Support Irish Radio History Archiving

Irish Pirate Radio Recordings

Saturday 30 October 2021

Irish Freedom Radio 1958

 



Ireland has a long tradition of pirate broadcasting and while the majority of the stations that aired were entertainment stations, there have been a number of politically motivated stations. From the anti-apartheid Freedom Radio in 1969 and H-Block protest stations of the 1980’s to Referendum supporting broadcasts during Divorce and Abortion votes, the illegal transmitters have been in action. There has been a number of IRA supporting stations and this is one of the stories.

 

At 1pm on Easter Sunday April 6th 1958 Dubliners were treated to the first broadcast from Radio Saor na hEireann or Irish Freedom Radio. The IRA sympathisers who operated the station on 209m MW began their broadcast by reading the Proclamation that had been read by Patrick Pearse on the steps of the GPO in 1916 in both Irish and English. Their transmitter which was capable of being heard over a thirty mile radius had been ‘expertly assembled from American parts’. The station stayed on air until 2.15pm. The station broadcast on various occasions over the next two weeks early around midnight or Sunday mornings as Radio Luxembourg’s powerful 208 transmitter would have made listening almost impossible due its close proximity on the medium wave band.

 

The following Thursday night the station opened at 11.30pm after Radio Eireann had closed and announced itself as ‘Irish Freedom Radio operating in Occupied Ireland. The media reported that a team of three men and one woman were heard on air and the broadcast lasted just seven minutes.


Shortly after 7pm on April 16th, a large force of Gardai raided a set of apartments at 7 Harcourt Terrace, owned by Treasa Ni Aodhain. The studio location was on the ground floor with the aerial connected to a television aerial on the roof. The station was located almost directly across the road from Harcourt Terrace Garda station. Also found in the search was a Bren gun, revolvers, ammunition and a large quantity of propaganda and paramilitary literature. No arrests were made.

 

Within days on the Northern side of the border the RUC raided a house at Leckpatrick, near Strabane where they seized another transmitter that had been used to rebroadcast some of the Dublin transmissions and was assumed would be moved to Dublin to replace the captured transmitter. The Monaghan transmitter on 209m had been operated in March as Freedom Radio during the Northern Ireland General Election.


The paramilitaries behind the station were back on air in August with a homemade low powered transmitter but reports in the Dublin city area stated that reception was poor. Their transmission on August 12th began at 11.15pm and the single broadcaster ended with the slogan ‘Long live the Republic’ and a patriotic song ended the transmission. The Gardai and Post Office officials using detector vans located the station and it was raided. Just after seven in the morning a large force of plain clothes Gardai and officials raided a house in Windy Arbour and seized a transmitter with the arrests of three men and a woman in connection with the station. They were questioned but released without charge. On January 18th broadcasts from a similarly named station were heard in County Monaghan. Taking to the airwaves at 10.30pm at night, they broadcast on 216m medium wave. The broadcasts from this station spoke out against the introduction of internment with trial in Northern Ireland. In February Gardai traced the broadcasts to two miles outside Monaghan Town and seized the transmitter. In October residents of Clones reported hearing a pirate radio station broadcasting ‘patriotic songs.’



Tuesday 26 October 2021

Donald Moore (DR. DON) - Obituary

 



As an amateur wordsmith finding words to write an article should be easy but when remembering the full and fascinating life of Donald Moore, most words seem inadequate. The easiest way to convey what this legend was, is to tell you that he was to a generation known as Doctor Don, not that he ever took the Hippocratic oath, but was a Doctor of Words on the Radio. Dr. Don was a larger than life character, that did more to promote the breaking of the RTE’s broadcasting monopoly than anyone else. We owe him a huge debt of thanks even RTE, as his antics woke them from their slumber.

 

Dublin born Don, was a pirate radio pioneer, an extrovert who used his eccentric personality to promote a new genre of radio broadcasting. While the tsunami of change was later led by Chris Cary, Robbie Robinson and the O’Connor family to name a small few, Don was the rock that was thrown into the lake of banality that was Irish radio in the late 60’s and early 70’s. It was his passion that sent out ripples of change across Ireland.

 

From his early days with Radio Dublin, his self-promotion to garner publicity for this new alternative radio landscape was inescapable from both listener and reader. From self-immolation threats outside the GPO at a Radio Dublin protest, to nestling his head in the bra and chest of a model, the zany antics worked a treat as many press column inches featured the new radio buccaneering with Don leading the charge from the front.

 

With his lovely wife Debbie, they gave over part of their home in Killala Road, Cabra to house initially Westside Radio, then Radio Dublin and later Alternative Radio Dublin, as the game of cat and mouse with the authorities attempting to raid and close the pirates gathered pace. No stranger to the courts on charges of illegal broadcasting, Don never let something like the threat of jail slow him down.


According to ‘That’sIreland’,

‘In 1975, Doctor Don Moore arrived. He was a young fast-talking, long-haired electrician, and he relaunched Radio Dublin, broadcasting music at weekends from his home in Cabra. When he needed someone to fix his transmitter, Don turned to the raspy-voiced, early-middle-aged owner of an electrical repair shop, Eamon ‘the Captain’ Cooke.

The Doctor and the Captain soon split, after a row about how the station should be run, and maybe also about the profits from selling t-shirts. For a while, in traditional Irish style, the pair ran rival Radio Dublins from their respective homes.

Don then joined forces with a rival pirate outfit, the imaginatively-named Alternative Radio Dublin, or A.R.D., which had been started the previous year in a garden shed in Drimnagh.’

 

Those run-ins included car ramming’s, physical intimidation and threats. But in the end Don’s ARD became THE station in Dublin, required listening, popular and occasionally profitable. ARD was a game changer and when radio industry professionals like Robbie Robinson (RIP) and Chris Cary (RIP) arrived in Ireland, they saw that the loopholes exploited by Moore’s ARD provided a template for their own stations.

 

In the pirate TV studios of Channel D in 1981

On air, his shows were to put it mildly, organised chaos. Perhaps with hindsight his zany antics are not politically correct but Don wouldn’t let something like that stand in his way. When the hobby stations of the mid-seventies began to become emboldened, Don found a businessman Bernard Llewellyn, owner of Anya TV, to invest in Alternative Radio Dublin. Don oversaw occasional, amateur hobby pirate radio move to a scheduled, tightly run, proper alterative radio. So many names in Irish entertainment can trace the origins of their success to that Georgian House on Mountjoy Square. From Mrs Brown, Brendan O’Carroll to Robbie Irwin, Ian Dempsey, Aidan Cooney and the late Gerry Ryan, they learned their skills firstly at . His access to publicity was legendary as newspapers, entertainment and music magazines and fanzines courted his story, Larger than life tales made his a larger than life character. He even found time to film advertisements for the short lived pirate television station Channel D, promoting a furniture store with of course the obligatory Dr. Don accessories, a scantily clad woman and lots of double entendres.

 

The former home of Moore on Killala Road

As the Super pirates hit the airwaves with Nova, ERI and WLR, Don’s perhaps less than professionalism was side-lined but while he didn’t travel that road, he certainly drew the map. He was a disruptor, a rogue and an amazing raconteur. He reinvented himself yet again and began to operate a successful faith healing service that managed to help many in a way only Don could. His life experiences were those of many who had to overcome troubles.

 

Despite his enormous contribution to Irish radio history, his real pride was in his daughter Lacy. A talented actress who has appeared in Emmerdale, the Fall and numerous other productions, each time she was due on TV or away filming, a text from Don would inform me and his pride shone through brighter than any solar light. He rang me not so long ago to tell me that his brother had died in London and because of restrictions he was unable to travel but he spoke with such sensitivity to me that Lacy had attended to represent the Dublin side of the Moore family.

 

He is fondly remembered by all those who found their feet in pirate radio and later legit radio. He is fondly remembered by those who met him and was always dressed to impress. Personally, since a pirate radio gathering organised by pirate.ie in October 2018, I have met and spoken to Don on countless occasions, he passed on untold stories, memorabilia as donations to The Irish Pirate Radio Archive at DCU and we just chatted about life, loves and the craic. We are blessed that there are so many interviews with Don both in print and in person, that our memories of his will not diminish, that he will forever be in our hearts and his family in our prayers.


Donald (Dr. Don) Moore a deserved recipient of any Irish Radio Hall of Fame Award,

Ar dheis Dé go raibh a anam

 

This is the station history of ARD from my book ‘A Century of Irish Radio 1900-2000’ available on Amazon.

Alternative Radio Dublin - 257mMW

As the name suggests the station positioned itself as a breakaway from Eamon Cooke’s Radio Dublin. The station was first launched in July 1976 broadcasting from a garden shed in Drimnagh on 217mMW. The station had been launched by Davitt Kelly, Mark Storey and Declan Meehan who were joined in 1977 by Don Moore (known on air as Doctor Don). The station was moved to Don Moore’s home on Kilalla Road Cabra where it was raided and briefly closed on September 15th 1976. Just after midnight Post and Telegraph officials backed up by the Gardai raided the station. The authorities were becoming increasingly concerned that the station had been expanding its broadcasting hours but even after the raid the station remained broadcasting only on Sunday afternoons. The charges against Moore were dropped in the subsequent court case in June 1977 when a witness Eamon Cooke described as a ‘radio officer’ said that the equipment produced in court could have been used for purposes other than broadcasting. When the Post and Telegraphs engineer Peter Moloney was recalled to the witness box he had to agree with Cooke’s observation.

 

Moore had initially been a partner with Eamon Cooke in Radio Dublin until the men violently fell out. Moore offered the ARD a home which was broadcasting on low power every weekend with a quality of programmes that made them stand out against the other hobby pirate stations including Radio Dublin.

 

In 1978 Moore met with a television retail storeowner Bernard Llewellyn while selling advertising. After several meetings Llewellyn bought into the station at Moore’s request without any consultation with the other owners. One by one they left the station until only Moore and Llewellyn were left. In January the station moved out of Moore’s home into a Georgian building on Belvedere Place and with that move came a frequency change from 217m to 257m.

 

On January 28th 1978, ARD announced ambitious plans to cover the Minister for Finance’s Budget Day speech on February 1st with a reporter at Dáil Eireann, Howard Kinlay and a guest panel in studio to discuss the Budget. Howard Kinlay was a unique broadcaster in pirate radio circles as he was one of the few who had worked for RTE before moving onto pirate radio. The former President of the University Students of Ireland organisation was from the late 1960’s a member of staff at Radio Eireann’s radio headquarters in the GPO. As a presenter in 1969 along with Sean MacReamoinn he presented a special programme on the 50th anniversary of the meeting of the First Dáil. He garnered newspaper headlines in 1972 as the producer on the ‘Opinion’ programme when planned interviews with members of Sinn Fein were pulled by RTE in fear of contravening Section 31 of the Broadcasting Act. He became well known in media circles as both the editor and occasional producer of the popular radio show ‘Here and Now’. In 1973 Howard decided to leave the station and take up a position with the Irish Management Institute. He a 1973 Irish Press article Howard said that

‘a lack of resourses one is forced to work to a lower standard. One is forced to put a programme out on air before it was ready to go on air’

In late 1977 as ARD continued to expand Howard joined the pirate station.

 

Mountjoy Square

In March 1978 at a press conference at ARD headquarters it was announced that Howard[1] was taking on the position as Director of Programming, On January 31st while DJ Jason Maine (real name Pat Long) was on air Gardai and officials from the Department of Posts and Telegraphs raided and closed the station. The station managed to get itself back on the air but the transmitter was of poor quality. In May 1978 was reported by the Irish Examiner,

 

‘A raid by Gardai on the pirate radio station, Alternative Radio Dublin, was described in Dublin District Court yesterday when the owner Bernard Llewellyn of 76, Walnut Rise, Dublin, was fined a total of £25 for having in his possession a radio frequency power amplifier for a radio frequency oscillator without a licence, on January 11. The Court ordered the forfeiture of the apparatus.

Detective Sergeant Bernard McLoughlin, Investigation Branch of the Department, told District Justice Seamus Mahon that he was involved in the investigation of illegal wireless telegraphy apparatus by pirate radio stations. On January 31 he visited 43 Belvedere Place, headquarters of A.R.D. having with him a search warrant. He was accompanied by other Gardai and by members of the Department's engineering branch and in a small room on a landing ne saw wireless telegraphy apparatus actually in operation.

Some of the party heard the announcement being made: "Station A.R.D. is now being closed down due to a raid by the Department of Posts and Telegraphs".

 

Following a visit by Llewellyn to Capital Radio in London to assess their success, a new transmitter was purchased and a new format introduced. A new degree of professionalism previously absent from the Dublin pirate scene was created and the station went from being a hobby operation to broadcasting seven days a week with a full schedule. On the back of programmes like Jason Maine’s ‘Drivetime’ and Paul Vincent’s ‘Pyjamarama’ shows the station became the most popular in Dublin taking the younger audience away from RTE.

 

On January 7th 1979 two DJ’s Conor Downes and John Hassett were injured in an explosion at the station initially blamed on a ‘experimentation with laboratory chemicals’. The TV and stage comedian and creator of ‘Mrs Brown’, Brendan O’Carroll was in the station at the time of the blast.

D.J. "Uncle Bren the kiddies friend" (Brendan O'Carroll) said: "At 9.30 I was just putting on a record when I heard this almighty bang. It threw me out of my chair. I thought it was more car bombing. I ran into an adjoining office and lay on the ground. Later I ran down stairs to see what had happened and there was blood on the steps of ARD headquarters. There were five fire brigades and several police cars and hundreds people around.

 

Mrs. Brown (Brendan O'Carroll AKA Uncle Bren)

In July 1979 ARD was put off the air for four hours when RTE obtained an injunction to stop the station broadcasting for a set period as RTE Radio was conducting a live outside broadcast from the nearby St Francis Xavier Hall featuring the RTE Symphony Orchestra and featured international singer Marian Montgomery. RTE claimed that ARD’s transmitter was interfering with their OB link to Montrose and the injunction was granted with ARD ceasing transmissions for the four hours.

 

After almost two years at the top of the rating, Llewellyn decided to close the station with the intention of applying for one of the new Independent radio licences that were speculated to be on their way. The station struggled when some of its most popular on air talent was taken by RTE’s new national pop station RTE Radio 2. ARD closed down on December 31st 1979 but it would be another ten years before independent commercial radio was launched in Ireland.

     

Don Moore had originally studied to be an electrician but became involved in pirate radio in 1975 when he launched Westside Radio. Westside had been a shortwave station. Moore would later leave the radio business and became a faith healer based in Drogheda, County Louth.  His website describes him as an ‘International Psychic Healer, Mind, Body & Spirit Therapist’.

 

The ARD (Radio 257) aerial above the Crofton Airport Hotel, Whitehall

When Llewellyn decided to close ARD, he sold the station to a group of the stations DJ’s including Dave Cunningham who in an interview in 1991 with Denis Murray said they had paid just under £5,000 for the station but were unable to use the moniker ARD and so it was renamed Radio 257. They moved location to the upper floors of the Crofton Airport Hotel and would later revert to its original name ARD. The station moved yet again to be based above the Walton’s Music South on Frederick Street although technical issues dogged the station. The arrival of the formatted super pirates of Sunshine and Nova in the early eighties fatally damaged ARD both in terms of listenership and advertising and costing about £600 per week to run ARD disappeared from the airwaves. In the same interview in 1991, Cunningham revealed that at a breakfast in the Berkley Court Hotel, he met with Robbie Robinson, Chris Cary, Brian McKenzie and Phil Solomons who instead of setting up a new Dublin pirate radio stations from scratch offered to buy ARD for £33,000 but Cunningham turned it down and Robinson and Cary went ahead with plans to launch Sunshine Radio.  




[1] Howard Kinlay later worked as a Radio critic for the Irish Times passed away in 1987 aged 44 leaving behind a wife Collete and three children.


For further reading see


Friday 22 October 2021

Ireland's Only Offshore Pirate

 



One of the more unusual Irish pirate radio stations appeared on the airwaves almost by accident but it became widely popular with fan mail and requests arriving from all along the East Coast of Ireland and as far away as Manchester. Unusually too for Ireland it was based not on land but at sea and one man John McGuinness, deserves much of the credit for providing the entertainment.


McGuinness was born in Blackrock in County Louth and after a brief time as a trawlerman he found himself from 1954 working as a relief officer on the Dundalk Pile Lighthouse. Located in Dundalk Bay, the lighthouse dated back to the mid nineteenth century. In May 1958, under the direction of the then chief lighthouse keeper William Hamilton, a radio telephone was installed. This allowed the operators on board to maintain contact with ships entering Dundalk port, transiting through the Irish Sea and other lighthouse and lightship operators. In an interview in the Dundalk Democrat[1] following a feature on RTE TV’s ‘Nationwide’[2] programme, John McGuinness recounted how he became a pirate radio star and to become known as ‘the Singing Lightkeeper’.

 


He said that it began when John Scanlon in the Kish Lighthouse heard John singing in the background and asked him to sing ‘The Boys From County Armagh’ but while he thought he was just doing a colleague a favour, his fame was travelling quickly. The radio transmitter on the lighthouse transmitted on 191.4m medium wave, not far from the popular Radio Luxembourg on 208m. In 1958, Radio Eireann’s output was limited and many tuned into Luxembourg once RE closed down. As they scrolled down the medium wave band, they came across the broadcasts from the Dundalk Lighthouse.

The sing song over the airwaves was a hit. Fan mail began to arrive on the lighthouse along with supplies. Requests to say hello to those listeners were also being delivered and aired. In an interview in 2005 for the Louth Archives project[3], John recounted,

‘we started getting fan mail and I got letters from Manchester, Manchester, Ballycotton, from Howth and Dundalk around and then there was this one came from Warrenpoint and it said “Dear Johnny, We enjoyed your rendering on Saturday last of ‘the boys from the County Armagh’.  What about giving us that good old county Down ballad on Saturday next ‘Dolly’s Brae’”.  I didn’t know what Dolly’s Brae was but I believe it’s an orange song you know.’ 

 

I knew they were receiving me and I’d say “goodnight Marcella, goodnight Pat, my brother, goodnight Sean and goodnight, they were only wee toddlers thing.  So anyway, next I’d be saying goodnight and next anyway, this day was of a Saturday and Larry Butler was the other lighthouse keeper.  He was turned in, he was having a bit of a lie in.  So anyway next (makes a knocking sound), there was someone there.  So next I looked down the ladder here, I looked down and this fella says, “me mammy sent this out to you”.  So, I put down a rope, hauled it up. “me mother says will you say goodnight to her on the radio tonight?”  And when I opened the bag what was in it only a dozen of stout, a dozen of eggs and all the daily papers.  Larry Butler he loved a drink too and I grabbed Larry said I “you better come out”.  This is out in the middle of the Summer, “Santa Claus has arrived” says I.  So next anyhow he comes out and we’d a half a dozen each, a dozen of stout and I said certainly we’ll say goodnight to you and we said “Good-night Mrs Vernon Annalacken Shore and good-night Michael” to the son do you see.  So be Jesus the next evening about 24 hours later here I see someone coming out and wasn’t it the younger brother with another bucket, with another bag and the same thing again.  I’d to say goodnight to the brother, the other lad then Jimmy then.  But it gained momentum you see and we used to get an awful lot of fan mail.  That was before there was any pirates, I was a pirate.  I was a pirate before there was any radio pirates.


The pirate broadcasts continued through 1958 and 1959 but in 1960 John McGuinness found a full time position on land with CIE as a bus driver where he stayed until his retirement in 1999.

 

The Dundalk Lighthouse and their 191.4m frequency made the newspapers again in 1970 when a new offshore pirate radio station in the North Sea, Radio North Sea began broadcasting initially on 186m but in April 1970, they mistakenly moved to 190m causing interference to Lighthouse around the coasts of the British Isles and therefore impacting on the safety of the shipping traversing those seas. After a jamming campaign on the station’s frequency, RNI moved to 217m[4].

 


Radio Scotland was located on board a ship broadcasting off the coast of Scotland near Troon, when pressure from the authorities forced the ship to lift anchor and cross the Irish Sea to anchor off Ballywalter in County Down, following an unscheduled anchorage in Belfast Lough sheltering from a storm. On April 9th 1967 at 12.31p.m., Radio Scotland and Ireland as it announced itself began broadcasting on 242mMW. The station stayed on the air for a month before pressure from Northern Ireland's Customs service forced the ship onto the seas once more and back across the sea towards Scotland.

 

 

Sources & Thanks

Dundalk Democrat

Irish Newspaper Archives

The Louth Archives

RTE Archives

The DX Archive

World Radio History Archives

A Century of Irish Radio 1900 - 2000



[1] Dundalk Democrat 1849-current, April 18th 2007, page 14

[2] RTE Archives

[3] Interviewee: John McGuinness - Interviewer: Russell Shortt - Date: 23 August 2005 at Louth County Archives

 

[4] The Offshore Pirate Radio Museum

Monday 11 October 2021

Week One of 2RN - The Domination by Women

 

The majority of performers in the first week of 2RN were female. This photograph from the Radio Times (BBC Genome) shows a gathering of performers in the studios in Little Denmark Street


At 7.45pm on January 1
st 1926, founder of the Gaelic League and future President of Ireland[1], Douglas Hyde officially inaugurated the Irish Free State’s new radio service 2RN. The opening received extensive coverage in the press and the first fifteen minutes of the station were relayed by the BBC[2]. This relay meant that people in Cork could hear Hyde clearer from the stronger BBC transmitter than from Dublin. Yet the new station received a number of reception reports from as far away as Dover referencing their own frequency[3].

Once the initial success of the first night’s broadcast was over, what was the Irish listener treated to in the first week of 2RN? Limited financial resources from the Department of Finance meant that the station and its first director of broadcasting, Seamus Clandillon, were restricted in their output. Their studios were located on the third floor of an old warehouse on Little Denmark Street, off Henry Street in Dublin city centre and a transmitter housed on the grounds of McKee Irish Army barracks near the Phoenix Park. On Saturday January 2nd 1926, 2RN was on air for just two hours from eight in the evening. The schedule for that evening was as follows,

8 pm

Time Interval Signal

8.05 pm

Music Selections -Popular

8.15 pm

Clery's Instrumental Trio - Classical

8.25 pm

Group Songs Joseph O'Neill

8.35 pm

New Gramophone Records

8.45 pm

Clery's Instrumental Trio - Classical

9 pm

Group Songs Florence Ackerman (Contralto)

9.10 pm

Violin solo Rosiland Drowse

9.35 pm

Group Songs Joseph O'Neill (Tenor Rathmines Musical Society)

9.45 pm

Group Songs Florence Ackerman

10 pm

Weather Forecast

Closedown

 


The ‘Time Signal’ was used to help the listener identify the station once the transmitter was powered up. 2RN and later Radio Eireann adopted the tune ‘O’Donnell Abu’ as its signature opening signal. The ‘Music Selections’ after the ‘Time Signal’ varied throughout the first month’s broadcasting. Some evenings gramophone records would be played, live singers were employed and if they failed to show, the station director Clandillon, an accomplished musician, and his wife[4] Mairead, a Irish traditional and folk singer, would fill in at short notice to avoid any dead air.

 

Seamus Clandillon

At 8.15pm, the ‘Clery’s Instrumental Trio’ gathered around the studio microphone and began to play a selection of air. An ‘Instrumental Trio’ at that time was regarded as a pianist, a violinist and a cellist. Clery’s was one of Dublin’s most famous and popular stores located on the capital’s main thoroughfare, O’Connell Street. It was an early form of sponsorship on the radio to have the department stores name announced several times each night and have it appear in the newspaper listings for the station’s broadcasts, but for 2RN they received no payment from Clery’s and in fact paid a fee to the trio of musicians they employed. The ‘Clery’s Instrumental Trio’ consisted of, on piano Aileen Doyle, Bessie O’Hart Bourke on the violin and Chrissie Fagan playing the cello. The ‘Trio’ over the following years had several personnel changes and by the end of 1926 they had been renamed the ‘Station Trio’. Over the following years the trio expanded in a mini orchestra and eventually the Clery’s Instrumental Trio became the Radio Eireann Orchestra, still supported today by the State broadcaster RTE. Once Aileen Doyle left the Clery’s group she formed her own trio which proved successful in many dancehalls across the country. The Clery’s Trio would feature daily in the first week of broadcasting and illicted this reaction from a member of the public in a letter to the Irish Independent signed ‘Raithneach[5]

‘A word of praise to Clery’s Instrumental Trio, they came across very well indeed. Vocal items were not so good and artistes ought to remember that coughing, clearing of the throat etc, before the microphone is unpardonable’.

 

Ten minutes later Joseph O’Neill, tenor came to the microphone and sang a number of songs with the accompaniment of the Clery’s Trio. O’Neill was a member of the famous Rathmines and Rathgar Musical Society. To give the musicians a breather some gramophone records were aired, these were almost always symphony pieces by composers like Bach and Tchaikovsky. At 8.45pm, the Clery’s Trio were back on the air entertaining the listeners. At 9pm contralto Florence Ackerman was the next performer to step up to the microphone in Little Denmark Street. After her flirtation with radio ended, she joined the staff of the Irish Independent where she worked until she was left to get married in 1928. At 9.10pm listeners were treated to a violin solo by Rosiland Dowse for ten minutes. In the green room the musicians waited to return to the airwaves. From 9.20pm until 10pm, the Clery’s Trio played ‘two Irish airs, were followed by Joseph O’Neill again and then Florence Ackerman. The final selection of the night was a piece from Gilbert and Sullivan’s opera ‘The Gondoliers’. Of the six performers on air that Saturday, five were women and just one man.

At 10pm station announcer Seamus Hughes read the weather, delivered to them from the Irish Independent newspaper offices on Middle Abbey Street[6], and the station closed. A couple of important aspects of future radio broadcasting were absent in that first week. There were no news bulletins, no advertisements and no playing of the Irish National Anthem at the end of the transmission day.

 There were no broadcasts on Sunday. Broadcasting on Sunday’s did not begin until the beginning of February 1926.

7.30 pm

Outside Broadcast from the Bohemian Theatre

8 pm

Time Interval

8.05 pm

Humorous Monologue Val Vousden

8.15 pm

Tybrone Four (AW Tyrell, JJ Brennan, C Rooney & J Neilan)

8.25 pm

Joan Holland

8.35 pm

Musical Selections Irish Airs

8.45 pm

Clery's Instrumental Trio - Classical

9 pm

Joan Holland

9.10 pm

Tybrone Four (Tyrell, Brennan, Rooney & Neilan)

9.35 pm

Clery's Instrumental Trio - Classical

9.45 pm

Tybrone Four

10 pm

Weather Forecast

Closedown

 

Monday saw a new departure with a half hour outside broadcast beginning at 7.30pm from the Bohemian Cinema and Theatre in Phibsboro. As 2RN were carrying out tests transmissions in December prior to its official launch, a number of outside broadcasts came from La Scala Theatre close to the studios but for it’s first official OB, a telephone line connected the microphone in the Bohemian to the studios in Phibsboro. With talking movies slowly coming, most cinema’s employed musicians especially organists to accompany the silent movies of the stars of the day including Charlie Chaplin and Douglas Fairbanks. The organist at the Bohemian, Mr. Francis Harrison, played numerous airs until 8pm. Next to the airwaves was ‘A Humorous Monologue by Val Vousden’. There was much criticism of the new station’s output over the following weeks and months at the over dependence of operatic and classical music and the lack of humorous, light entertainment. Carlow born William Francis Maher MacNevin, in 1885, having served on the western front during World War One, returned to Dublin and found himself on stage under the stage name Val Vousden. He appeared in a number of silent movies of the period including ‘Irish Destiny’, on stage at the Olympia, Theatre Royal and Gaeity and was one of the first regular light entertainment contributors to 2RN.

 

Vousden was followed by The Tybrone Four (later known as the Tybrone Quartet). The quartet consisted of A.W. Tyrell, J.J. Brennan, C. Rooney & J. Neilan, with their group name taken from the first two letters of their surnames. The male harmony was followed by the operatic talents of Joan Holland who performed two ten minute slots from 8.25pm and 9pm. Between her two performances gramophone records and a contribution from the Clery’s Trio kept listeners entertained. For the final hour, the Tybrone Four and the Clery’s Trio alternated performances. The final act of the night was the reading of the weather for the following day.

                8 pm                             Time Interval

                8.05 pm                        Louis O'Brien’s Boys Choir

                8.15 pm                        Clery’s Trio

                8.25 pm                        Choir

                                                     Choir

                                                     Choir

                9 pm                             William Reddy

                9.10 pm                       Clery’s Trio Russian Music

                9.25 pm                       Louis O'Brien’s Boys Choir

                9.30 pm                       William Reddy Cello Solo

                9.40 pm                       Choir

                10 pm                          Weather Forecast

                                                    Closedown 

 Tuesday’s broadcast from the fledgling station was a special day for the choir of St. Andrew’s Church on Westland Row. Since the foundation of the Church in 1834, there has been a choir in St. Andrew's. The Male Voice Choir consisted of boy sopranos, tenors and basses. The choir under the direction of Louis O’Brien, made their way to the Little Denmark Street studios and would perform both as a choir and with individual contributions. They began after the Time Interval with two pieces ‘See Amid The Winter Snow’ and ‘Dia Mater’. They were followed at 8.15pm by a contribution from The Clery’s Trio, ‘Samson and Delilah’, then a couple of solo from choir members. At 8.30 Master Gillette delivered a Boys Solo of two Gaelic songs ‘Druimfhionn Donn Dilis’ and ‘Sois Gael Dubh’. Mr. C.L. Kenny, a tenor, sang ‘The Glory of the Lord’ by Handel accompanied by the Choir, packed into the small studio. The choir were given a break when William Reddy performed a Cello solo with Hilda Shea at the grand piano that Clandillon had installed permanently in the studio. A bass solo by Mr. S Jones followed at 9.05pm while the Clery’s Trio delivered a number of Russian folk songs for ten minutes. At 9.20pm David Legge performed ‘Sit Lans Plena’ with the choir, followed by another performance by William Reddy. At 9.35pm another of the young choristers Master C. Doyle took to the air with a performance of ‘The Last Rose of Summer’. The Choir then rounded out the evening’s entertainment with some solos. A baritone performance of ‘Agnus Dei’ by John Neilan, a tenor solo by David Legge of ‘Jesu Doloris Victima’ and a group performance of the Hallalujah Chorus ended the contribution of the St. Andrews Choir. The night’s broadcast ended with the Clery’s Trio performing an instrumental version of ‘The Mikado’ by Gilbert and Sullivan.  The station as usual closed with the weather forecast for the following day.

7.30 pm

Outside Broadcast from the Bohemian Theatre

8 pm

Time Interval

8.05 pm

Songs by Miss S Jameson

8.15 pm

The Clery's Trio

8.25 pm

Songs by Mr. TJ Flynn

8.35 pm

Traditional Violin Cormac MacFionnlaoich (McGinley)

8.45 pm

Clery's Trio

9 pm

Songs by Miss May Mortell

9.10 pm

Songs by Mr. TJ Flynn & May Mortell

9.35 pm

Traditional Violin Cormac Fionnlaoich

9.45 pm

Clery's Trio

10 pm

Weather Forecast

Closedown

Wednesday’s transmissions once again began with a organ recital relayed from the Bohemian Cinema. Once the ‘Time Signal’ introduction had been completed Miss Sheila Jameson sang three tunes, ‘Down Here’, ‘Leaves in the Wind’ and ‘My Prayer’.  She was followed yet again by an appearance of the Clery’s Trio. Next up to the microphone was baritone T.J. Flynn, a Feis Ceoil gold medal winner. From 8.30pm he delivered three songs in the Irish language, ‘Bean Dubh an Gleanna’, ‘An Tuirinn Lin’, and ‘Marie ni Griobhta’.  Cormac MacFionnlaoich (McGinley) then played three Irish airs on the fiddle, ‘An Cailin Fionn’ , ‘An Buachaill Caol Dubh’ and ‘An Laon-Dubh’. The Clery’s Trio then returned and played a couple of instrumental Irish tunes including the hornpipe ‘Little Brother of my Heart’. A new artist then approached the boxed microphone, contralto/soprano Miss May Mortell delivered ‘The Lover’s Curse’, ‘Half a Bap’ and ‘My Aunt She Died’. Mortell ‘who’s voice and style won immediate approval’[7] was a well known performer on many of the Dublin Stages including the Theatre Royal and the Queens. Mortell also recorded a number of Irish songs for a growing collection of records created by Conradh na Gaelige.  T.J. Flynn returned with a couple of more songs including ‘The Parting’ and then Flynn and Mortell sang a number of duets that took the broadcast to 9.30pm. McGinley then played a couple of more traditional Irish airs including ‘A Raibh tu ag an gCarraig’. That night’s entertainment was rounded off by the return of the Clery’s Trio who played until the weather forecast and closedown at ten o’clock.

7.30 pm

Live Organ Music from Bohemian Theatre

8 pm

Time Interval

8.05 pm

Gramophone Record Tschovsky Symphony

8.15 pm

Clery's Trio

8.25 pm

Songs by Irvine Lynch

8.35 pm

8.45 pm

Songs by Teasa Owens (Reported as Terry Owens)

9 pm

Clery's Trio

9.10 pm

Songs by Irvine Lynch

9.35 pm

Songs by Teasa Owens & Violin Solo by Miss Bessie O'Hart Bourke

9.45 pm

Clery's Trio

10 pm

Weather Forecast

Live Organ Music from Bohemian Theatre

Closedown

 

Thursday’s transmissions began once again with a relay of an organ recital from the Bohemian Cinema, though the radio trade papers reported a ‘less than satisfactory connection between the organist and the studio’. Once the ‘Time Signal’ was completed at 8.05pm, 2RN played a gramophone record, a ‘Tchaikovsky Symphony’. The Clery’s Trio with their piano, cello and violin then performed ‘La Boheme’. Another new performer joined 2RN’s parade of artistes was Mr. Irvine Lynch, who had a long and popular career throughout Dublin’s stages. He was a baritone singer who had also performed with the Rathmines and Rathgar Musical Society. He had previously performed as the featured singer with the Number One Irish Army Band under Colonel Fritz, who had performed on the opening night of 2RN in a outside broadcast from Beggar’s Bush Barracks. Lynch continued to perform on stage and on Radio Eireann until his passing in the late 1950’s. The next performer on 2RN was advertised as Terry Owens, Soprano, in some newspapers schedules while in others she was described as Treasa Owens.


In fact, Terry was born Terry O’Connor in 1897 near Waterford city. The daughter of a publican, she studied the violin at the Royal Irish Academy of Music in Dublin. After graduating she worked as a full time cinema musician playing the violin and performed at the 1922 Irish Race Convention held in Paris. After a number of solo appearances on 2RN in January, she joined up with the Clery’s Trio which became the national broadcasters’ embryonic orchestra. In 1928 she married an engineer David Glasgow but she continued to perform under her stage name. Terry’s sister Viola joined the new orchestra as a cellist and by 1937, when 2RN was renamed as Radio Eireann, the station orchestra was being led by Terry.

 

At 9pm, the Clery’s Trio returned to the airwaves followed by the return of Irvine Lynch. The three artistes, The Clery’s Trio, Irvine Lynch and Treasa Owens alternated contributions with the addition of another violinist Bessie O’Hart Bourke. By wartime, O’Hart Bourke was performing on Radio Eireann with her own Trio after spending a number of years playing with the Gresham Hotel Trio. Thursday’s transmissions ended with another relay from the Bohemian Cinema.

7.30 pm

 Live Organ Music from Bohemian Theatre by Mr. Harrison

8 pm

 Time Interval

8.05 pm

Gramophone Records

8.15 pm

Clery's Trios

8.25 pm

Lyric Quartet

8.45 pm

Cello Solo by Miss Chrissie Fagan

9 pm

Violin Solo Miss O'Hart Bourke

9.10 pm

Solo by Miss Dora Levey

9.35 pm

Lyric Quartet (Joan Burke, Renee Flynn, Irvine Lynch & Joseph O'Neill

9.45 pm

Clery's Trios

10 pm

Weather

 

Live Organ Music from Bohemian Theatre

Closedown


Friday night began like the previous nights with a relay of an organ recital from the Bohemian. The relays were timed to be broadcast before the film was shown and after the end of the film. After a couple of gramophone records the Clery’s Trio took to the airwaves yet again. The department store was gaining access to free advertising every night on the airwaves of 2RN. A Lyric quartet, made up of Joan Burke, Renee Flynn, Irvine Lynch and Joseph O’Neill, then performed. The quartet were regular performers at the Bohemian Cinema.

Renee Flynn, a soprano that has appeared on every radio station to broadcast in Ireland up to the Second World War. In January 1926 Ms. Flynn’s appearance on 2RN was not her first visit in front on the radio microphone. In December 1925 she had sung on the stage of the La Scala Theatre off O’Connell Street which was relayed to the nearby studios of 2RN and aired live as a test broadcast for the new station. But even her December broadcast was not her first as she became one of the first women to appear on Irish radio when she broadcast on 2BP.  2BP was a Marconi organised temporary station that was set up to prove to the new State’s Government the power of radio. It’s studios and transmitter were located in the Royal Marine Hotel, Dun Laoghaire and a main listening-in station set up in the RDS during that years annual Horse Show. Renee sang into the microphone shortly after the station had been visited by President William T Cosgrave, who was originally visiting the hotel to meet with New York Supreme Court Judge, Daniel Cohalan.

Renee and her immense talent would enthrall theatre goers and radio audiences alike and she was in high demand. Not content with appearing on the first two licensed stations broadcasting from Dublin 2BP and 2RN, she appeared on the other Irish station 2BE singing with the Belfast Wireless Orchestra in April 1933. Earlier in 1931, she crossed the Irish Sea to London to appear on the London Regional Service before performing and recording with the BBC Symphony orchestra in 1936. Her broadcasting career in Ireland continued as 2RN was transformed into Radio Athlone in 1933 and when Athlone was renamed Radio Eireann in 1937, one of the first singers to appear on the station was Renee Flynn accompanied by the Irish Radio Orchestra.

Joseph O’Neill would be a regular performer with Irvine Lynch and they appeared in numerous productions produced by the Rathmines and Rathgar Musical Society. Joan Burke, a contralto, was also a member of the R&RMS and a sister of the Irish Free State political leader W T Cosgrave. O’Neill and Burke had performed on the opening night of 2RN on January 1st.

Chrissie Fagan was one of Dublin’s most popular cellists, playing with numerous trios across the city. She was followed by another performance by O’Hart Bourke at 9 o’clock. Ten minutes later another new voice was heard in the form of soprano Dora Levey. The Lyric Quartet came back on the air followed by the Clery’s Trio who played out the evening from the studios until ten. Following the weather forecast for Saturday, another relay from Francis Harrison playing from the Bohemian Cinema, the station closing down just before 10.30p.m.

7.30 pm

Talk by Michael O'Lonain

8 pm

Time Interval

8.05 pm

Gramophone Records

8.15 pm

Clery's Trio

8.25 pm

Songs by Lily McCarthy

8.35 pm

Gramophone Scottish Airs

8.45 pm

Songs By Herbert McCormick

9 pm

Clery's Trio

9.10 pm

Songs by Lily McCarthy

9.35 pm

Violin Solo Miss Bourke & Songs by H McCormick

9.45 pm

Clery's Trio

10 pm

Weather Forecast

Bohemian Theatre Orchestra

Closedown

 

By Saturday 2RN was celebrating its first week on air, receiving mixed reviews both for its reception and its content. It was also competing with stations like 2LO from London, 2ZY in Manchester and 2BE north of the border in Belfast. The British stations were broadcasting longer hours and a more varied programme content. For a departure in content 2RN opening at 7.30pm on Saturday 8th with a talk in Irish titled ‘Tuaisceart na Spainne[8]’ delivered by Michael S. O’Lonain. At eight the time signal aired followed by gramophone records chosen by station direction Seamus Clandillon. At 8.15pm just as they had done most of the week, The Clery’s Trio performed pieces from the opera ‘La Tosca’. It would be another night dominated by female performers. There was a belief that their operatic voices suited the airwaves better than their male counterparts. There is also some evidence that they were cheaper to hire and less worried about their reputations suffering from the new medium and many of the male performers, suspicious of the wireless, were unwilling to give up paid gigs across the city to perform in front of a microphone.



Next up was Lily McCarthy who song three songs, ‘Oh Song Divine’, ‘Carmena’ and ‘Down Here’. Her contribution was followed by some records of Scottish airs, then the only male performer of the night Herbert McCormick, a baritone sang three more songs, A ‘Fathers Love’, ‘If I Might Come To You’ and ‘The Lute Player’[9]. The Clery’s Trio played another ten minutes while at 9.05pm Lily McCarthy was back to sing ‘Child O Mine’, ‘I Know a Lovely Garden’ and ‘In Old Madrid’. Bessie O’Hart Bourke then performed a violin solo followed by Herbert McCormick once more with three tunes. At a quarter to ten The Clery’s Trio performed ‘Lilac Time’[10]. The weather forecast followed and another relay from the Bohemian Cinema in Phibsboro.

 

 



[1] Hyde’s presidency 1938 - 1945

[2] Although part of the BBC, the London station was known as 2LO

[3] 390m Medium Wave

[4] They married on January 19th 1904

[5] The Gaelic word for ‘Bracken’

[6] The Irish Independent moved to new offices on Middle Abbey Street on January 1st 1926 from their previous offices on Trinity Street.

[7] The Anglo Celt newspaper

[8] Translates as ‘Northern Spain’

[9] Words by William Watson, music by Francis Allisten

[10] Written by Arthur Foote in 1917 based on a poem by Alfred Noyes


Sources:

The Irish Newspaper Archives

The British Newspaper Archives

The National Archives

BBC Genome

World Radio History

US Media Archives