The Snag’. He wrote the 1965 movie screenplay
for ‘Dead Man’s Chest’ starring a young John Thaw, later to star in the Sweeney
and Inspector Morse. The film plot centred on two cynical young journalists
attempt to expose the frailty of circumstantial evidence by planning to fake a
murder, but the plan goes wrong.
He
was married to Frances Harbourne in Baltinglass, Wicklow in 1931 and the couple
were living in Sussex. He died suddenly in 1976 in Malaga, Spain. His widow
passed away in 2001 aged ninety-nine.

No comments:
Post a Comment