In July 2021, The Irish Pirate Radio Archive at Dublin City University were delighted to accept the archives of 'Anoraks Ireland'. They had been meticulously gathered by Paul Davidson who ran 'Anoraks Ireland' for over a decade. The archives are extensive covering a golden era of Irish pirate radio (1980's) and shed light on both the social and broadcasting history of Ireland. The archives includes station advertising rates cards, correspondence with stations, detailed questionnaires, comprehensive bandscans, newspaper clippings, photographs of both studios and transmitters and over 2,500 tape recordings. Over the next couple of months we will bring you snippets of this extensive archive to give you a flavour of both its breath and depth and what pirate radio was like in Ireland in the 1970's and 1980's.
In the 1970's one of Dublin hobby pirate stations was Radio Empathy, in 1974 the station was raided and closed. This is an article from The Sunday World newspaper that includes a report of the court case.
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Showing posts with label radio ireland. Show all posts
Showing posts with label radio ireland. Show all posts
Tuesday, 6 July 2021
Radio Empathy Raided 1974, the Irish Pirate Radio Archives Collection
In the Irish Free Radio Movement's magazine 'The Medium' (issue Number 4) published in Autumn 1974, they published their own report on the court case involving Radio Empathy.
Wednesday, 17 March 2021
A St. Patrick's Day Pirate Radio Throwback
Over the decades Irish pirate radio stations have garnered newspaper headlines for their antics in and around St. Patrick's Day. Here is a small selection of those headlines.
In 1978, Radio Dublin announced it would be taking part in the iconic St Patrick's Day parade, but just a couple of days later...
In 1979, unlike Dublin, Radio Cill Dara takes part in the local St Patrick's Day parade in Newbridge.
One station that launched on a St. Patrick's Day was Centre Radio in Clonmel in 1986.
and finally back to where we started with Radio Dublin who would suffer with their FM Frequency woes when Radio Ireland, who had won the national radio franchise following the demise of Century FM, would officially go on air on St Patrick's Day.
Sunday, 28 June 2020
FM Radio Bandscan – Dublin, Ireland, 1 pm Sunday June 28th 2020
FM Radio Bandscan – Irishtown, Dublin, Ireland,
Sunday June 28th 2020 - 1pm – 1.30pm
FREQUENCY NAME STATION STATUS RDS SIGNAL
***
NO RDS
- 108mhz Blank Carrier PIRATE *** Strong
- 107.6mhz Newstalk Legal, Commercial, National RDS Strong
- 107.1mhz Club FM PIRATE RDS Strong
- 106.8mhz Sunshine Legal, Dublin Commercial RDS Strong
- 106.4mhz Raidio Na Life Legal, Local, Irish Language RDS Strong
- 106mhz Newstalk Legal, Commercial, National RDS Strong
- 105.5mhz Today FM Legal, Commercial, National RDS Medium
- 105.2mhz Easy FM PIRATE RDS Strong
- 104.7mhz iRadio Legal, Commercial, Regional *** Medium
- 104.4mhz FM 104 Legal, Dublin Commercial RDS Strong
- 103.8mhz Spin 1038 Legal, Dublin Commercial RDS Strong
- 103.2mhz Dublin City FM Legal, Dublin Community RDS Strong
- 102.7mhz Radio Na G State, National, Irish Language *** Weak
- 102.5mhz Kiss FM PIRATE RDS Strong
- 102.2mhz Q102 Legal, Dublin Commercial RDS Strong
- 101.8mhz Today FM Legal, Commercial, National RDS Strong
- 100.9mhz Today FM Legal, Commercial, National RDS Strong
- 100.5mhz Nova Legal, Dublin Commercial RDS Strong
- 100.3mhz Nova Legal, Dublin Commercial RDS Strong
- 99.9mhz East Coast Legal, Wicklow Commercial RDS Strong
- 99.5mhz Blank Carrier PIRATE *** Strong
- 99.2mhz Lyric FM State, National, Classical RDS Strong
- 98.7mhz Lyric FM State, National, Classical RDS Strong
- 98.4mhz 90s Network PIRATE *** Medium
- 98.1mhz 98FM Legal, Dublin Commercial RDS Strong
- 97.6mhz KFM Legal, Kildare Commercial RDS Strong
- 97.3mhz Today FM Legal, Commercial, National *** Medium
- 97mhz East Coast Legal, Wicklow Commercial RDS Strong
- 96.7mhz Lyric FM State, National, Classical RDS Strong
- 96.2mhz East Coast Legal, Wicklow Commercial RDS Medium
- 96mhz Inner City Radio PIRATE *** Medium
- 95.7mhz Nova Legal, Dublin Commercial RDS Medium
- 95.5mhz LMFM Legal,Louth/Meath,Commercial RDS Strong
- 95.2mhz Lyric FM State, National, Classical RDS Medium
- 94.9mhz Classic Hits Legal, Commercial, Multi RDS Strong
- 94.6mhz Classic Hits Legal, Commercial, Multi RDS Strong
- 94.3mhz EASY PIRATE RDS Strong
- 93.9mhz DSFM Legal, Community, Dublin RDS Strong
- 93.5mhz Radio Na G State, National, Irish Language RDS Strong
- 93.2mhz Blank Carrier PIRATE *** Medium
- 92.9mhz Radio Na G State, National, Irish Language *** Weak
- 92.5mhz Phoenix Legal, Community, Dublin *** Medium
- 92.2mhz Spirit Legal, National, Religious RDS Strong
- 92mhz Retro FM PIRATE *** Medium
- 91.8mhz 2FM Legal, National, State RDS Strong
- 91.3mhz 2FM Legal, National, State RDS Strong
- 91mhz Hot FM PIRATE RDS Strong
- 90.7mhz 2 FM Legal, National, State RDS Strong
- 90.3mhz Near FM Legal, Community, Dublin RDS Strong
- 90.1mhz Spirit Legal, National, Religious RDS Strong
- 89.9mhz Spirit Legal, National, Religious RDS Strong
- 89.5mhz St. Ita’s Legal, Hospital, Community *** Weak
- 89.1mhz RTE Radio 1 Legal, National, State RDS Strong
- 88.7mhz BBC Radio 2 Legal, National, British *** Weak
- 88.5mhz RTE Radio 1 Legal, National, State RDS Strong
- 88.1mhz Pirate FM PIRATE RDS Strong
- 87.8mhz RTE Radio 1 Legal, National, State *** Weak
Tuesday, 16 June 2020
A Time for Reflection in Irish Radio
There has been much in
the press in recent weeks on the 'Black Lives Matter' campaign, with protests
in many Irish cities and towns including marches to the American Embassy in
Dublin. We have been faced with looking at the diversity or lack of diversity of
life in Ireland and the racism that some communities feel and experience. Much
of the public opinion is driven by what we see, hear and read whether it’s in
the treacherous world of social media, newspapers, on film or on television and
hear on the radio.
Irish radio is
the most sought after, listened to and trusted mediums in the country and those
who appear on the radio and drive the conversation, are a trusted source. They
have opened the debate and lifted the lid on some issues that exist in Irish society
and have often been pushed underground. It is a debate that even our Taoiseach
has spoken on but what of Irish radio itself and how it reflects the society it
is licensed to serve. A look at a selection of Irish radio stations around the
country, both State, national and commercial, demonstrates the lack of a
diverse voice on the airwaves.
The ethnic and
minority voice has somehow been banished to community radio, who have led the
way in offering a true reflection of Irish society, led by stations like Dublin
City FM and Flirt FM. While the accompanying slide only covers a small amount
of licensed stations on the air in Ireland, it is a familiar story across the
country, the lack of diversity in both on-air talent and content. There are a
possible number of reasons for this.
The slide looks at a selection of stations and their programmes that air between noon and 7pm, which includes the prime time evening slots. Fifteen of the presenters are female as compared to forty four men. There are no ethnic voices even though many of those whom we would see as ethnic, are now a growing segment of Irish born citizens and their accents on air would be as neutral or as local as those currently on air. The perception, while seeking out schedules on the various station websites, is that Irish radio is very 'white'. I am not demeaning any of the current on air talent which make Ireland one of the best nations in the world for radio, many of them have contributing greatly to the conversation now being held, but when a new opportunity opens up on radio, will HR departments seriously consider a new voice and face for their station? In today's modern radio, especially with in studio cameras, a new dimension is added as presenters are not just the voice of the airwaves but also the face.
It is perhaps
a commercial decision as minority or ethnic content would not sell advertising
or increase generic ratings. At one time on-air talent were encouraged to have
a neutral accents (mid-Atlantic as it was described in pirate radio days) so
that listeners would not have to strain to understand what was being said. In
the early days of community radio in Ireland, international accents were aimed
at a very narrow demographic, such as Polish presenters delivering programmes
aimed at the large Polish community in Dublin but as Irish society becomes more
integrated, is it not time that the BAI encourage or even legislate that
different voices and accents should be heard on mainstream radio.
Despite the
fact that the gender balance in the Irish population is almost 50/50, only
about a third of primetime voices on radio are female, which has thankfully
been growing over the past decade. To encourage the stations to employ more
women in front of the microphone and not just behind it (at one time only in a
secretarial role), quotas were set, perhaps it is time for a similar
encouragement to diversify the voices we hear. The latest CSO figures
illustrate that the percentage of the Irish population who deem themselves as 'ethnic' is
now nearly 20% and yet this is not reflection on air. Integration is a key to a
inclusive society that creates stability and opportunity.
It is now
a 'Time for Reflection' in Irish radio.
Wednesday, 3 June 2020
1922, A Radio First for Castleknock College
While the medium of radio
developed quickly around the world, in Ireland censorship rules and military
disruption caused by the War of Independence and then the Civil War, stifled
the development of radio broadcasting in Ireland. The ownership of transmitters
was banned and amateurs operated in fear of arrest. Some though did try to
develop radio especially as it moved from Morse point to point communications
to mass communications with wireless telephony. Many of those who tried to
advance the growing interest in radio were the clergy who found safety behind
the walls of parochial houses and monasteries.
One of those was Father John
Ryan CM who taught at Blackrock College and at one time had Eamon DeValera as a
pupil. On Wednesday April 5th 1922, he is credited for having organised the
first radio broadcast specifically dedicated to an Irish audience. For that
unique occasion, the event did not take place in Blackrock College on the
southside of Dublin but northside of the city at Castleknock College. The
broadcast caused quite a stir in the media and while it was an Irish audience
that would be entertained the broadcast itself came from Paris.
‘The
Reverend lecturer " tuned up" and throughout the hall we heard "
dot and dash " from Clifden, Paris, Nauen (Germany), Karlsborg (Sweden),
Warsaw, Moscow, and from ships at sea.
A
gentleman in the audience actually took down and de-coded some of the messages there
and then.’
Ninety minutes later the
Reverend nervously checked him watch and then with some small adjustments to
his equipment on stage, that had been supplied by the dealers Dixon and Hempenstall.
The audience at Castleknock College were now so quiet you could hear a pin
drop, were suddenly startled and astounded in equal measure.
‘Suddenly
there crept through the hall sweet notes of a French soprano singing " La
Patrie" - A pause - Now a baritone's full notes resounded in an appealing
ballad. - Another pause - An orchestra playing most tunefully delighted our
ears. - Another pause - Once again the soprano sang, concluding with the
strains of "La Marseilles." Then a gentleman's voice was heard to say
"Bon Soir mesdames, Bon Soir, messieurs'.
Imagine
our amazement. We had heard a concert transmitted by wireless telephony.
Then came the explanation. Father Ryan, having often heard music by telephony at
his station at Blackrock, conceived the daring idea of writing to General Ferrie,
at the Eiffel Tower Wireless Station, Paris, to ask for the transmission of some
music by telephony at 8.30 p.m. on April 5, as he would lecture on "Wireless" that
evening to the Castleknock students.’
The Paris concerts were broadcast
on 2600 metres, normally aired in the afternoons as amateur listeners on
crystal sets listeners to music concerts from Marconi’s experimental station at
Chelmsford, 2MT, in the evenings. Ryan believed that relaying an English
broadcast might incite passions after the recent end to the War of
Independence. He contacted Gustave Auguste Ferrié (19 November 1868 – 16
February 1932), who was a renown French radio pioneer and inventor and
appointed a general in the French army. In 1903 he proposed setting aerials on
the Eiffel Tower for long-range radiotelegraphy. Under his direction
a transmitter was set up in the tower, and its effective range had increased
from an initial 400 km (250 mi) to 6,000 km (3,700 mi) by
1908. He would later develop mobile transmitters for military units which would
be used by the French military during the First World War. It was fortuitous
that the Paris Station based at the Eiffel Tower had significantly increased
its transmitter power one month earlier. Father Ryan requested of the French General
that the Paris station would organise and broadcast a special broadcast for the
Irish audience at Castleknock College who were about to enter the Irish radio
history books.
Paris
sang to Castleknock, and Castleknock applauded enthusiastically.
Tuesday, 2 June 2020
1938 - 'Wrong Way Corrigan' on the Radio
On July 18th 1938, at
Baldonnel Aerodrome, outside Dublin, a small aircraft landed without any
advance warning. On board was a solo pilot Douglas Corrigan. He was about to
become a cultural icon and celebrity and would forever be known as ‘Wrong Way
Corrigan’. An aircraft mechanic who had helped build Lindbergh’s ‘Spirit of St.
Louis’ that itself had crossed the Atlantic, he had purchased a 1929 Curtiss
Robin aircraft and modified it. He applied for permission to cross the Atlantic
from the United States but was denied as the authorities deemed his aircraft not
to be airworthy to make the crossing. On July 9th, Corrigan and his aircraft
left Long Beach, California and landed at Bennett Field, Brooklyn, New York. On
July 16th he took off again from Bennett’s Field having filed a flight plan to
return west to California. But instead, he later claimed accidentally, his plane
flew twenty-seven hours west landing in Ireland.
He became an instant
media sensation and radio played a pivotal role in spreading his fame. A front-page
story across the world, he was even introduced to the Irish Taoiseach Eamon
DeValera at Irish Government buildings. The following day after he landed in Ireland
Corrigan would broadcast live on NBC across America from Dublin and that the broadcast
in itself received unprecedented press coverage.
Despite the fact that
Radio Eireann in their studios to the rear of the GPO on Dublin’s main thoroughfare
O’Connell Street closed transmissions at 11.30pm, the studios were opened at 3am
in the morning for Corrigan to broadcast to America. From Radio Eireann’s
studios and live across the United States, Corrigan held a conversation with
his grandmother, Aunt and Uncle in Hollywood, California. It would be his
native Hollywood California that would also turn his adventure into a big
screen movie ‘The Flying Irishman’ made by RKO Pictures. In his international
interview with Robert Ripley the creator of ‘Believe It or Not’ the host asked,
‘How
are they treating you?’
‘Oh
swell, they are treating me like an Irishman’ he replied according to the Irish
Independent report
‘He
then introduced the famous airman to his audience and then asked him a series
of questions similar to those he has been asked by newspaper men since he
suddenly appeared out of the clouds at Baldonnel’
Ripley in Hollywood continued
"Hello, Douglas; here's your uncle," and' the airman's uncle
greeted him with the news that Douglas also had become an uncle in
the previous 24 hours. "Your niece, Lucille Ann, was born at 12.17 last
night," he said.
Then his Uncle asked,
"Have you any need of money? "
" I guess not," replied Douglas.
"
Well, anyway," said his uncle, " I am sending you some through the
American Consul and don't fly back."
Douglas was just starting
to cash in on his new found celebrity status which included ticker tape parades
in both New York and Chicago. He was paid $2,000[1]
($36,000 in today’s money) for his interview with NBC but Radio Eireann got
little or nothing for their efforts to open their station doors to allow the
broadcast.
Corrigan, who was housed
in the American embassy in the Phoenix Park, gave an interview to Radio Eireann
the following Saturday. According to the newspapers,
‘Mr. Douglas Corrigan. the
American was the centre of attraction last night when he broadcast a
talk of five minutes from Radio Eireann.
"Hello,
Irishmen." were the first words used by Mr. Corrigan when he
stepped to the microphone.
Mr.
Eric Boden. compere, asked: What did it feel like when you came down at Baldonnel?
"
It felt pretty good to get on the ground again," said Mr. Corrigan. "I
was then a bit dubious as to what was going to happen next."
Mr. Corrigan had
some nice things to say about Baldonnel. Everybody interested in Ireland, he
said, knew about Baldonnel. The flying field was a good one but the buildings
did not seem quite so new as those in America.
Mr.
Boden, ‘When you were broadcasting previously you said you were being treated
here like an Irishman. What was implied by that?
Mr.
Corrigan-Well, I was being treated as good as anybody could treat anybody else.
I have met Mr. de Valera, and 1 have met Dr. Douglas Hyde[2].
Mr. Walsh. Mr. Leyden. Major-General Brennan, and they have all been very nice
to me.’
Before he departed
Ireland via Cobh, he spoke one again live to the US audiences in the early
hours of the morning, late night on the East Coast of the United States. Broadcasting for
CBS from the Customs office, at the Deep-Water Quay, Cobh, Douglas Corrigan gave
the American people some of his impressions of his stay in Ireland following
his flight. He made the broadcast through a long land link-up with
England, and in the little room those present could only hear the replies made
by Corrigan to the questions put to him by the interviewer, who was speaking
from America. Corrigan heard the questions through earphones.
Sharp at 4.30 a.m.
Corrigan, who was wearing the leather jacket in which he flew the Atlantic, two
weeks earlier, stepped up to the microphone and announced: "Hello, Dublin!
hello, London! hello, New York, this is Corrigan,' speaking from Cobh,
Ireland, I am sailing in about half an hour for New York. It is 4.30 here, and
a very wet night."
In reply to the questions
put to him Corrigan said he was most impressed by "the large crowds who
waited at each of the railway stations coming down from Dublin to Cork on the
train last night. They all wanted autographs, and 1 was very gratified, because
it was raining all the time.”
Corrigan returned with
his plane to New York by ship and was feted wherever he went, now known as ‘Wrong
Way Corrigan’.
Friday, 22 May 2020
Dublin's Pirate Radio Stations of the Early Twenties
The Irish Free State authorised 2RN to become the State’s official radio
station and on January 1st 1926 it would officially go on air. Irish listeners,
especially those on the East Coast, were already avid listeners to the new
medium of radio. The sales of wireless sets had blossomed, with businesses like
Hogan’s in Henry Street, Dublin supplying imported sets to those who could
afford them. For those who could not afford them, a homemade crystal set gave
them access to the airwaves. Listeners were entertained to broadcasts by
London, Newcastle, Cardiff and Manchester amongst others. Following the
formation of the new state, there was a divergence from the British laws that
governed life in the country. Many of the laws were embraced by the Government
including the British 1904 Wireless Telegraphy Act. Then in February 1924, the
Irish Government implemented a licensing scheme for radio sets which was to be
collected through the post office.
For many listeners south of the border, the arrival of 2BE in Belfast in
September 1924 increased the urgency of having a Southern voice but there was
division within Government circles as to whether the Free State’s venture
should be commercially and privately run or State operated. In the end 2RN was
a State body.
Many amateurs were building crystal sets to listen-in, but some
inventive radio engineers were discovering that it was easy to turn their
listening devices into transmitting devices. These amateurs were warned by
newspaper columnists like ‘Radio Rex’ and ‘Jack Broadcaster’ that this was
illegal and they should desist.
The so-called experimenters who were in actuality ‘pirate radio
stations’ outside the law, were rebroadcasting British stations received on sophisticated
sets in order that the amateur built crystal sets would be able to pick up a
signal. This too was referred to in the newspaper columns with one declaring
that,
‘Now I am informed that some people in what
may be described as misplaced kindness are endeavouring to re-radiate received broadcast from
their aerials to those of nearby crystal users. This is
absolutely illegal and must on no account be attempted. You are not
allowed to transmit. I shall be glad to assist those who try to locate
offenders.’
On January 18th 1923 in The Evening Telegraph, readers with
an interest in radio was left in little doubt as to the legalities of
‘broadcasting’ rather than listening. It advised,
‘The position of the Free State in regard to
the question of broadcasting, it may be taken for granted that broadly stated
(1) Broadcasting of any kind is not legal yet in the Irish Free State. (2) That
any instruments for the purpose of broadcasting are illegal. (3) That any
attempt to bring in such instruments would be frustrated, the instruments of
discord on-route would be sequestrated.’
Despite this information, an unusual pirate broadcaster turned out to be
an attempted fraud and was exposed on the front page of the Evening Telegraph
in November 1923. An authorised radio set dealer became aware of fraudsters who
were selling sets at an unbelievably cheap price, purporting to receive all the
British stations. He made an appointment to view the set and when the seller
turned it on, he said that they were tuned into the Manchester station 2ZY.
They listened to gramophone records and an announcer. After a period of
listening the scam unravelled as the authorised dealer said that the announcers
voice had a distinct Dublin accent. All was then revealed. The scammer and his
confederate had set up a pirate transmitter nearby and was broadcasting the
records and using a crude microphone to deliver the announcements pretending to
be 2ZY. The ‘wireless set’ that they were trying to sell would barely be able
to pick up a station that was just twenty miles from the receiver, it only
contained a single value. The uncover
businessman remarked to the reporter that
‘The amusing part was that he had a rather
clumsy contraption fitted up with the idea of humbugging innocent people into
believing that the results obtained on his 'single valve set with a frame aerial
were better than any of the demonstrations by the big wireless firms.’
He added
‘This kind of work is very good for
experiments, but when it is done for the purpose of leading people to believe
that they are listening to an actual station broadcasting, well it does general
wireless work harm, first by making people suspicions and secondly by
disappointing them by bad results.’
One pirate station seemed to make a genuine attempt to become the
‘Dublin station’ in advance of any officially sanctioned station. In May 1924,
‘The Grand Central Station Dublin’ was heard on the airwaves of Dublin on 390m
medium wave. Reports said that on some of its broadcasts it suffered from
interference from 2NO in Newcastle. The station broadcast from 9pm – 9.30pm.
The ‘Dublin Studio’ as it deemed itself was located Northside of the city and
introduced its pirate transmission with the announcement ‘calling Dublin,
Glasnevin and everybody’. One writer to the newspapers wrote a critique of the
broadcasts and offered some advice,
‘I would recommend that he is again whistling
‘Father O’Flynn’ for broadcasting that he should not blow directly into the
microphone, as the result last night was more rushing wind that musical.’
The station carried on intermittently throughout the rest of the year
with various reports appearing in trade magazines. They appeared to be coming
from the one station although there were many experimenters as the frequency
used was regularly on 390metres. In January 1925, The Radio Digest magazine in
the United States reported in its ‘European Notes’ section that,
‘broadcasting is being carried out nightly
from an unknown location near Dublin, Ireland, much to the annoyance of the
Irish post office authorities who have been unsuccessful in their attempts to
locate the illegal station’.
Pirate radio would be a thorn in the side of the authorities throughout
every decade up to the present days with many pirate radio stations still
taking to the air.
Labels:
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clandestine radio,
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early radio history,
free radio,
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World Radio Day
Monday, 18 May 2020
The Irish Pirate Radio Rivalries - Of the 1930's
For many, the great pirate radio rivalries in Ireland were ERI and South
Coast in Cork, Nova and Sunshine in Dublin in the 1980’s or the Radio Dublin
and Alternative Radio Dublin’s battles from the seventies but a pirate radio
rivalry erupted on the airwaves in the 1930’s between stations in Limerick and
Waterford.
The 1926 Wireless Telegraphy Act was introduced in November 1926, nine
months after the official launch of 2RN. The Act would regulate the airwaves,
write the rules on licence fees and deem what should and should not be
broadcast. The Act was supposed to be a deterrent to illegal broadcasting but
that did not stop illegal stations broadcasting taking to the airwaves. One man
in Limerick would break all the rules. Jim O’Carroll attended the Technical
Institute on O’Connell Avenue in the city and developed a keen interest in
electronics. As a result while experimenting, he built a crystal receiving set
that allowed him to listen to 2RN, the BBC and with improvements he began to
listen to Short Wave broadcasts from America and Australia.
In early 1935, O’Carroll added an oscillator to his receiving set and
turned it into a crude transmitter that was powerful enough to be heard all
over the city. After testing its limitations, O’Carroll had to find a home for
his new station, as living with his sister was not an ideal location for
secrecy. He eventually found a location on the third floor at the home of his
friend Charlie O’Connor at 84 Henry Street. The station began broadcasting in
February 1935 on 360m, very close to the powerful transmitter in Berlin,
Germany broadcasting on its allotted frequency of 356.7m, which meant that both
signals interfered with each other and
often the Limerick station had to wait until the Berlin transmitter was turned
off to get a good signal out across Limerick City. By April, reports of a Limerick
‘Mystery Station’ was reaching the national newspaper headlines.
The station was now named The City Broadcasting Station (CBS) as O’Carroll
had been listening to CBS broadcasts from across the Atlantic and liked the sound
of the name. He went on the air playing whatever gramophone records he could
lay his hands on. On the air most nights from 7.30 – 10.30pm, the station
continued with Billy Dynamite (O’Carroll) and Al Dubbin (O’Connor) at the
controls broadcasting a mixture of speech, gramophone records, and relayed
programmes from American radio, including the news and even swimming lessons on
the radio.
The Limerick Leader reported on April 6th,
‘The
operation of a mysterious broadcasting station in Limerick for some past time
had the citizens and officials agog. Listeners-in are occasionally startled
when they hear an unofficial announcer make reference to local matters and some
well-known personalities.’
The Liberator newspaper in Tralee on the same day reported,
‘The annoyance caused
by this is distinctly perturbing to owners of sets.’
The appearance of CBS on the airwaves of Limerick was greeted by a
variety of different headlines. The Irish Examiner (6/4/1935) headlined their
article ‘Wireless Nuisance’, The Kerryman (13/4/1935) spoke of a ‘Secret Radio
Station’ while the Irish Independent described them as the ‘Mystery Station’.
The station continued from February to October with the only change being its
location, when the station moved to the home of Michael Madden at 25 Wolfe Tone
Street who had been providing the batteries for the station’s transmitter. The
station went from strength to strength and became the first station in Ireland
to carry a paid commercial rather than the sponsored programming aired on the
national station, when the Wolfe Tone Dairy began to advertise its products.
The owner of the dairy was John Toomey, who ran a successful
grocer/dairy/vegetable shop and was the proud owner of an ice cream machine,
selling homemade ice cream cones. Summer was coming and ice creams would be a
popular seller. O’Carroll said after,
‘As
I began to get a little bolder, I discreetly canvassed for commercials. My
first contact was the owner of the Wolfe Tone Dairy, Mr. Toomey. He had a fine
grocer's shop but, in addition, he made delicious ice cream on the premises. I
told Mr. Twomey that I knew a man who could contact the elusive Pirate and
arrange to have his delicious ice cream mentioned on the air. He was to make no
payment until he heard the broadcast. He offered the incredible sum of £10 if I
arranged this transaction. Ten pounds was about a month's wages at the time.
For a schoolboy one could almost retire! Needless to remark, as far as I know, that
was the first radio commercial in Ireland.’[1]
There were queues down the street for the ice cream encouraging John Toomey
to invest in a second machine to keep up with the demand.
‘An
enduring sight in my mind's eye is a very long line of people reaching in the
direction of what was then Gleeson's public house waiting to purchase cones and
wafers from a delighted Mr. Toomey[2]’
said O’Carroll
The
station began carrying ads for Clohesy’s Pub on Charlotte Quay, one of the most
popular pubs in Limerick at the time. O’Carroll also added in an interviwe with
the Limerick Leader in 1976, that
‘a committee running a
sports outing in Castleconnell asked us to advertise their sports meeting, we
had a ‘What’s On Guide’ in Limerick cinemas’.
The advertising revenue was beginning to pay
off for the radio entrepreneurs. The station would carry local news bulletins
and because they broadcast late at night, they would collect the following
morning’s national newspapers arriving in Limerick railway station at nine o’clock
and broadcast the headlines for their listeners much to the displeasure of the Irish
dailys, and this was replected in their coverage of the station.
Meanwhile in Waterford City another broadcaster was taking to the
airwaves. The ‘Waterford Broadcasting Station’ was heard broadcasting on 280m
medium wave and were on air from 11.15pm for an hour. On Wednesday April 17th
, the broadcast to the listeners of Waterford, which was described by the Irish
Independent correspondent as ‘a most enjoyable broadcast’, included ‘gramophone
records, vocal and instrumental items’ but ended with an unfavourable critique
for their Limerick rivals. The announcer bemoaned that,
‘an
amateur in Limerick had broadcast programmes which were injurious and
objectionable.’
He added,
‘I would
like listeners to understand that I disapprove wholeheartedly and condemn
abuses by this amateur of the powers his transmission station gives him’.
The spat over the airwaves reached the newspapers the following day when
the Irish Press on their front page headlined ‘Another Mystery Station, Radio
Rivals’. Some of the issues related to newspaper reports that O’Carroll’s
signal was interfering with listeners enjoyed of concerts from the Berlin
station.
Further broadcasts from the Waterford station were noted on July 28th
at 2pm, when a thirty -minute broadcast of music was interspersed with
announcements in Irish that there would be further broadcasts to follow.
In Limerick on October 31st, Halloween, while Michael Madden was on the
air, the station had been tracked down and was raided by the police and an
engineer from the Post Office Walter Dain. Madden was arrested and the
equipment confiscated. O’Carroll partly blamed the raid on Madden himself, who
had been drinking in local pubs boasting the fact that he was ‘the radio pirate’
and that information was relayed to the Gardai in Limerick. O’Carroll was in
Dublin on the day of the raid visiting his mother and the day after the
Limerick raid his mother’s house in Milltown was ‘ransacked’ according to
O’Carroll as Gardai searched for links to a suspected IRA transmitter that was
also broadcasting in Limerick.
Even before the court case following the 1935 raid had reached the
courts, a radio station was reported on the Limerick airwaves in early February
1936. The station was advertising a local dance and encouraged listeners to
support the event. Following a court case on February 28th 1936 Madden was
convicted and fined £1 and 2 guineas costs. During the case Garda Lenihan said
that,
‘during the illegal broadcasts names were mentioned and scandalous
remarks used’.
It would be the first conviction under the 1926 Wireless Telegraphy Act.
In June 1936 another station was reported by the Irish Independent as
being on the air, calling itself ‘The Curraghrock Station’. The newspaper
reported two females were heard on air followed by a gramophone record
programme. By July 1936 the tone of the station was causing problems for the
authorities in the Limerick area and in Government circles in Dublin. The issue
for the authorities this time was more urgent as the broadcaster was now
broadcasting IRA propaganda. The announcer was reported as telling listeners
that the station was set up ‘to disseminate Irish republican Army
propaganda’. This time the station used
a frequency used by the Munich station and again like the station the previous
year would have a better range once the Munich transmitter fell silent. The
station was probably located in the Barrack Road area hence the confusion in
the name as there is no ‘Curraghrock’ in Limerick.
This station was seized on September 4th 1936, when a house
on Newnham Street was raided by Post Office Engineer William Carroll and Garda
Lenihan. Despite this raid, another Limerick pirate transmitter was back on the
air by September 16th, on the 360m frequency ‘treating listeners to
a programme of gramophone records’ but while there were announcements, there
was nothing of a political nature.
At the subsequent court case on December 4th, Edward Quin of
Clancy Strand was prosecuted for maintaining illegal transmitting apparatus
contrary of the 1926 Wireless Telegraphy Act. The State prosecutor stated that
the items seized were,
‘one
medium wave oscillator, one low frequency amplifier, one carbon type
microphone, and one short wave oscillator’
Garda Lenihan stated in
evidence that Quin tried to pocket a value from the transmitter which he later
claimed he took because he had it sold and didn’t want to lose it. Lenihan
disclosed that he had spoken to Quin on a number of previous occasions about
the need to stop illegal broadcasting. All the wireless articles found in the
house were produced to the Court and the GPO engineer Thomas Carroll then
described what had to be done to test the-apparatus. The test broadcast worked ‘quite
satisfactorily’. According to a GPO Inspector he had received a test message
from the transmitter and the ‘message was quite distinct’. His finding was
corroborated by another engineer Mr. T. White. The prosecution was determined
to achieve a conviction and were willing to call several experts to ensure the
result. They wanted to send out a message to propagandists who wished to use
the radio waves to propagate their messages that they would close them and that
the only broadcaster allowed to broadcast in the Free State was Radio Eireann.
While Madden and O’Carroll in Limerick were pirate broadcasting for
entertainment purposes, a more sinister type of broadcasts had appeared on the
airwaves in Dublin. On Friday October 25th 1935 at 2.30pm listeners
on medium wave reported hearing a ‘mystery transmitter’ announcing that it was
‘Radio Phoblacht na
hEireann, The IRA broadcasting studio.’
The station’s announcer gave a lengthy statement on the Irish
Sweepstakes and announced a list of winners. The station then played some
gramophone records including those of the famous Irish born tenor Count John
McCormack. The broadcast lasted about
forty minutes. But the illegal broadcasting of entertainment programmes or
occasional broadcasts from subversive organisations would become the least of
DeValera’s problems as the nation faced into neutrality during the Second World
War.
Greater rivalries would consume the Irish airwaves in the decades to
come but these stations proved that the battle for hearts and minds on the
radio could consume time and newspaper columns.
[1]
From an article by Jim O’Carroll on Limerickcity.ie
[2]
In O’Carroll’s story John Toomey was written as ‘Twomey’ but his death notice
in 1951 denoted Toomey as the proper spelling.
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