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Showing posts with label radio ireland. Show all posts
Showing posts with label radio ireland. Show all posts

Tuesday, 6 July 2021

Radio Empathy Raided 1974, the Irish Pirate Radio Archives Collection

 In July 2021, The Irish Pirate Radio Archive at Dublin City University were delighted to accept the archives of 'Anoraks Ireland'. They had been meticulously gathered by Paul Davidson who ran 'Anoraks Ireland' for over a decade. The archives are extensive covering a golden era of Irish pirate radio (1980's) and shed light on both the social and broadcasting history of Ireland. The archives includes station advertising rates cards, correspondence with stations, detailed questionnaires, comprehensive bandscans, newspaper clippings, photographs of both studios and transmitters and over 2,500 tape recordings. Over the next couple of months we will bring you snippets of this extensive archive to give you a flavour of both its breath and depth and what pirate radio was like in Ireland in the 1970's and 1980's. 


In the 1970's one of Dublin hobby pirate stations was Radio Empathy, in 1974 the station was raided and closed. This is an article from The Sunday World newspaper that includes a report of the court case.



In the Irish Free Radio Movement's magazine 'The Medium' (issue Number 4) published in Autumn 1974, they published their own report on the court case involving Radio Empathy.




 

Wednesday, 17 March 2021

A St. Patrick's Day Pirate Radio Throwback

Over the decades Irish pirate radio stations have garnered newspaper headlines for their antics in and around St. Patrick's Day. Here is a small selection of those headlines. 

In 1978, Radio Dublin announced it would be taking part in the iconic St Patrick's Day parade, but just a couple of days later...

In 1979, unlike Dublin, Radio Cill Dara takes part in the local St Patrick's Day parade in Newbridge.

One station that launched on a St. Patrick's Day was Centre Radio in Clonmel in 1986. 

and finally back to where we started with Radio Dublin who would suffer with their FM Frequency woes when Radio Ireland, who had won the national radio franchise following the demise of Century FM, would officially go on air on St Patrick's Day. 








 





Sunday, 28 June 2020

FM Radio Bandscan – Dublin, Ireland, 1 pm Sunday June 28th 2020


FM Radio Bandscan – Irishtown, Dublin, Ireland,
Sunday June 28th 2020 - 1pm – 1.30pm

FREQUENCY       NAME                   STATION STATUS                             RDS        SIGNAL
                                                                                                                        *** NO RDS       
  1. 108mhz               Blank Carrier          PIRATE                                       ***          Strong
  2. 107.6mhz            Newstalk                 Legal, Commercial, National       RDS        Strong
  3. 107.1mhz            Club FM                 PIRATE                                        RDS        Strong
  4. 106.8mhz            Sunshine                 Legal, Dublin Commercial            RDS        Strong
  5. 106.4mhz            Raidio Na Life        Legal, Local, Irish Language        RDS        Strong
  6. 106mhz               Newstalk                 Legal, Commercial, National        RDS        Strong
  7. 105.5mhz            Today FM               Legal, Commercial, National        RDS        Medium
  8. 105.2mhz            Easy FM                 PIRATE                                        RDS        Strong
  9. 104.7mhz            iRadio                     Legal, Commercial, Regional        ***        Medium
  10. 104.4mhz            FM 104                   Legal, Dublin Commercial            RDS        Strong
  11. 103.8mhz            Spin 1038                Legal, Dublin Commercial           RDS        Strong
  12. 103.2mhz            Dublin City FM      Legal, Dublin Community            RDS        Strong
  13. 102.7mhz            Radio Na G            State, National, Irish Language      ***        Weak
  14. 102.5mhz            Kiss FM                 PIRATE                                         RDS        Strong
  15. 102.2mhz            Q102                      Legal, Dublin Commercial             RDS        Strong
  16. 101.8mhz            Today FM              Legal, Commercial, National         RDS        Strong
  17. 100.9mhz            Today FM              Legal, Commercial, National         RDS        Strong
  18. 100.5mhz            Nova                      Legal, Dublin Commercial             RDS        Strong
  19. 100.3mhz            Nova                      Legal, Dublin Commercial             RDS        Strong
  20. 99.9mhz              East Coast             Legal, Wicklow Commercial          RDS        Strong
  21. 99.5mhz              Blank Carrier        PIRATE                                          ***        Strong
  22. 99.2mhz              Lyric FM               State, National, Classical                RDS        Strong
  23. 98.7mhz              Lyric FM               State, National, Classical                RDS        Strong
  24. 98.4mhz              90s Network         PIRATE                                           ***        Medium
  25. 98.1mhz              98FM                    Legal, Dublin Commercial              RDS        Strong
  26. 97.6mhz              KFM                      Legal, Kildare Commercial            RDS        Strong
  27. 97.3mhz              Today FM              Legal, Commercial, National         ***        Medium
  28. 97mhz                 East Coast             Legal, Wicklow Commercial          RDS        Strong
  29. 96.7mhz              Lyric FM               State, National, Classical                RDS        Strong
  30. 96.2mhz              East Coast             Legal, Wicklow Commercial          RDS        Medium
  31. 96mhz                 Inner City Radio   PIRATE                                          ***        Medium
  32. 95.7mhz              Nova                      Legal, Dublin Commercial             RDS        Medium
  33. 95.5mhz              LMFM                   Legal,Louth/Meath,Commercial    RDS        Strong
  34. 95.2mhz              Lyric FM               State, National, Classical                RDS        Medium
  35. 94.9mhz              Classic Hits            Legal, Commercial, Multi              RDS        Strong
  36. 94.6mhz              Classic Hits            Legal, Commercial, Multi              RDS        Strong
  37. 94.3mhz              EASY                     PIRATE                                          RDS        Strong
  38. 93.9mhz              DSFM                    Legal, Community, Dublin             RDS        Strong
  39. 93.5mhz              Radio Na G           State, National, Irish Language       RDS        Strong
  40. 93.2mhz              Blank Carrier        PIRATE                                          ***        Medium
  41. 92.9mhz              Radio Na G           State, National, Irish Language       ***        Weak
  42. 92.5mhz              Phoenix                 Legal, Community, Dublin             ***        Medium
  43. 92.2mhz              Spirit                     Legal, National, Religious              RDS        Strong
  44. 92mhz                 Retro FM              PIRATE                                          ***        Medium
  45. 91.8mhz              2FM                      Legal, National, State                     RDS        Strong
  46. 91.3mhz              2FM                      Legal, National, State                     RDS        Strong
  47. 91mhz                 Hot FM                 PIRATE                                         RDS        Strong
  48. 90.7mhz              2 FM                     Legal, National, State                     RDS        Strong
  49. 90.3mhz              Near FM               Legal, Community, Dublin             RDS        Strong
  50. 90.1mhz              Spirit                     Legal, National, Religious              RDS        Strong
  51. 89.9mhz              Spirit                     Legal, National, Religious              RDS        Strong
  52. 89.5mhz              St. Ita’s                 Legal, Hospital, Community           ***          Weak
  53. 89.1mhz              RTE Radio 1         Legal, National, State                     RDS        Strong
  54. 88.7mhz              BBC Radio 2        Legal, National, British                   ***        Weak
  55. 88.5mhz              RTE Radio 1        Legal, National, State                      RDS        Strong
  56. 88.1mhz              Pirate FM             PIRATE                                          RDS        Strong
  57. 87.8mhz              RTE Radio 1        Legal, National, State                      ***        Weak



Tuesday, 16 June 2020

A Time for Reflection in Irish Radio


There has been much in the press in recent weeks on the 'Black Lives Matter' campaign, with protests in many Irish cities and towns including marches to the American Embassy in Dublin. We have been faced with looking at the diversity or lack of diversity of life in Ireland and the racism that some communities feel and experience. Much of the public opinion is driven by what we see, hear and read whether it’s in the treacherous world of social media, newspapers, on film or on television and hear on the radio. 

Irish radio is the most sought after, listened to and trusted mediums in the country and those who appear on the radio and drive the conversation, are a trusted source. They have opened the debate and lifted the lid on some issues that exist in Irish society and have often been pushed underground. It is a debate that even our Taoiseach has spoken on but what of Irish radio itself and how it reflects the society it is licensed to serve. A look at a selection of Irish radio stations around the country, both State, national and commercial, demonstrates the lack of a diverse voice on the airwaves. 

The ethnic and minority voice has somehow been banished to community radio, who have led the way in offering a true reflection of Irish society, led by stations like Dublin City FM and Flirt FM. While the accompanying slide only covers a small amount of licensed stations on the air in Ireland, it is a familiar story across the country, the lack of diversity in both on-air talent and content. There are a possible number of reasons for this. 

The slide looks at a selection of stations and their programmes that air between noon and 7pm, which includes the prime time evening slots. Fifteen of the presenters are female as compared to forty four men. There are no ethnic voices even though many of those whom we would see as ethnic, are now a growing segment of Irish born citizens and their accents on air would be as neutral or as local as those currently on air. The perception, while seeking out schedules on the various station websites, is that Irish radio is very 'white'. I am not demeaning any of the current on air talent which make Ireland one of the best nations in the world for radio, many of them have contributing greatly to the conversation now being held, but when a new opportunity opens up on radio, will HR departments seriously consider a new voice and face for their station? In today's modern radio, especially with in studio cameras, a new dimension is added as presenters are not just the voice of the airwaves but also the face. 

It is perhaps a commercial decision as minority or ethnic content would not sell advertising or increase generic ratings. At one time on-air talent were encouraged to have a neutral accents (mid-Atlantic as it was described in pirate radio days) so that listeners would not have to strain to understand what was being said. In the early days of community radio in Ireland, international accents were aimed at a very narrow demographic, such as Polish presenters delivering programmes aimed at the large Polish community in Dublin but as Irish society becomes more integrated, is it not time that the BAI encourage or even legislate that different voices and accents should be heard on mainstream radio. 

Despite the fact that the gender balance in the Irish population is almost 50/50, only about a third of primetime voices on radio are female, which has thankfully been growing over the past decade. To encourage the stations to employ more women in front of the microphone and not just behind it (at one time only in a secretarial role), quotas were set, perhaps it is time for a similar encouragement to diversify the voices we hear. The latest CSO figures illustrate that the percentage of the Irish population who deem themselves as 'ethnic' is now nearly 20% and yet this is not reflection on air. Integration is a key to a inclusive society that creates stability and opportunity.


It is now a 'Time for Reflection' in Irish radio. 

Wednesday, 3 June 2020

1922, A Radio First for Castleknock College




While the medium of radio developed quickly around the world, in Ireland censorship rules and military disruption caused by the War of Independence and then the Civil War, stifled the development of radio broadcasting in Ireland. The ownership of transmitters was banned and amateurs operated in fear of arrest. Some though did try to develop radio especially as it moved from Morse point to point communications to mass communications with wireless telephony. Many of those who tried to advance the growing interest in radio were the clergy who found safety behind the walls of parochial houses and monasteries.

One of those was Father John Ryan CM who taught at Blackrock College and at one time had Eamon DeValera as a pupil. On Wednesday April 5th 1922, he is credited for having organised the first radio broadcast specifically dedicated to an Irish audience. For that unique occasion, the event did not take place in Blackrock College on the southside of Dublin but northside of the city at Castleknock College. The broadcast caused quite a stir in the media and while it was an Irish audience that would be entertained the broadcast itself came from Paris.

 Over a hundred students and interested amateurs filled the concert hall of the Castleknock College. The lecture began at seven o’clock and according to a journalist who was in attendance
‘The Reverend lecturer " tuned up" and throughout the hall we heard " dot and dash " from Clifden, Paris, Nauen (Germany), Karlsborg (Sweden), Warsaw, Moscow, and from ships at sea.
A gentleman in the audience actually took down and de-coded some of the messages there and then.’

Ninety minutes later the Reverend nervously checked him watch and then with some small adjustments to his equipment on stage, that had been supplied by the dealers Dixon and Hempenstall. The audience at Castleknock College were now so quiet you could hear a pin drop, were suddenly startled and astounded in equal measure.

‘Suddenly there crept through the hall sweet notes of a French soprano singing " La Patrie" - A pause - Now a baritone's full notes resounded in an appealing ballad. - Another pause - An orchestra playing most tunefully delighted our ears. - Another pause - Once again the soprano sang, concluding with the strains of "La Marseilles." Then a gentleman's voice was heard to say "Bon Soir mesdames, Bon Soir, messieurs'.

Imagine our amazement. We had heard a concert transmitted by wireless telephony. Then came the explanation. Father Ryan, having often heard music by telephony at his station at Blackrock, conceived the daring idea of writing to General Ferrie, at the Eiffel Tower Wireless Station, Paris, to ask for the transmission of some music by telephony at 8.30 p.m. on April 5, as he would lecture on "Wireless" that evening to the Castleknock students.’



The Paris concerts were broadcast on 2600 metres, normally aired in the afternoons as amateur listeners on crystal sets listeners to music concerts from Marconi’s experimental station at Chelmsford, 2MT, in the evenings. Ryan believed that relaying an English broadcast might incite passions after the recent end to the War of Independence. He contacted Gustave Auguste Ferrié (19 November 1868 – 16 February 1932), who was a renown French radio pioneer and inventor and appointed a general in the French army. In 1903 he proposed setting aerials on the Eiffel Tower for long-range radiotelegraphy. Under his direction a transmitter was set up in the tower, and its effective range had increased from an initial 400 km (250 mi) to 6,000 km (3,700 mi) by 1908. He would later develop mobile transmitters for military units which would be used by the French military during the First World War. It was fortuitous that the Paris Station based at the Eiffel Tower had significantly increased its transmitter power one month earlier. Father Ryan requested of the French General that the Paris station would organise and broadcast a special broadcast for the Irish audience at Castleknock College who were about to enter the Irish radio history books.


Paris sang to Castleknock, and Castleknock applauded enthusiastically.



Tuesday, 2 June 2020

1938 - 'Wrong Way Corrigan' on the Radio




On July 18th 1938, at Baldonnel Aerodrome, outside Dublin, a small aircraft landed without any advance warning. On board was a solo pilot Douglas Corrigan. He was about to become a cultural icon and celebrity and would forever be known as ‘Wrong Way Corrigan’. An aircraft mechanic who had helped build Lindbergh’s ‘Spirit of St. Louis’ that itself had crossed the Atlantic, he had purchased a 1929 Curtiss Robin aircraft and modified it. He applied for permission to cross the Atlantic from the United States but was denied as the authorities deemed his aircraft not to be airworthy to make the crossing. On July 9th, Corrigan and his aircraft left Long Beach, California and landed at Bennett Field, Brooklyn, New York. On July 16th he took off again from Bennett’s Field having filed a flight plan to return west to California. But instead, he later claimed accidentally, his plane flew twenty-seven hours west landing in Ireland.

He became an instant media sensation and radio played a pivotal role in spreading his fame. A front-page story across the world, he was even introduced to the Irish Taoiseach Eamon DeValera at Irish Government buildings. The following day after he landed in Ireland Corrigan would broadcast live on NBC across America from Dublin and that the broadcast in itself received unprecedented press coverage.



Despite the fact that Radio Eireann in their studios to the rear of the GPO on Dublin’s main thoroughfare O’Connell Street closed transmissions at 11.30pm, the studios were opened at 3am in the morning for Corrigan to broadcast to America. From Radio Eireann’s studios and live across the United States, Corrigan held a conversation with his grandmother, Aunt and Uncle in Hollywood, California. It would be his native Hollywood California that would also turn his adventure into a big screen movie ‘The Flying Irishman’ made by RKO Pictures. In his international interview with Robert Ripley the creator of ‘Believe It or Not’ the host asked,
‘How are they treating you?’
‘Oh swell, they are treating me like an Irishman’ he replied according to the Irish Independent report
‘He then introduced the famous airman to his audience and then asked him a series of questions similar to those he has been asked by newspaper men since he suddenly appeared out of the clouds at Baldonnel’
Ripley in Hollywood continued "Hello, Douglas; here's your uncle," and' the airman's uncle greeted him with the news that Douglas also had become an uncle in the previous 24 hours. "Your niece, Lucille Ann, was born at 12.17 last night," he said.
Then his Uncle asked,
 "Have you any need of money? "
 " I guess not," replied Douglas. 
" Well, anyway," said his uncle, " I am sending you some through the American Consul and don't fly back."
Douglas was just starting to cash in on his new found celebrity status which included ticker tape parades in both New York and Chicago. He was paid $2,000[1] ($36,000 in today’s money) for his interview with NBC but Radio Eireann got little or nothing for their efforts to open their station doors to allow the broadcast.



Corrigan, who was housed in the American embassy in the Phoenix Park, gave an interview to Radio Eireann the following Saturday. According to the newspapers,
‘Mr. Douglas Corrigan. the American was the centre of attraction last night when he broadcast a talk of five minutes from Radio Eireann.
"Hello, Irishmen." were the first words used by Mr. Corrigan when he stepped to the microphone.
Mr. Eric Boden. compere, asked: What did it feel like when you came down at Baldonnel?
" It felt pretty good to get on the ground again," said Mr. Corrigan. "I was then a bit dubious as to what was going to happen next."
Mr. Corrigan had some nice things to say about Baldonnel. Everybody interested in Ireland, he said, knew about Baldonnel. The flying field was a good one but the buildings did not seem quite so new as those in America.
Mr. Boden, ‘When you were broadcasting previously you said you were being treated here like an Irishman. What was implied by that?
Mr. Corrigan-Well, I was being treated as good as anybody could treat anybody else. I have met Mr. de Valera, and 1 have met Dr. Douglas Hyde[2]. Mr. Walsh. Mr. Leyden. Major-General Brennan, and they have all been very nice to me.’

Before he departed Ireland via Cobh, he spoke one again live to the US audiences in the early hours of the morning, late night on the East Coast of the United States.  Broadcasting for CBS from the Customs office, at the Deep-Water Quay, Cobh, Douglas Corrigan gave the American people some of his impressions of his stay in Ireland following his flight. He made the broadcast through a long land link-up with England, and in the little room those present could only hear the replies made by Corrigan to the questions put to him by the interviewer, who was speaking from America. Corrigan heard the questions through earphones.

Sharp at 4.30 a.m. Corrigan, who was wearing the leather jacket in which he flew the Atlantic, two weeks earlier, stepped up to the microphone and announced: "Hello, Dublin! hello, London! hello, New York, this is Corrigan,' speaking from Cobh, Ireland, I am sailing in about half an hour for New York. It is 4.30 here, and a very wet night."
In reply to the questions put to him Corrigan said he was most impressed by "the large crowds who waited at each of the railway stations coming down from Dublin to Cork on the train last night. They all wanted autographs, and 1 was very gratified, because it was raining all the time.”


Corrigan returned with his plane to New York by ship and was feted wherever he went, now known as ‘Wrong Way Corrigan’.


[1] Evening Star Washington DC
[2] The newly elected President of Ireland

Friday, 22 May 2020

Dublin's Pirate Radio Stations of the Early Twenties





The Irish Free State authorised 2RN to become the State’s official radio station and on January 1st 1926 it would officially go on air. Irish listeners, especially those on the East Coast, were already avid listeners to the new medium of radio. The sales of wireless sets had blossomed, with businesses like Hogan’s in Henry Street, Dublin supplying imported sets to those who could afford them. For those who could not afford them, a homemade crystal set gave them access to the airwaves. Listeners were entertained to broadcasts by London, Newcastle, Cardiff and Manchester amongst others. Following the formation of the new state, there was a divergence from the British laws that governed life in the country. Many of the laws were embraced by the Government including the British 1904 Wireless Telegraphy Act. Then in February 1924, the Irish Government implemented a licensing scheme for radio sets which was to be collected through the post office.

For many listeners south of the border, the arrival of 2BE in Belfast in September 1924 increased the urgency of having a Southern voice but there was division within Government circles as to whether the Free State’s venture should be commercially and privately run or State operated. In the end 2RN was a State body.

Many amateurs were building crystal sets to listen-in, but some inventive radio engineers were discovering that it was easy to turn their listening devices into transmitting devices. These amateurs were warned by newspaper columnists like ‘Radio Rex’ and ‘Jack Broadcaster’ that this was illegal and they should desist.

The so-called experimenters who were in actuality ‘pirate radio stations’ outside the law, were rebroadcasting British stations received on sophisticated sets in order that the amateur built crystal sets would be able to pick up a signal. This too was referred to in the newspaper columns with one declaring that,
‘Now I am informed that some people in what may be described as misplaced kindness are endeavouring to re-radiate received broadcast from their aerials to those of nearby crystal users. This is absolutely illegal and must on no account be attempted. You are not allowed to transmit. I shall be glad to assist those who try to locate offenders.’
On January 18th 1923 in The Evening Telegraph, readers with an interest in radio was left in little doubt as to the legalities of ‘broadcasting’ rather than listening. It advised,
‘The position of the Free State in regard to the question of broadcasting, it may be taken for granted that broadly stated (1) Broadcasting of any kind is not legal yet in the Irish Free State. (2) That any instruments for the purpose of broadcasting are illegal. (3) That any attempt to bring in such instruments would be frustrated, the instruments of discord on-route would be sequestrated.’

Despite this information, an unusual pirate broadcaster turned out to be an attempted fraud and was exposed on the front page of the Evening Telegraph in November 1923. An authorised radio set dealer became aware of fraudsters who were selling sets at an unbelievably cheap price, purporting to receive all the British stations. He made an appointment to view the set and when the seller turned it on, he said that they were tuned into the Manchester station 2ZY. They listened to gramophone records and an announcer. After a period of listening the scam unravelled as the authorised dealer said that the announcers voice had a distinct Dublin accent. All was then revealed. The scammer and his confederate had set up a pirate transmitter nearby and was broadcasting the records and using a crude microphone to deliver the announcements pretending to be 2ZY. The ‘wireless set’ that they were trying to sell would barely be able to pick up a station that was just twenty miles from the receiver, it only contained a single value.  The uncover businessman remarked to the reporter that
‘The amusing part was that he had a rather clumsy contraption fitted up with the idea of humbugging innocent people into believing that the results obtained on his 'single valve set with a frame aerial were better than any of the demonstrations by the big wireless firms.’
He added
‘This kind of work is very good for experiments, but when it is done for the purpose of leading people to believe that they are listening to an actual station broadcasting, well it does general wireless work harm, first by making people suspicions and secondly by disappointing them by bad results.’



One pirate station seemed to make a genuine attempt to become the ‘Dublin station’ in advance of any officially sanctioned station. In May 1924, ‘The Grand Central Station Dublin’ was heard on the airwaves of Dublin on 390m medium wave. Reports said that on some of its broadcasts it suffered from interference from 2NO in Newcastle. The station broadcast from 9pm – 9.30pm. The ‘Dublin Studio’ as it deemed itself was located Northside of the city and introduced its pirate transmission with the announcement ‘calling Dublin, Glasnevin and everybody’. One writer to the newspapers wrote a critique of the broadcasts and offered some advice,
‘I would recommend that he is again whistling ‘Father O’Flynn’ for broadcasting that he should not blow directly into the microphone, as the result last night was more rushing wind that musical.’

The station carried on intermittently throughout the rest of the year with various reports appearing in trade magazines. They appeared to be coming from the one station although there were many experimenters as the frequency used was regularly on 390metres. In January 1925, The Radio Digest magazine in the United States reported in its ‘European Notes’ section that,
‘broadcasting is being carried out nightly from an unknown location near Dublin, Ireland, much to the annoyance of the Irish post office authorities who have been unsuccessful in their attempts to locate the illegal station’.

Pirate radio would be a thorn in the side of the authorities throughout every decade up to the present days with many pirate radio stations still taking to the air.

Monday, 18 May 2020

The Irish Pirate Radio Rivalries - Of the 1930's



For many, the great pirate radio rivalries in Ireland were ERI and South Coast in Cork, Nova and Sunshine in Dublin in the 1980’s or the Radio Dublin and Alternative Radio Dublin’s battles from the seventies but a pirate radio rivalry erupted on the airwaves in the 1930’s between stations in Limerick and Waterford.

The 1926 Wireless Telegraphy Act was introduced in November 1926, nine months after the official launch of 2RN. The Act would regulate the airwaves, write the rules on licence fees and deem what should and should not be broadcast. The Act was supposed to be a deterrent to illegal broadcasting but that did not stop illegal stations broadcasting taking to the airwaves. One man in Limerick would break all the rules. Jim O’Carroll attended the Technical Institute on O’Connell Avenue in the city and developed a keen interest in electronics. As a result while experimenting, he built a crystal receiving set that allowed him to listen to 2RN, the BBC and with improvements he began to listen to Short Wave broadcasts from America and Australia.

In early 1935, O’Carroll added an oscillator to his receiving set and turned it into a crude transmitter that was powerful enough to be heard all over the city. After testing its limitations, O’Carroll had to find a home for his new station, as living with his sister was not an ideal location for secrecy. He eventually found a location on the third floor at the home of his friend Charlie O’Connor at 84 Henry Street. The station began broadcasting in February 1935 on 360m, very close to the powerful transmitter in Berlin, Germany broadcasting on its allotted frequency of 356.7m, which meant that both signals interfered with each other  and often the Limerick station had to wait until the Berlin transmitter was turned off to get a good signal out across Limerick City. By April, reports of a Limerick ‘Mystery Station’ was reaching the national newspaper headlines.

The station was now named The City Broadcasting Station (CBS) as O’Carroll had been listening to CBS broadcasts from across the Atlantic and liked the sound of the name. He went on the air playing whatever gramophone records he could lay his hands on. On the air most nights from 7.30 – 10.30pm, the station continued with Billy Dynamite (O’Carroll) and Al Dubbin (O’Connor) at the controls broadcasting a mixture of speech, gramophone records, and relayed programmes from American radio, including the news and even swimming lessons on the radio.

The Limerick Leader reported on April 6th,
‘The operation of a mysterious broadcasting station in Limerick for some past time had the citizens and officials agog. Listeners-in are occasionally startled when they hear an unofficial announcer make reference to local matters and some well-known personalities.’
The Liberator newspaper in Tralee on the same day reported,
            ‘The annoyance caused by this is distinctly perturbing to owners of sets.’

The appearance of CBS on the airwaves of Limerick was greeted by a variety of different headlines. The Irish Examiner (6/4/1935) headlined their article ‘Wireless Nuisance’, The Kerryman (13/4/1935) spoke of a ‘Secret Radio Station’ while the Irish Independent described them as the ‘Mystery Station’. The station continued from February to October with the only change being its location, when the station moved to the home of Michael Madden at 25 Wolfe Tone Street who had been providing the batteries for the station’s transmitter. The station went from strength to strength and became the first station in Ireland to carry a paid commercial rather than the sponsored programming aired on the national station, when the Wolfe Tone Dairy began to advertise its products. The owner of the dairy was John Toomey, who ran a successful grocer/dairy/vegetable shop and was the proud owner of an ice cream machine, selling homemade ice cream cones. Summer was coming and ice creams would be a popular seller. O’Carroll said after,
‘As I began to get a little bolder, I discreetly canvassed for commercials. My first contact was the owner of the Wolfe Tone Dairy, Mr. Toomey. He had a fine grocer's shop but, in addition, he made delicious ice cream on the premises. I told Mr. Twomey that I knew a man who could contact the elusive Pirate and arrange to have his delicious ice cream mentioned on the air. He was to make no payment until he heard the broadcast. He offered the incredible sum of £10 if I arranged this transaction. Ten pounds was about a month's wages at the time. For a schoolboy one could almost retire! Needless to remark, as far as I know, that was the first radio commercial in Ireland.’[1]
There were queues down the street for the ice cream encouraging John Toomey to invest in a second machine to keep up with the demand.
‘An enduring sight in my mind's eye is a very long line of people reaching in the direction of what was then Gleeson's public house waiting to purchase cones and wafers from a delighted Mr. Toomey[2]’ said O’Carroll
The station began carrying ads for Clohesy’s Pub on Charlotte Quay, one of the most popular pubs in Limerick at the time. O’Carroll also added in an interviwe with the Limerick Leader in 1976, that
‘a committee running a sports outing in Castleconnell asked us to advertise their sports meeting, we had a ‘What’s On Guide’ in Limerick cinemas’.
 The advertising revenue was beginning to pay off for the radio entrepreneurs. The station would carry local news bulletins and because they broadcast late at night, they would collect the following morning’s national newspapers arriving in Limerick railway station at nine o’clock and broadcast the headlines for their listeners much to the displeasure of the Irish dailys, and this was replected in their coverage of the station.



Meanwhile in Waterford City another broadcaster was taking to the airwaves. The ‘Waterford Broadcasting Station’ was heard broadcasting on 280m medium wave and were on air from 11.15pm for an hour. On Wednesday April 17th , the broadcast to the listeners of Waterford, which was described by the Irish Independent correspondent as ‘a most enjoyable broadcast’, included ‘gramophone records, vocal and instrumental items’ but ended with an unfavourable critique for their Limerick rivals. The announcer bemoaned that,
‘an amateur in Limerick had broadcast programmes which were injurious and objectionable.’
He added,
‘I would like listeners to understand that I disapprove wholeheartedly and condemn abuses by this amateur of the powers his transmission station gives him’.
The spat over the airwaves reached the newspapers the following day when the Irish Press on their front page headlined ‘Another Mystery Station, Radio Rivals’. Some of the issues related to newspaper reports that O’Carroll’s signal was interfering with listeners enjoyed of concerts from the Berlin station.

Further broadcasts from the Waterford station were noted on July 28th at 2pm, when a thirty -minute broadcast of music was interspersed with announcements in Irish that there would be further broadcasts to follow.

In Limerick on October 31st, Halloween, while Michael Madden was on the air, the station had been tracked down and was raided by the police and an engineer from the Post Office Walter Dain. Madden was arrested and the equipment confiscated. O’Carroll partly blamed the raid on Madden himself, who had been drinking in local pubs boasting the fact that he was ‘the radio pirate’ and that information was relayed to the Gardai in Limerick. O’Carroll was in Dublin on the day of the raid visiting his mother and the day after the Limerick raid his mother’s house in Milltown was ‘ransacked’ according to O’Carroll as Gardai searched for links to a suspected IRA transmitter that was also broadcasting in Limerick.

Even before the court case following the 1935 raid had reached the courts, a radio station was reported on the Limerick airwaves in early February 1936. The station was advertising a local dance and encouraged listeners to support the event. Following a court case on February 28th 1936 Madden was convicted and fined £1 and 2 guineas costs. During the case Garda Lenihan said that,
‘during the illegal broadcasts names were mentioned and scandalous remarks used’.
It would be the first conviction under the 1926 Wireless Telegraphy Act.


In June 1936 another station was reported by the Irish Independent as being on the air, calling itself ‘The Curraghrock Station’. The newspaper reported two females were heard on air followed by a gramophone record programme. By July 1936 the tone of the station was causing problems for the authorities in the Limerick area and in Government circles in Dublin. The issue for the authorities this time was more urgent as the broadcaster was now broadcasting IRA propaganda. The announcer was reported as telling listeners that the station was set up ‘to disseminate Irish republican Army propaganda’.  This time the station used a frequency used by the Munich station and again like the station the previous year would have a better range once the Munich transmitter fell silent. The station was probably located in the Barrack Road area hence the confusion in the name as there is no ‘Curraghrock’ in Limerick.

This station was seized on September 4th 1936, when a house on Newnham Street was raided by Post Office Engineer William Carroll and Garda Lenihan. Despite this raid, another Limerick pirate transmitter was back on the air by September 16th, on the 360m frequency ‘treating listeners to a programme of gramophone records’ but while there were announcements, there was nothing of a political nature.
At the subsequent court case on December 4th, Edward Quin of Clancy Strand was prosecuted for maintaining illegal transmitting apparatus contrary of the 1926 Wireless Telegraphy Act. The State prosecutor stated that the items seized were,
‘one medium wave oscillator, one low frequency amplifier, one carbon type microphone, and one short wave oscillator’
Garda Lenihan stated in evidence that Quin tried to pocket a value from the transmitter which he later claimed he took because he had it sold and didn’t want to lose it. Lenihan disclosed that he had spoken to Quin on a number of previous occasions about the need to stop illegal broadcasting. All the wireless articles found in the house were produced to the Court and the GPO engineer Thomas Carroll then described what had to be done to test the-apparatus. The test broadcast worked ‘quite satisfactorily’. According to a GPO Inspector he had received a test message from the transmitter and the ‘message was quite distinct’. His finding was corroborated by another engineer Mr. T. White. The prosecution was determined to achieve a conviction and were willing to call several experts to ensure the result. They wanted to send out a message to propagandists who wished to use the radio waves to propagate their messages that they would close them and that the only broadcaster allowed to broadcast in the Free State was Radio Eireann.

While Madden and O’Carroll in Limerick were pirate broadcasting for entertainment purposes, a more sinister type of broadcasts had appeared on the airwaves in Dublin. On Friday October 25th 1935 at 2.30pm listeners on medium wave reported hearing a ‘mystery transmitter’ announcing that it was
            ‘Radio Phoblacht na hEireann, The IRA broadcasting studio.’
The station’s announcer gave a lengthy statement on the Irish Sweepstakes and announced a list of winners. The station then played some gramophone records including those of the famous Irish born tenor Count John McCormack.  The broadcast lasted about forty minutes. But the illegal broadcasting of entertainment programmes or occasional broadcasts from subversive organisations would become the least of DeValera’s problems as the nation faced into neutrality during the Second World War.



Greater rivalries would consume the Irish airwaves in the decades to come but these stations proved that the battle for hearts and minds on the radio could consume time and newspaper columns. 

[1] From an article by Jim O’Carroll on Limerickcity.ie
[2] In O’Carroll’s story John Toomey was written as ‘Twomey’ but his death notice in 1951 denoted Toomey as the proper spelling.