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Saturday, 10 October 2020

The History of Irish Pirate Television

 


The following is an extract from the forthcoming book on Irish television history outside the broadcasts and programming of the State broadcaster RTE. The book 'The Flickering Images Beyond Montrose' will be published in late 2021 and will explore the history of television reception in Ireland, community television such as Cork Community Television and NVTV, Irish satellite broadcasters like Buzz TV and Setanta Sports, regional stations like the City Channel network in the early 2000's, internet stations like An Lar TV and Scrogall TV and of course pirate television. 


There has been some interest recently online regarding pirate television stations that have gone on air in Ireland. For those viewers hooked on satellite television, Netflix or Amazon boxsets, pirate television broadcasting on analogue seems to be from a forgotten era but in 2021, we will be celebrating the fortieth anniversary of the first broadcast from a pirate television channel in Ireland. This is part one and will concentrate on the brief but eclectic history of pirate television in Ireland. RTE began broadcasting on December 31st 1961 and for nearly two decades the fledgling station dominated the airwaves alone. Cities like Dublin were being cabled removing the thousands of rooftop aerials that doimated the skylines. Dublin with its population of almost a million people was the location of RTE’s main studios but the stations served an entire nation and as pirate radio stations were now clearly leading the airwaves battle for ratings and generating millions of pounds in advertising revenue, the next logical step was for a television channel. The first attempt at providing a community television channel for Dublin began as an official channel but fears from the Government of the time that it would break RTE’s monopoly and that they could not control an independent media. 

 

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BALLYFERMOT COMMUNITY TELEVISION

 

In 1973 Phoenix Relays the TV cable company negotiated with the Ballyfermot Community Association prior to installing their piped TV system in the area. They agreed that they would provide the means to establish a local community television channel. At that time there were over 5000 houses in the Ballyfermot area so it was of a significant size and highly organised as a working-class community. The main directors and owners of Phoenix Relays had worked previously in RTE and were directly involved in establishing the national station. They left the state company with the intention of cabling the wider Dublin area. This provided a unique opportunity to establish an alternative TV channel and this was clearly part of their intentions at the time. They almost achieved this ambition in the mid 1970’s and the participation of the Ballyfermot Community Association provided the basis for this attempt.


The installation of the piped system took approximately one year to complete. Incidentally, the initial cost of the piped TV service was £12.50 for a year in 1973 compared to £100 now. The local television station was inaugurated for community week in September 1974. An out side broadcasting station was hired by Phoenix Relays for the week with full colour and editing equipment. A studio was provided in the main shopping area over the Phoenix Relays office. The technical crew was made up by staff from Phoenix Relays. All of the production, presentation, research, interviewers, make up and programme control was provided by local people. Phoenix ensured that the programmes were recorded and broadcast but had absolutely no involvement in determining the content or scope of the programmes produced. The station was organised and run through two local groups, the Ballyfermot Community Association and the Ballyfermot Arts workshop. Both had core full time staff of three people and hundreds of voluntary activists. The area was organised on the basis of local street committees with about twenty-six different street committees at that time. These provided the local promoters of the service and the news and information for broadcast.

 


The BCA also formed a TV sub-committee who provided the day-to-day monitoring of the station. All of the committee were also involved in the production so had direct participation in the activity. Among the local people involved in the central team were John Sweeney who was president of the BCA and chairman of the TV sub committee, Maureen Gaffney studio controller, Mary Farrell producer, John Hammond presenter, Pat Callen research, Willy Kane entertainment, Marie MacCowan make-up and Gerry Fitzgerald MD of Phoenix Relays The first broadcast was of the opening parade for the community week. Over two thousand local people took part in the parade with a wide selection of floats from the street committees and sports, leisure and cultural groups from the area. The President, Erskine Childers officiated. The inaugural broadcast was at 8pm on Saturday 3rd September 1974. The highlights of the opening day were broadcast. In order to alert people to the broadcast Phoenix cut in to the advertising breaks on UTV.

 

It was too risky to interfere with RTE broadcasts as the BCA TV was an illegal broadcast. On the following day, Sunday, we recorded and broadcast an interview with the local Fine Gael TD Declan Costello who was also Attorney General. This was intended as an extra security, if the Government or the Department of Posts and Telegraphs decided to take action against us. Among other interviews of people taking part in the community week activities we interviewed a local Sinn Fein representative who had arranged a visit from a GAA team from Ballymurphy and a band from Turf Lodge in Belfast . Although this was in contravention of Section 31 of the Broadcasting act we decided that we should not censor local community activity. Very many of the events organised during the week were filmed and broadcast each night from the studio on Ballyfermot Road. These included traditional concerts, variety shows, make and model competitions, darts competitions and coverage of local street events. An hour long programme was prepared and broadcast each night at 8pm. There was an immediate impact on participation in the daily events as local people began to watch the nightly programme. Each of the pubs were asked to switch to the local channel at 8pm, although this caused some tension when sports events were on the TV. Very quickly people learned to re-tune to the BCA channel. Every house received a copy of the programme of events for community week with details of the events that would be filmed for broadcast. The final Saturday there was a live broadcast from the community centre of a local chat show with John O’Donohue of RTE as guest presenter. This proved technically very difficult with limited equipment but was very successful.

 

After the opening week it was decided to continue to broadcast on a weekly basis each Wednesday night at 8pm. The OB unit had to be returned, so initially black and white equipment was rented by Phoenix Relays. The basic equipment allowed us to use our local studio where the programmes were recorded on the Wednesday evening for broadcast at 8pm. Within six months Phoenix Relays had obtained good quality colour equipment. There was no shortage of news items of interest locally as many groups and street committees provided information and participants for the programmes. The local community newspaper the "Ballyfermot People" was also produced through the Arts workshop, so there was local experience in news production and research. The television station also provided a great boost to the work of the community association in highlighting important local issues and helping to organise the area. Different programmes covered local houdsing issues, protests against the planned motorway, the forced closure of the corporation refuse dump by local residents, the elections, demands for a new community college, the scale of unemployment in the area and important community issues. The weekly programmes also provided a stage for local musical talent and invited guests. A wide range of local musicians were presented. These included artists such as the Keenans and Furys as well as Christy Moore, Brendan Grace, Dana, Alvin Stardust, Sonny Knowles and any other well known names that we could get for free. However the main thrust always was to run the station as a local community based activity.

 

The weekly broadcast also allowed the BCA to introduce a very successful non-stop draw for fundraising purposes. This was organised on a street basis with the street committees acting as sellers and keeping part of the proceeds. The weekly draw was carried out live on BCA TV at the beginning of each programme by picking numbered balls from a drum. This draw enabled the association to clear all debts within a year and continued for ten years as a main source of funds with thousands of members. While the channel proved very successful locally it proved difficult to obtain publicity in the national media. This was illustrated when President Childers died shortly after the Ballyfermot community week and RTE declined our offer to allow them to broadcast the tape of one of his final public appearances. RTE only once covered the fact that a second channel existed, in a "Seven Days" programme on access to public broadcasting. The Minister of Posts and Telegraphs, Conor Cruise O’Brien TD refused to issue a broadcasting licence and the Department took a legal action against Phoenix Relays for illegal broadcasting. This went to the high court and was defeated by the barristers for Phoenix Relays with the help of the Ballyfermot Community Association. Our defence was that Phoenix Relays were using a micro wave receiver dish which was hidden on the roof of the church with the assistance of the local clergy. We won on the technicality that the charge was for broadcasting illegally when we were actually receiving in the area. We campaigned locally in a bye-election in 1975 for two basic demands- a new community college and a public broadcasting license. With the help of our local television and newspaper, and the level of organisation of the street committees, we were able to ensure that everywhere the Government candidates and ministers went in the area they were confronted by these two demands. The Minister for Post and Telegraphs, C. Cruise-O’Brien announced the licence two days before the election and the Minister for Education Dick Burke announced the new college on the day before the election. With the new license Phoenix Relays attempted to interest advertisers in the second channel which had the capacity to be broadcast throughout the Dublin area. Our weekly programmes were put on the wider network and could be viewed in any area where the Phoenix cable system had been installed. The facility to broadcast was extended to other communities in Dublin. It proved almost impossible to obtain steady advertising revenue that was needed to sustain the TV channel. The costs to Phoenix Relays of providing the facilities in Ballyfermot proved too expensive and we ended our broadcasts in 1976 over two years after the introduction of the first and only community television station in Ireland. We had insisted that the new community college when it was built should include a fully equipped television studio. This provided the basis for the development of media education in Ballyfermot community college. There was a subsequent attempt by the college to re-start the Ballyfermot television channel but this was without the participation of the local organisations and community activists who had been involved in the original station and proved unsuccessful. The overall experience of introducing and developing the first local community television channel in Ireland was very positive. It achieved a significant impact on the community in Ballyfermot. Hundreds of local people participated in the production of programmes. It helped in developing community solidarity and provided the means to promote a positive image and identity in the area. It proved that local broadcasting had significant potential. The fact that the national media and especially RTE were antagonistic to the idea and our achievement is a serious reflection on their attitudes and on their capacity to ensure local control and participation in broadcasting and other media. Unfortunately for Phoenix Relays they were almost twenty years too early in promoting the idea of an alternative to RTE and the possibility of a sustainable Dublin channel. The Flood tribunal investigation into the issuing of the national broadcasting licences is providing us with some insight as to why this lucrative area was kept so firmly under central political control.

 

According to the Dáil Éireann records - Volume 290 - 28 April, 1976 

Written Answers. - Community TV.

51. Mr. Dowling asked the Minister for Posts and Telegraphs if he is aware that the Ballyfermot community television programme will shortly cease to operate because of conditions imposed by his Department; and if he will make a statement on the matter.

Minister for Posts and Telegraphs (Dr. Cruise-O'Brien): I am not so aware. The position is that about 12 months ago I approved the relay on the local cable system of programmes produced by the Ballyfermot Community Association subject to certain conditions. There has been no change in those conditions. Some time ago the association in common with a number of other community associations asked for permission to have their programmes relayed over a large area of Dublin city and suburbs and that the venture be financed by commercial advertising. I was not prepared to agree to this pending detailed consideration of its implications for the future of community television, which I was the first to encourage, and for Irish public service broadcasting. On hearing this, the cable company who had been providing production facilities for Ballyfermot Community Association announced that they were not prepared to continue to do so as from the end of April.

My Department pointed out to the firm in question that the notice given for cessation of production facilities—a little more than a month—was far too short to enable the question of alternative methods of servicing community television to be explored. The company have now intimated that they are prepared to continue to service community television but only on a modified and considerably less costly basis. I understand that a meeting between the interests concerned is being held on 30th April. I hope that these discussions will result in an acceptable solution.

52. Mr. Dowling asked the Minister for Posts and Telegraphs why, apart from the commercial aspect, the editorial rights of community associations which he has licensed to make television programmes are less than those conferred on ITV and BBC in respect of programmes on the cable system.

53. Mr. Dowling asked the Minister for Posts and Telegraphs the proposals, if any, he has to allow open cable television in the same way as he has allowed open broadcasting.

54. Mr. Dowling asked the Minister for Posts and Telegraphs (a) when the study group will be set up to examine community television (b) how the group will be selected (c) its terms of reference (d) when is it likely to report and (e) why he has waited so long to have the study group set up.

Minister for Posts and Telegraphs (Dr. Cruise-O'Brien): I propose with the permission of the Ceann Comhairle, to take Questions Nos. 52, 53 and 54 together.

I do not propose at present to allow open cable television if by that phrase the Deputy means permitting the wide distribution over cable networks of programmes produced by local community associations for their local areas.

No editorial rights have been conferred on ITV and BBC in this State. Licensed cable television operators are, of course, permitted to relay all television services which are available off air in the area they are serving.

Community television is still at the experimental stage. The present approved arrangements were settled on the basis that community programmes would be confined to programmes originated locally and acquired material of an educational and informational character only. The associations are required to comply with the same standards as regards objectivity and impartiality as RTE.

I hope to set up a study group soon to consider what research would be desirable in the field of community television, who should undertake such research and how it might be financed. The composition of the group has not been decided yet. I cannot say at this stage when a report can be expected. The Department had already carried out a certain amount of research, particularly in regard to developments in community television elsewhere. After it received the views of a number of community associations it consulted the Departments of Education and Local Government and the Dublin Corporation on the matter. Consideration of their replies indicated the desirability of setting up a special study group of the kind referred to above. Because of the recent request by the community associations for a radical change in the existing arrangements, I have decided to set up the study group and to ask them to report at an early date.



There were two follow ups to Ballyfermot Community Television when Harold’s Cross Television and Tallaght Community Television came on air through the capital’s cable systems.

 

In 1981, pirate radio was becoming mainstream, exiting bedrooms and attics in to Georgian houses and flooding the airwaves with music, local programming and community news.

CHANNEL D



Channel D was Ireland's first pirate television channel when it began broadcasting on April 25th 1981 under the title Channel 3. The station changed name to Channel D and much of its programming consisted of broadcasting movies except on Saturday when it broadcast local programmes. The station was originally located in the Camelot Hotel, Malahide but under Garda pressure moved to the State Cinema in Phibsboro.

The station's directors were Don Moore, who had been a founder and stalwart of the pirate radio station ARD (Alternative Radio Dublin and Michael Tiernan who led the National Independent Broadcasting Organisation and they claimed in newspaper reports that they had secret financial backing for the station.  


Some of the first films shown on the station were 'Silent Night, Bloody Night', 'Joe Panther' and 'No. 1 of the Secret Service'. The local produced programme was originally called 'Weekend Dublin' but this was changed to 'Dublin Profile' and was presented by Brian Dick and Joan Lowe. All programmes were pre-recorded on video and fed through the transmitter.

https://www.imdb.com/title/tt0076475/ (No 1 of The Secret Service)

When launched first the station was only available in colour within a three mile radius of the transmitter but with the installation of an ex-BBC transmitter in July 1981, the stations radius was extended to fifteen miles.

The transmissions were in vision on 61.75mhz and sound on 67.75mhz. As transmissions progressed the channel planned Breakfast time programmes, the first in British Isles to provide such a service but technical problems and authority haressment curtailed these plans. 'Dr Don' Moore once said that he got word that the station was about to be raided one particular night so he sneaked up to a nearby corner and peaked down at the State Cinema (TV TX and video player location) to see some suspicious cars parked across the road waiting for him to go in and turn on. He decided not to bother and the station never broadcast again.

From the Video The Irish Era

There were immediately rumours of pirate television channels opening in big cities like Limerick, Cork and Galway but it was the County Louth town of Drogheda that would see the arrival of pirate television and RTE would do everything in its power to starve the station of success.

 

BOYNESIDE TELEVISION

Boyneside Television began broadcasting on November 2nd 1981 from studios located in Donaghty's Mill, Drogheda, Co. Louth. The station was operated by Boyneside Communications and Eoghain McDowell who were the parent company of Boyneside Radio. The channel broadcasted entirely locally produced programmes, as they feared to break copyright laws.

 Initially the station broadcasted at weekends only but expanded to go on air every night. The first programme to be broadcast on the station was a report on a local religious festival. Boyneside Television received excellent reviews from the local press for their coverage of the 1982 General Election. In 1982, while broadcasting on Channel D, the stations signal was jammed by a RTE transmitter based in a plain van in a public carpark near the station but public pressure forced RTE to stop the jamming.


 https://pirate.ie/archive/northeast-series-boyneside-television/


CAPITAL TELEVISION


Capital Radio was a Dublin pirate station broadcasting from the Milltown area of the city and in 1982 they began pirate TV Test transmissions broadcasting on UHF Channel 23 and these tests consisted of an on-screen clock. These tests lasted five days.

 RADIO TELE DUBLIN

 


The next attempt to get onto the television airwaves was by the long running pirate radio station Radio Dublin from its headquarters on Sarsfield Road in Inchicore, this station went on the air with test card transmissions on March 8th 1983. The test card consisted of the Radio Dublin logo and the radio stations programming piped on the sound channel. Broadcasting on UHF, the station never passed the test card stage and disappeared from the airwaves.

 

MALLOW TELEVISION

 For rural Ireland, unable to take advantage of cabling though companies like RTE Relays and later Cablelink, entrepreneurs and technicians began setting up receiving stations on high grounds around town and villages and rebroadcasting via pirate transmitters signals from British channels including BBC, ITV and Channel 4. Because of the porous law, the 1926 Wireless Telegraphy Act, which pirate radio had exposed loopholes allowed these pirate deflector systems to proliferate.  But not alone did these community deflector systems carry British programming, they produced their own programmes and interupted the broadcasts of Channel 4 to carry local programming, thus becoming pirate television channels in their own right. There were many of these illegal rebroadcasters, one such being Mallow Community Television in County Cork.

The issue was at the heart of local politics to the extent that in Donegal Tom Gildea was elected a member of Dail Eireann (Parliament) on the back of the issue of deflector TV.

The arrival of satellite broadcasters including SKY TV spelt the end of these systems and they closed one by one and in 2012 the introduction of the digital Saorview service meant multi-channel TV reception was now accessible to the vast majority of the country.


Mallow television began broadcasting in November 1983 to five hundred homes in the Mallow area of County Cork. The station was run by Alan Wilson and together with recorded programmes from the four British channels, BBC 1 & 2, ITV and Channel 4, the station broadcasted live locally produced programmes. The transmitter was located at the top of a nearby mountain and the station survived on local donations and subscription as no advertising was carried.

 

In February 1984, the station was raided by The Department of Posts and Telegraphs and the Gardai and over £2,000 worth of equipment was confiscated putting the station off the air.

According to a newspaper report at the time,

‘The country's first private television station was closed down last week by gardai and post office officials. The station, with live broadcasts and videoed programmes taken from the four English channels, beamed to 500 householders in the Co. Cork town by video expert Alan Wilson and his wife Margo for the past four months. "It was solely, a community television station giving Mallow people the chance to see multi-channel programmes they have no opportunity of seeing now, Alan said last night. "we weren’t doing anyone any harm since we didn't look for advertising. We weren't taking any revenue away from RTE. "We also did live broadcasts of local community interests, such as interviews with councillors and other well-known figures in the area. "As we didn't want to hurt the local cinema, we didn't show any films." said Alan. "Local people loved the station and they are very angry now that we have been closed down. There is talk of a petition to allow us to continue." For years Alan Wilson was general manager of an oil drilling company in the Middle and Far East and Australia. Re returned_, to Mallow, where his wife comes from, last year and they decided to start their community station. "We had a transmitter on a nearby mountain, beaming programmes from Mallow to the mountain and back to the town. There are 1,800 households hi the town and nearest cable is 20 miles away," he said. Six men called with a warrant last week and confiscated £2,500 worth of television equipment. Said Alan ‘We’ll certainly be applying for a local TV community licence when they are seeking applications."

 



L.T.V. 1 & L.T.V. 2


 

In February 1984, in the West Cork town of Macroom, Local Television (LTV) made its first broadcast. Their first broadcast was of a Corpus Christi procession through the town. The broadcast was well received and the station went from strength to strength and began twice weekly regular broadcasts on Wednesday's and Sunday's. The station covered a variety of local events from religious events to soccer matches. LTV produced their own six part drama serial 'Strangers'. LTV was the brainchild of Dan Kelleher who launched the station on borrowed equipment but as the station blossomed, he was able to purchase new equipment. The station had a radius of fifteen miles and could be received on the outskirts of Cork City.

LTV's last broadcast was its first live broadcast when they broadcasted midnight Mass live from Kilmurray Parish Church on December 24/25th 1988. The station closed in accordance with the introduction of the Wireless Telegraphy Act 1988.


 
While LTV served the community of Macroom with local programmes, a new serve originated from Millstreet and was called LTV 2. Sean Radley led the team that covered events in an around Millstreet and they continued to broadcast through their mountain based transmitter until 2018 when the station moved to online broadcasting.



 NOVA TELEVISION



 The most audacious attempt at pirate television and one that threatened the authorities more than any other was Nova Television. Radio Nova from the time it began its illegal radio broadcasts in June 1981 revolutionised Irish radio. Within a year it was reaching forty percent of the Dublin listening public daily as opposed to the national pop channel RTE 2’s 15 percent. In May 1983, as station owner Chris Cary threatened to expand onto longwave and aim its programming towards the UK, it was raided but was quickly back on the air after a brief absence.  With advertising revenue rolling into his two stations Radio Nova and Kiss FM, television was the next media to be conquered. Nova Televsiion or NTV went on the air on Sunday December 4th 1983 broadcasting on Channel 60 with a power of 100watts and located in studios at 19 Herbert Street, Dublin 2. Following a bar test card on that day, programming began at 9p.m. when Sybil Fennell came on the air to introduce the station. Following the introduction, a Jane Fonda workout video was aired and the station reverted to their test card. The following night the station was back on air with Ms. Fennell informing its viewers of the aims and future plans for the station including plans for franchising Breakfast and Afternoon programming.

 

On Tuesday December 6th, following pressure from RTE and the Government, station owner Chris Cary pulled the plug on the station. On Friday December 9th, Gardai and Post Office officials raided the station and seized equipment worth an estimated £170,000. For what was to be an experiment in independent television in Ireland it was short lived with the Government fearing that such a pirate station could have found the same success as Radio Nova.

 

Nova owner Chris Cary always believed that there was an opening in Ireland for Independent television as there had been for independent radio. In December 1981, barely six months after launching his commercial radio venture he announced plans to set up a cable television station in Dublin. The station he announced was expected to broadcast from seven p.m. to midnight. The signals from the station would be scrambled with a decoder costing the viewer initially sixty pounds and a further thirty pounds per month for the service. He had planned to show movies that were currently showing in Irish cinemas but the cinema owners objected fearing lost revenue and job cuts and this was one of the main reasons that this service never got passed the planning stages.

 

Despite his failure to get a cable station on the air he pursued the idea of independent television. Nova Television went on air on Sunday December 4th 1983. Broadcasting via a one hundred watt transmitter, the station broadcasted on Channel 60. The channels studios were located at Nova Park along with the transmitter. A coloured bar test card appeared with the sound channel carrying Radio Nova. At 9p.m. Sybil Fennell came on the air to introduce the station. The Jane Fonda Workout Video was then aired before the station reverted to a test card with the letters 'NTV' written across the bottom of the screen.

 

The following day the channel was back on the air again with the test card followed at 9p.m. with Sybil Fennell who read the news and continued by introducing the station to the Dublin viewing public.

 

"NTV is expected to start broadcasting a full programme schedule in time for Christmas. We are a local station for the greater Dublin area. We have a radius of about fifteen miles and we don't expect to increase our power to broadcast to areas beyond that. A number of music videos will be included in the programme schedule. We are basically a channel of family entertainment. There will be no pornographic or video nasties. NTV is broadcast from the Nova studios. NTV is on Channel 60, it can be received on any television with an outdoor aerial although pictures nearby maybe received with rabbits ears but the reception won't be as good as with an aerial. We are not available on cable TV, the pipe, at the moment but in the near future that may change. To tune your television, simply select a clear channel on your television perhaps your video button because we have not got a time base corrector although we shall have one within the next seven days. Tune your television set to Channel 60 VHF and that is it. When full broadcasting commences programmes will be transmitted from 6p.m. in the evening to 2a.m. in the morning and the broadcasts of course will be in full colour.

           

We are open to franchise offers at the moment for the breakfast time and afternoon programmes. Broadcasts will be in full colour and full broadcast standards. We are entirely funded by Radio Nova. The normal responsibility for any company making progress is to expand, diversify and employ more people and that is exactly what we are doing at Nova Media Services. Staff numbers will initially be twenty and we hope to increase that to one hundred in the near future. We will be adhering to full copyright laws. For the first time in Ireland a teletext service with up to one hundred pages will also be available as will a full news service provided by  the Independent Radio News team. You do need a television licence although we do not receive any of the licence fees. We don't interfere with any of the television station at present on the air. We are using a channel with an Irish allocation. Our transmitter power is one hundred watts. Our broadcast range is approximately fifteen miles according to reception reports we have received so far. Many of the presenters you know and love from Radio Nova will also be on the air from time to time. The staff will be mostly Irish. local advertising will be accepted in due course at rates proportionate to viewing figures. We are trying to give local advertisers an opportunity. The whole name of the game is accessibility for the general public of the greater Dublin area. We won't have the cosmopolitan flavour of Radio Nova because we are as we say a local community station with no plans to increase power.

           

NTV is not really expected to make a profit, we don't even know if we are going to break even at this stage, the overheads, the equipment and the staffing are very costly. Our aims are to allow for a local experiment in local television, the first such experiment in Ireland. The afternoons will be available to the Irish language groups who we are hoping will take up the franchise option.

           

We will be broadcasting music videos, news and local current affairs programmes, Irish programmes, religious programmes, we will also be showing local Irish talent shows as well as educational programmes, quiz shows, chat shows and at the weekends children’s programmes which we hope will be presented by the children themselves. Basically our idea is to provide family entertainment on a local Dublin community station. If you are receiving this test transmission our    phone number for reception reports is 603228. Amateur video groups may like to send us their tapes once they own the copyright to them. That is it for now. I'm Sybil Fennell and this has been a test transmission for Nova Television broadcasting on Channel 60."

 


Pressure on the Government from R.T.E. and pressure from the Government on Nova led to Cary's decision on Tuesday morning December 6th, to close the station until further notice. This did not seem to satisfy neither R.T.E. nor the Government. On Friday December 9th, Radio Nova and Nova Television were raided. Equipment estimated as valued at £170,000 was taken in the raid along with the television transmitter. As in the May court case, Nova was fined for broadcasting without a licence and contravening the Wireless Telegraphy Act. Having been fined and the fine paid, the equipment was returned to Radio Nova. Cary did not use the television transmitter again and it is believed that the transmitter was sold to some businessmen from Northern Ireland.

 

For what was to be an experiment in independent television in Ireland, it was short lived mainly because neither R.T.E. nor the Government could allow such a professional operation like Radio Nova with a proven track record in illegal radio to branch out into television and perhaps repeat the success that they had on the radio airwaves. R.T.E.'s paronia about such a television station was obviously in a reply to a question directed at Deputy Director General Vincent Finn when asked how would fight the television pirates he replied that,

            "R.T.E. could take a number of measures on a legal front, commercial front, financial front and technical front."

When asked if that last 'front' would include the jamming of Nova's signal, the Deputy Director General was non-committal.

 

TELIFIS NA GAELTACHT

 


Operating from the community hall at Rosmuc, Co. Galway, Telifis Na Gaeltacht broadcasted programmes solely in the Irish language. The station went on air on Friday October 2nd 1987 and on that opening weekend broadcast programmes specially made for the station by filmmaker Bob Quinn. On opening night a gala concert held at the Community Hall was broadcast live on the station. That first Sunday saw the transmission of a special Mass from the local parish church dedicated to the memory of the late musician Sean O'Riada.

 

The stations transmitter was built by Dublin man Norbert Payne and had a radius of fifteen miles. The idea for a pirate station dedicated to the native language came following a visit by some locals to the Faroe Islands off the coast of Scotland. This Danish controlled territory set up their own illegal television station Gothab TV following Copenhagen refusal to give them a station. Telifis's operators had hoped to emulate the success of Saor Radio Connemara which led to the setting up of a legal Irish language station, Radio Na Gaeltachta.

 

Irish language television did not finally arrive in Ireland until 1996 when T na G (Telifis Na Gaeltacht) was launched.

 

RADIO LIMERICK ONE TELEVISION (RLO TV)

 


When Radio Limerick One lost their franchise from the IRTC, the station continued to broadcast via satellite and then relayed around Limerick City and County on an illegal FM transmitter network. In 1999, station owner Gerard Madden decided to launch a television channel RLO TV. The station began broadcasting television programmes originally via Sirius 2 but in late 1999 transferred to Eutelsat Hot Bird at 13* via Globecast transponder 94.

 

The following is a schedule for two days in 1999.

 

Tuesday October 26th 1999

 

7a.m.               Dr. John's Diary (Featuring Petals, Destiny & Ellen Street Antiques)

7.45a.m.          Play (Alone It Stands)

10a.m.             Repeat of  7a.m. - 10a.m.

1p.m.               U 14 Football. (Capermore v. Adare)

1.45p.m.          Hurling (Old Christians v. Drom \ Broadford)

2.30p.m           Dr. John's Diary

3.15p.m.          Mid West Report

4p.m.               Repeat of 1p.m.

7p.m.               Repeat of 1p.m. & 4p.m.

 

Thursday October 28th 1999

 

7a.m.               GAA (September GAA Awards)

7.45a.m.          Soccer (League of Ireland, Limerick City v. Home Farm)

8.30a.m.          Mid West Report (Markets Artists at TSB Bank)

9.15a.m.          Let's Talk Sport (Interview with former World Heavyweight Champ, George Foreman)

10a.m.             Repeat of 7a.m.

1p.m.               Mid West Report (Nurses Strike)

1.45p.m.          Hurling (Croom v. Patrickswell)

2.30p.m.          Basketball (Limerick v. Notre Dame)

4p.m.               Repeat from 1p.m.

7p.m.               Repeat from 1p.m. & 4p.m.




After ending transmissions on Satellite, the station was rebroadcast on UHF through a deflector system installed for the Limerick area. The ODTR granted the deflector system licence in 2000 to the following,

COMPANY

 

Cliffmount Ltd,

TX SITES

 

1. Newcastle West

2. Knockfeerina

3. Woodcock Hill Clare

 

LICENCE

AWARDED      

14th March 2000

CONTACT

 

Cliffmount Ltd,

RLO TV,

Norwich Union Hse,

17 Patrick Street,

Limerick

After a raid by the Irish authorities in 2001 the radio and TV equipment of RLO were seized and the channel never returned.

 

BBSEE TV




BBSee Television was a local pirate television station that aired during the Ballinamore Batchelor Festival in the County Leitrim village. The station broadcast from 2000 – 2003 for two weeks per year.        





Sunday, 27 September 2020

A Century of Irish Radio including Pirate Radio in Words and Pictures.

A century of Irish radio has delivered wonderful entertainment, social change and political upheaval. 


In 1926 the first official radio station in Ireland took to the airwaves on January 1st 1926 with the arrival of 2RN, later to become Radio Eireann and today as RTE Radio


The State broadcaster enjoyed a monopoly for more than fifty years bar a couple of illegal stations mostly of a political nature, but with the arrival of the transistor radio, pop music and offshore pirate radio stations like Radio Caroline, Irish pirate radio stations began to take to the airwaves.



To counter the arrival of pirate stations, the State broadcaster RTE began to tour the country with a mobile radio station that visited towns, villages and communities usually for the duration of a local festival. Rather than demonstrate the RTE could provide regional and local broadcasting, these local mobile operations led in many instances to the opening of a pirate radio station in the wake of RTE's departure.
 

Pirate stations appeared in every corner of Ireland, providing local information, local advertising, advertising, local news and a local voice. 







To celebrate the contribution of Irish pirate radio to the political and social history of Ireland, I have lectured at home and abroad on various aspects of Irish radio history. 


Pirate radio stations not alone proliferated in the Republic of Ireland but also in Northern Ireland especially sectarian pirate radio during the early years of the troubles from 1969-1975



      
  

In December 1988, a golden era of pirate radio in Ireland came to an end with the introduction of stricter broadcasting laws and the replacement of the pirates with legal, commercial and independent radio.



For more information on the history of Irish radio, my book 'A Century of Irish Radio 1900 - 2000' is available in hardback and on kindle. Copies are available here
https://www.amazon.co.uk/Century-Irish-Radio-1900-2000/dp/1717899641

For a signed copy of the book including post and packages (in Ireland & UK) are available by contacting theirishpirateradioarchive@gmail.com with payment through the secure paypal service. 




 

Wednesday, 26 August 2020

Irish Radio During Covid19

 John Purcell, Chairman of the Independent Broadcasters of Ireland (IBI) said,

‘Ireland is a nation built on the airwaves and in times of crisis it is to radio that people turn to get the most up to date and reliable information, for entertainment as a reprieve from the stress of our current daily lives and to hear local stories from local voices’.

 Since its invention over a century ago, the medium of radio has dominated how the consumer has been both entertained and informed. The pandemic that has enveloped the world in 2020 has had a drastic and profound effect on radio both in Ireland and worldwide. So, on the off chance that you have spent most of your lockdown time watching TV, scrolling through your social media news feeds or binge watching box sets, this is a look at radio in Ireland during lockdown. Radio is an intimate and immediate media that requires plenty of fresh and live content. Unlike TV, radio broadcasters are less able to fall back on archive material to keep the airwaves filled. 

The negative effects on Irish radio are confirmed when put into context of the global radio situation. In April, the major US radio network NPR cut pay and benefits in a bid to “save jobs and support the future of NPR” after the coronavirus pandemic ballooned its projected losses to as much as $53 million over the next two years. Employees’ pay was reduced on a sliding scale of up to 9% through Sept. 30th and workers were also offered furloughs said NPR Chief Executive Officer John Lansing. 

 

One of the earliest consequences of both the lockdown the came into effect just after St. Patrick's Day, was the need to socially distance was that presenters and DJ’s began to work from home. Linking to the studios via the internet. Presenters including RTE’s Claire Byrne, who contracted the virus, were broadcasting from sheds, attics, hot presses and bedrooms. It was a through back to the heyday of the Irish pirate radio stations where these were often the location of the illegal studios. It affected all stations, national, commercial and even community stations like Flirt FM where the staff had to quickly adapt to working remotely. Ciara Kelly on Newstalk, a trained doctor was another broadcaster to both broadcast from home and to contract the virus, sharing her experience with her listeners. 

(c) @ciarakellydoc

 The consumption of radio was also to suffer the effects of Covid 19 as up to the virus’s arrival in Ireland, most listeners got their radio through their cars as they commuted to and from work or on school runs. As a result of the stringent Government announced lockdown in March, the car was parked up for many months. While many turned to exercise to relieve the boredom and to stay fit replacing the gym, their earphones were more likely tuned to their own musical playlists from apps like Spotify rather than a radio station. It was also to the detriment of radio stations that newer phones do not allow the use of the FM radio on their devices and so stations relied on listeners downloading individual apps or apps like ‘Ireland Radio Online’ or ‘Tune-In’.

 

Irish radio, just as it is globally, has suffered as the Advertising spend has contracted and put financial strain on radio stations. Radio has lost out as the result of major changes in what the listener consumes and spends their money on as they cocooned for weeks. As we spent more time in our homes, only leaving for exercise or shopping for essentials at the supermarket or the pharmacy, we spent more time online, both to entertain and to spend. The advertising Euro migrated from the radio and traditional media to online spend. According to the Irish Times Google and Facebook in 2019 ‘collected an estimated 40% of the total advertising spend in Ireland’ adding ‘The Irish advertising market, which for so long was the source of income for independent radio, has been lost to these two unregulated global giants’.

 

The financial viability of this new radio landscape for stations came under the microscope. As early as March, Communicorp, headed by entrepreneur Denis O’Brien and operating a range of stations including Newstalk and Spin announced that all staff would be suffer enforced pay cuts of up to 25%. The rationale was that a pay cut would eliminate the need for redundancies. The media giant attempted to paint a better picture of how their product was being received by its listeners. According to ADworld.ie,

‘New research carried out by Media Central for Communicorp Media shows that Irish people are listening to more radio during the Covid-19 outbreak and that engagement levels with radio have increased significantly. The research received over 6,000 responses over a 48hr period on the March 24th and 25th and focused on Communicorp’s stations including Today FM, Newstalk. Dublin’s 98FM, Spin1038 and Spin South West. According to the research, Communicorp Media stations have seen a significant growth in listenership with reach growing by 34% while people are listening for 45% longer. In addition, the research shows that app downloads for Communicorp apps have increased by 47% while there has been a 54% increase in the number of listeners accessing their stations via a smart speaker.’

The contraction of the market and despite enforcing pay cuts on their staff, according to the Times newspaper in August 2020,

‘Denis O’Brien’s Radio Two Thousand has increased its shareholding in Newstalk after buying shares from the Loyola pub and restaurant group. In February of this year, Radio Two Thousand Limited, a subsidiary of O’Brien’s Communicorp, bought an 18.89% stake in News 106, which operates the Newstalk station. The transaction was revealed in the minutes of a Broadcasting Authority of Ireland meeting, obtained by The Sunday Times. The shares were previously owned by Hyper Trust, the company behind the Leopardstown Inn in Stillorgan, Dublin. The pub was acquired from examinership in 2015 by the Loyola pub group, which is owned by businessmen Stephen Cooney, Brian O’Malley and Eoin O’Malley, a former Leinster rugby player.’

 

Community radio stations provided updates and news for many rural communities and they provided religious services for a congregation who saw their churches closed. The Lions Club created their own new show, which was broadcast on Ros FM, a community station in Roscommon. Local Lions Club member Kathleen Shanagher said,

"We created our own new daily show 'The Rossie Way' on the community station RosFM and every day we feature everything except the news of the virus. We have comedy, sport, religion, gardening, cookery, local history and a daily quiz too - just no Covid-19. We even gave out 100 new radios (donated by Tesco), presenting them to people who did not have their own portable set and now 5,000 listeners listen every day."


 There were many pop-up ‘radio’ stations using various platforms to ‘broadcast’ including on Facebook live. One of those stations was the aptly named ‘Covid Radio Swinford’. Located in the then closed White House pub on Chapel Street, the station run by the pub owners son had a huge following both at home and abroad, connecting Mayo people across the world with music and requests, although the broadcasts occasionally fell foul of copyright rules. With over one hundred broadcasts, Covid Radio Swinford made its final broadcast from the front window of the pub on June 28th just before the pub was due to reopen. Quarantine FM began on Monday March 22nd and was launched by Anna-Rose Charleston and Kate McKeown and proved popular. In Galway Benen Tierney launched Lockdown Live Radio online from him home, with presenters working remotely to entertain. As restrictions were lifted the station was renamed ‘Freedom Gold’.




In Northern Ireland, the Protestant/Loyalist traditions celebrate July 12th as the anniversary of the Battle of the Boyne and is usually marked by bonfires, fireworks and parades throughout Northern Ireland but with Covid restrictions the Orange Order needed a different way of reaching their community. Radio Boyne described as a ‘pop up station’ was launched July 10th at 11am by Deputy Grand Master Harold Henning followed at 2.30 pm by the 'Twelfth Request Show.' The station remained on air for four days broadcasting including on The Twelfth of July, on various digital platforms and their own app. It proved popular and successful especially with listeners in Belfast.




Other stations opened in a blaze of publicity and quickly disappeared like Gold Radio which launched in early May in the midst of the pandemic. Gold Radio’s line-up included founder Mike Moloney (RTÉ 2FM, RTÉ Gold & Radio Nova), Chris Barry (FM104 & 98FM), Electric Eddie (RTÉ 2FM & Q102), Liam Quigley (98FM, Q102, RTÉ 2FM & Radio Nova), Mick Mulcahy (Cork’s 96FM & Red FM), Pat James (Radio Nova), Bob Conway (RTÉ 2FM, KFM & East Coast FM) and Dave Lyons (98FM, Classic Hits 4FM & DJ at Copper Face Jacks). Station Manager, Mike Moloney, explains why now is a good time to launch a radio station,

“When RTÉ announced that it was going to shut its entire digital service, including RTÉ Gold, I couldn’t believe it! Turns out I wasn’t the only one and out of that came the idea for Gold Radio. As the technology was easily available to everyone, we decided it was timely to launch Ireland’s first fully manned, digital-only, radio station. It’s going to be a fun station, playing music everyone knows, staffed by DJs who the listeners will remember, and all of them got involved to play the music they love and have a good time. That attitude led to the station’s motto: ‘Gold Radio, Playing the Good Stuff’. The original idea was that all staff would be paid from the beginning, but Covid-19 put an end to that. The plan stalled for a while and then it was decided to go ahead anyway, with minimum funding, and at least get Gold Radio broadcasting. There was so much goodwill for the project that we found a load of presenters who were quite willing, at least for the moment, to go on air and work for nothing.
Unlike most other stations these days, where presenters have to toe a company line and dare not adjust the computer playlist in front of them, our crew can happily change any track they don’t like that may appear on their playlist and say what they like, once it doesn’t get us sued! It’s that old-fashioned thing that we all grew up on – Personality Radio.

 

With the lockdown forcing Catholic Churches to close their doors and services including funerals held either behind closed doors or with limited numbers. Churches broadcast their services for their parishioners. In the urban area including the major cities, due to the lack of frequencies, Churches used webcams or Facebook Live to reach their audience while others used the WPAS licensed system but an increasing number of rural parishes began using illegal FM transmitters to broadcast mass every day including funeral Masses and even in some parishes broadcasting bingo and quiz nights. Online digital station Radio Maria based at the Red Cow Roundabout in Dublin saw its audience grew significantly as the faithful listened to services especially daily Mass through the Virgin TV digital platform. The station was also available on DAB and various live radio apps.

Read more here http://ibhof.blogspot.com/2020/07/revealed-worlds-largest-pirate-radio.html

 

In July 2020, the Fine Gael caretaker Government led by Leo Varadkar was replaced with a Coalition Government formed by Fine Gael, Fianna Fail and the Green Party. Following the formation responsibility for broadcasting transferred from the former Department of Communications, Climate Action and Environment to the newly created Department of Media Tourism Arts Culture sports and Gaeltacht. A new Government Bill was proposed that would see the replacing of the Broadcasting Authority of Ireland with a Media Commission. The Government and the BAI tried to assist the struggling radio sector by announcing a The Government and the BAI tried to assist the struggling radio sector by announcing a €2.5million package to be spread amongst the stations to offset the loss of advertising revenue and the costs associated with remote broadcasting. The previous March, prior to the formation of the Coalition Government, the Minister for Communications announced the waiving of the broadcasting levy paid to the BAI. He said,

‘I recognize the importance of local radio stations to their communities as a trusted source of information on the COVID-19 Pandemic. They play a crucial role, especially in broadcasting community-specific information across the country. In common with other businesses, the local radio sector has experienced financial strain as a result of a drop off in advertising revenue. To ensure that local radio stations can continue to play a role in serving local communities, I have requested the Broadcasting Authority of Ireland to waive the broadcasting levy for the first six months of the year. This action will save local radio stations almost €1m.’

 The timing of Government Press Conferences and Health department updates were timed to suit TV rather than radio. Local radio did however play an important part when localised lockdowns were brought in to curb the spread of the disease.

 

Pirate radio was not immune from activities during the crisis. On July 17th Wild Country who were broadcasting near the border were raided. https://www.facebook.com/106487707585931/videos/1197629210587522/

According to a post Wild County FM put up on their facebook page after a raid by ComReg and the Gardai,

‘Today at approx 11:30am, Officers from ComReg accompanied by Gardai conducted a raid on the Wild Country FM transmission site, which was located at Edentubber, Co. Louth. Equipment valued at €16000 (£14500) was seized and the station was taken off the air at 11:40. While we fully acknowledge that our station was operating without a license, it has filled a valuable void which has been left for local radio, particularly in the South Armagh and Down areas since the departure of Q radio from their Newry Studio. We had been broadcasting the public health advisories on Covid-19 twice an hour for both North and South and if the reaction to our station over the lockdown is anything to go by, we feel we have made this difficult period easier for our listeners by providing Irish and American country music around the clock. Alas this came to an end today, why it took 6 members of ComReg, together with Gardai to do this we will never understand when a simple phone call to us from the authorities would have sufficed. (The CCTV video from our site is like something out of Narcos - sledgehammers etc).’

 

Finally, Hollywood movie star Matt Damon found himself stranded in the south Dublin suburb of Dalkey with some of his family. Locals photographed the superstar which went viral and then two presenters on Spin 1038 began a tongue in cheek campaign to get Damon on air. In May 2020 to both the surprise and delight of presenters Nathan O’Reilly and Graham O’Toole, he rang in from Dalkey and the call made headlines around the world.




 

Wednesday, 22 July 2020

The Irish Half Hour on the BBC 1941 -1943, Wartime Radio Diplomacy




During the so called ‘Emergency’ of World War 2 in Ireland, one of the most popular programmes on the radio saw some of the biggest names in Irish entertainment grace the airwaves but strangely the programme did not emanate from Radio Eireann but from the BBC in London. The BBC and the British information Ministry wanted to produce a programme that would appeal to the many thousands of Irish and Anglo-Irish troops serving on the battlefronts and they also wanted to improve to tense relationship between Britain and Ireland as a result of Ireland’s neutral stance.

Dublin born Jimmy O’Dea had given up his optometry profession to tread the boards of theatres including the Gaiety. In 1928, he had teamed up with writer Harry O’Donovan and they played to packed houses with their successful pantomimes and Summer variety shows. In 1940, O’Dea had starred in a BBC Radio variety show created by Vernon Harris and Eric Spear, titled ‘Melody & Co’ initially recorded at the Bristol studios. When the BBC in London decided on an Irish Show, they contacted Jimmy O’Dea who agreed to initially front the ‘Irish Half Hour’ every second week.

George Marshall who was the regional director of the BBC in Northern Ireland objected to the show’s broadcast on a number of grounds not least the name as it implied that it was including Northern Ireland who was ‘partitioned from Eire’. He also objected to the theme music ‘The Minstrel Boy’ and the fact that some of the introduction was conducted in the Irish language with a simple ‘Cead Mile Failte’. His objections were overruled although when asked later about the show he and the Northern Ireland Regional service referred to it as ‘Eire’s Half Hour’. One of the leading supporters of the show was John Betjeman, the poet and writer later to be knighted, who at the time was an attaché in the British embassy in Dublin.
Betjeman wrote,

‘The Germans at the moment broadcast two progammes a day to Eire, one on a medium wave and a Gaelic programme on Sunday evenings. The BBC would be most effective if broadcast simultaneously with one of the German broadcasts, or Haw Haw, preferably the latter and could thus diminish the Germans’ audience. There is a widespread impression in the country here that of the two BBC programmes, Home Service and Forces, the ‘Forces’ is the one to listen to as it is not the BBC and therefore not propaganda.’



The first show aired at 9.20pm on Tuesday November 11th 1941 and the first featured artist was the great Irish singer Count John McCormack who had been living in London at the time. The first show featured mostly music from McCormack and the BBC Men's Chorus and the BBC Orchestra, conducted by Leslie Woodgate. BBC. The show was compered by future celebrity author Leonard Strong, whose parents were Irish. The Half Hour was produced by Lesley Baily and Ronald Waldman.

The following week November 22nd, it was a different type of show now featuring Jimmy O’Dea as his famous incarnation as Biddy Mulligan, the Pride of the Coombe and sketches and skits featuring the fictional rural Irish town of Ballygobackward. In total up to the final episode on December 3rd 1943 which unusually was pre-recorded to accommodate O’Dea’s panto rehearsal at the Gaiety, eighty episodes were aired. The Radio Times advertised
‘The Irish Half Hour with Jimmy O’Dea and Barbara Mullen specially recorded for Irish men and women in the Forces. Compere, Joe Linnane. Singer, Robert Irwin. Writer, Harry O'Donovan. BBC Revue Orchestra and Chorus conducted by Charles Shadwell. Presented by Pat Hillyard and Francis Worsley

The show was aired on the BBC Forces service although some Irish regional newspapers were referring to it was the BBC Alternative Service avoiding the militaristic term of ‘forces’. The show made no mention of anything contentious in Ireland such as its neutrality or the border between the Irish Free State and Northern Ireland. Not everyone was happy. One letter writer to the Belfast Telegraph who signed himself ‘Ulster Solider’ said that there no mention of Northern Ireland and that,
‘one would think that Dublin was the home to all the Irish servicemen and women, but actual facts show that there are four from Ulster for every one from Eire’.

By its second run that began in May 1942, John McCormack had departed and its was now solely O’Dea’s show. Its growing popularity was demonstrated as it was moved to primetime on a Friday evening and earned itself a midweek repeat for those who may have missed its live transmission. It starred the cream of Irish entertainment and variety who travelled by ship across the dangerous Irish Sea, dodging German U Boats. Others to appear on the bill along with Harry O’Donovan were Joe Linnane who was ‘loaned’ by Radio Eireann to the BBC as Linnane had been hosting the very popular ‘Question Time’ but left early to be replaced by Joe O’Neill. The Irish Times reported the departure but significantly did not mention the name of the BBC show despite it having first aired a year earlier. It wrote,
‘Listeners to Radio Eireann will regret, with me, that our old friend, Joseph Linnane, the   popular Irish Question Time Compere is to leave Ireland shortly to fulfil a contract with the B.B.C.
"Joe." as he is known to thousands of, Irish people, is certainly the best compere we have here, I am inclined to think, indeed, in these islands and the pep which he manages to infuse into his control of a studio full of people each Sunday night is remarkable.
Joe's B.B.C broadcasts will include a series of Irish programmes in which he will be associated with Jimmy O'Dea, Harry O'Donovan. and in which he will have vocal assistance from Robert Irwin and Barbara Mullen, the young Irish stage and film star, who will sing old Irish songs and maybe some new ones as well. The programme will alternate every Saturday with another Irish orgy of melody and mirth, in which Count John McCormack will star. This latter programme will be fathered by L. A. G Strong, who appears to be devoting most of his time these days to broadcasting instead of writing.’



Sean Ryan was a Clare born tenor who appeared from 1942 onwards and it provided a springboard for a tour around Ireland, with his shows being advertised for many years after as ‘coming directly from The Irish Half Hour’. Cyril Cusack, Noel Purcell, Peggy Dell and Cavan O’Connor were also regulars. A variety magazine at the time said that,
‘Cavan O'Connor, well known to listeners for his singing in 'Irish Half-Hour', is every bit as Irish as his name, although he has lived for many years in England. He started to sing at the age of nine, studied under Sir Hugh Allen at the Royal College of Music, since when he has appeared in opera and sung with choral societies and concert parties. He was a popular entertainer on the Western Front during the last war. O'Connor sings not only in English, but in French, German, and Spanish, and many will remember his contributions to the popular 'Cafe Colette' broadcasts.’
Barbara Mullen was another stalwart. Mullen, born in Boston, spent much of her teenage years back with her father on his native Aran Islands where he had starred in the popular film ‘The Man of Aran’. Mullen moved to London to study acting and found herself on the airwaves. She went onto a stellar career on the big screen and on the small screen as the popular Janet McPherson, the housekeeper on BBC Dr. Finlay’s Casebook TV show. Mullen was the star of Eamon Andrews This is Your Life in 1964.

Maye Tipple, who passed away in November 1993, played Biddy’s (O’Dea’s) on air daughter Bridget. She had been O’Dea’s leading lady at the Gaiety and when she departed for London, her role was taken by Maureen Potter who would have a long and successful career on stage and television. Tipple would marry Jack Fennell who worked at Pinewood Studios.

The popularity of the show on both sides of the Irish Sea cannot be underestimated and was a source of concern for Radio Eireann. When it finished in December 1943 a BBC Gallup poll put ‘Irish Half Hour’ as the second most listened to programme on BBC Radio. The show was available on medium wave and more importantly for overseas troops on short wave.

To capitalise on the goodwill created by the BBC’s Irish Half Hour during the war, just after the end of the war a rejuvenated Radio Luxembourg began a request show titled the Irish Half Hour from 1948.

Monday, 20 July 2020

German Wireless off the Galway Coast during WW2


In the last weeks of World War II, the censorship rules were relaxed in Ireland and some of the stories hidden from the Irish public began to appear and they demonstrated the fragility of our neutrality. As details were revealed in the newspapers, the use of wireless as a weapon of battle began to emerge.

As the Battle of the Atlantic raged between the Germans and the Allies, their common enemy was the weather, as both sides battled for supremacy. For both sides, if you had the best metrological reports, your forces had the upper hand. For the Germans, the leading manufacturer of wireless equipment Siemens was tasked with developing ‘wireless’ technologies that could remotely report the weather from the Atlantic. They were highly ambitious and in 1943, the Germans on board a submarine, landed on the coast of Canada’s province of Newfoundland at Martin Bay and established a weather station codenamed KURT, that transmitted coded weather forecast back to the German Navy who used it to identify storms which helped in both identifying merchant convoys and allowing their naval fleet to hide from their British pursuers. According to a Naval warfare historian,
‘KURT was comprised of a telemetry system; 150-watt short-wave antenna; a 10-meter (33-foot) tall antenna mast complete with an anemometer and wind vane on its own separate shorter mast; a 150-watt Lorenz 150FK-type radio transmitter; various meteorological measuring instruments; and ten 100-kilogram (220-pound) steel barrels that contained nickel-cadmium and dry-cell high voltage batteries—each measuring 1 meter (3.3 feet) high by 47 centimetres (1.5 feet) in diameter.’

The WFL-26 station had six-month’s worth of batteries and would collect and record atmospheric conditions—automatically broadcasting the information back to German receiving stations via radio signals. The transmissions were sent for no more than two minutes (one of these precious minutes being allotted for warming up the system) every three hours on a 3940-kHz band, in coded form no less.'



 Siemen's technician Dr. Kurt Sommermeyer aboard U-537 in the Labrador Sea listening to signals transmitted by Weather Station Kurt (named for Sommermeyer) broadcasting from Marin Bay, Newfoundland, 
24th October 1943.

But not only on land did the Germans establish secret weather stations on the continent of North America, Siemens developed sea-based stations. These German ‘robot wireless stations’ were either dropped into the sea from aircraft or launched by submarines and anchored along the Western Irish coast. The Atlantic was an unforgiving sea and the tethers for these ‘robot’ stations often broke loose. One of these was anchored off the coast of Galway near Slyne Head. A fishing trawler from Inishturk snared the device in their nets and hauled it ashore. The Belfast Telegraph reported when the censorship rules were relaxed that,
‘This ingenious apparatus was anchored under the sea and at certain fixed time regulated by an electric clock, pushed up an aerial over the surface and transmitted a report of the prevailing weather conditions in the locality.’
For some of the most technically minded locals in Galway and Mayo, they were able to intercept the signals and while in 1944 and early 1945 the signals from the wireless off the Galway coast was coded, the Germans had dispensed with some of the coding towards the end of the war and local fishermen were taking advantage of the German weather forecasting to assist their fishing, finding themselves forewarned of incoming storm fronts.

The captured German weather station was handed over to the Irish Army who paid the fishermen £ 200 for the salvage of the weapon. It was then transported to Dublin and the Army’s G2 intelligence headquarters. The fishermen all along the West coast not only netted German weather buoys but they also scooped up Allied equipment in their nets. The Allied weather stations were handed over to the Irish authorities who then repatriated them back to Britain who then paid the fishermen salvage recompense. The Examiner reported,
‘During the last two years of the war, a large number of robot weather indicators were either washed ashore on the West Coast of Ireland or caught by fishermen in their nets and brought to ports on the West Coast. The indicators, it was learned yesterday, all bore British Admiralty markings, and were handed over by the Irish authorities to the British Admiralty. Salvage was paid in all cases to the finders. It is believed that the indicators were dropped by planes in the Atlantic and were driven to the Irish coast by winds and currents. They were designed to send out from their delicate mechanism at pre-determined intervals wireless signals regarding the weather in the North Atlantic. So far as can be ascertained, all the indicators were of British origin.’

The importance of the weather off the Irish coast and how it was transmitted especially to the British forces had come to the fore in 1944. According to an article in the Irish Independent,
‘As he cranked the telephone and delivered his news over a crackly line from Co Mayo's most westerly point, Irish Coast Guardsman and lighthouse keeper Ted Sweeney had no idea the lives of more than 150,000 Allied troops would hang on his words.
It was a fateful call. As he watched the barometer fall precipitously, Ted Sweeney's report from the Coast Guard station convinced General Dwight D Eisenhower to delay the D-Day invasion for 24 hours – a decision which averted a military catastrophe and changed the course of the Second World War.
This Friday, June 6, marks the 70th anniversary of the invasion of Normandy – codenamed Operation Overlord. The assault on Hitler's 'Fortress Europe' signalled the beginning of the end of the Nazi regime in Europe with the German surrender less than a year later. Some 5,000 ships and over 11,000 aircraft carried approximately 156,000 Allied troops into battle on D-Day across a 60-mile front.’

The secret wireless station that the Germans based in Newfoundland in 1943 was not discovered until 1977.

Sunday, 12 July 2020

Radio Tralee 1939 - 1990, the legacy of Michael Donovan


Tralee has a long radio history in one guise or another. The first mention of a ‘Radio Tralee’ was in June 1939 when a loudspeaker system was installed in the town for the Tralee Summer Show and Carnival. The ‘station’ studios were installed on Castle Street to entertain those who attended the festival which included a major horse race meeting. According to the 'Kerryman' newspaper on June 17th when reporting the official opening of the Tralee Industrial Fair,
‘Mr. Thomas Lynch, Chairman of the Tralee Urban Council, opened the Tralee Industrial Show and Exhibitions on Wednesday night. Speaking from the studio of "Radio Tralee," he appealed to the people to support the manufacturers who had come to Tralee to show what can be done by Irishmen in their own country.’

The moniker Radio Tralee then reappeared in the sixties and the early seventies, initially during the Rose of Tralee festival when studios were first located in 'Arthurs' music and radio shop on the Square. By 1973, Radio Tralee was on every weekend from the Rose weekend in July until after Christmas providing entertainment and an advertising outlet for the traders in the town. The manager of the shop Declan Moriarty was one of the main presenters on Radio Tralee at the time. In 1974 the station would be moved to Barrack Lane behind the Munster Warehouse and the star presenter was now Sean Hurley.



He would be replaced by a man who would have a lasting impression on the listening public in Tralee, the late Michael Donovan. Donovan would take the name from the towns speaker system and put in on the airwaves properly as Radio Tralee in 1978 when it burst onto the medium wave. Sometimes known as Community Radio Tralee and Downtown Radio Tralee, it closed briefly in December 1979 citing financial problems. In its various guises Donovan would keep a Radio Tralee on the air until December 1988 when new legislation forced the closure of over 100 pirate radio stations across Ireland that ultimately made way for legal independent commercial radio and Radio Kerry. But having been overlooked for a franchise, Radio Tralee came back on the air in late 1989 but was eventually closed by the authorities in July 1990 putting an end to Radio Tralee, or did it?


If you want to support my work in preserving and presenting the history of Irish radio and archive as much broadcasting history as I can, then for the price of a cup of coffee (takeaway these days) you can financially support the work at -              https://ko-fi.com/irishbroadcastinghistory