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Showing posts with label free radio. Show all posts
Showing posts with label free radio. Show all posts

Friday, 13 May 2022

Pirate Radio Archives - UK Pirate Radio 1980's

 

The depth and wealth of pirate radio archives that were part of the Anoraks Ireland Collection donated to the Irish Pirate Radio Archive at Dublin City University is diverse and important both to pirate radio history and social history. Much of the archives collected by Paul Davidson while he ran the fanzine Anoraks Ireland is focused on Ireland but some of his collection features UK pirate radio, European and American illegal broadcasting and offshore pirate stations. The publicity attached to these stations was conducted in a pre-internet era, when fans sent for ‘newsletters’ by using IRC’s, International Reply Coupons he assist with post.

 

There have been many fan organizations for pirate radio across the world and here is one of the newsletters from Free Radio Service which not only broadcast pirate news on shortwave but also produced this newsletter. That's followed by a Radio Quatro Fact Sheet, the history of Radio Titanic and 'Sounds Alternative' (Not to be confused with a magazine of a similar name produced by the Free Radio Campaign Ireland)








We will continue to bring you some of the archives from the Collection but we will in our next post bring you some of the Irish pirate radio archives. 

You can support our work with the price of a cup of coffee at KO-FI. Every little helps with research site payments and books purchased for future great radio history memories. Use the link button at the top of the blog. 






 

Wednesday, 4 May 2022

Pirate Radio Archives - Radio Atlanta SW 1981

 

The depth and wealth of pirate radio archives that were part of the Anoraks Ireland Collection donated to the Irish Pirate Radio Archive at Dublin City University is diverse and important both to pirate radio history and social history. Much of the archives collected by Paul Davidson while he ran the fanzine Anoraks Ireland is focused on Ireland but some of his collection features UK pirate radio, European and American illegal broadcasting and offshore pirate stations. The publicity attached to these stations was conducted in a pre-internet era, when fans sent for ‘newsletters’ by using IRC’s, International Reply Coupons he assist with post.

 

This is the first of these newsletters in an avalanche of archives we are delighted to bring to you is the Newsletter of the Radio Atlanta from 1981 who broadcast on short wave. In the Newsletter they provide a brief station history and announced that they planned to introduce a medium wave relay from a transmitter based in the Republic of Ireland on 228m. According to the DX Archive,

‘This station began in January 1979 and was run by Mark Stafford, heard in 1998 on European Klassik Rock on the Astra Satellite.’







Wednesday, 13 January 2021

Radio Nova, Playing All Over Liverpool...NOW

(c) DX ARCHIVE
 


For Chris Cary, his powerhouse and revolutionary Radio Nova was the dominant station in Dublin and the greater part of Leinster. His station built its success on ‘broadcasting to Dublin’ but for a broadcaster to cut his teeth on board Radio Caroline in the North Sea, the conquering of his homeland was the next big adventure. Because of his powerful transmitters on both FM and AM, Radio Nova’s signal travelled across the Irish Sea, sweeping over the Isle of Man and reaching the coast of Merseyside. Cary realised that he could tap into a newer and bigger market on mainland Britain. National commercial radio had yet to arrive in Britain and in large cities like Liverpool listeners had the basic choice of BBC local radio or an ILR.

 

Radio Nova began announcing that they were ‘broadcasting from Dublin’ and Liverpool, a city with a large Irish diaspora, was the first primary target, with what he hoped would be a powerful longwave transmitter to follow and cover a large swathe of Britain. By late 1984, Nova was a popular choice for listeners in Liverpool, challenging the positions of Radio City (ILR) and BBC Radio Merseyside. Other choices including the national BBC Radio One were being quickly left behind. Cary through his UK based company ABC Music Radio Limited opened an office in Liverpool city centre at Suite 411, Cooper Buildings, Church Street. The two legal stations in the city were hampered by regulations when Cary was not. Radio City was limited to ‘9 hours needle time in every 24 hours’[1], while their BBC counterpart was under even tighter constraints limited to ‘3 hours needle time in 18 hours’.

 

To generate publicity in August 1984, Nova divided it on air promotion of £10,000 into two prizes with one to be won in Ireland and one in the UK. Problems arose as the Dublin phone system was overpowered by the volume of entries and was deferred to a later date but the UK winner was former Blackpool resident Sue Wheldon from the Wirral, who was flown with her family to Dublin and collected her cheque from Cary himself at Nova Park. By September their jingles were already promoting ‘Radio Nova playing all over Liverpool..now’.

 

 

The station generated more newspaper stories when they ran a competition to find new on-air personnel including DJ’s and newsreaders. In October 1984, they announced that DJ’s on Merseyside would be auditioned for the positions at the station that could earn them up to £25,000 per year, considerably more than was offered at either Radio City, Merseyside or even RTE Radio 2. The Liverpool Echo[2] was reporting that through a locally based advertising agency, Nova was spending £50,000 on promoting the station within the Merseyside and Lancashire areas.

 

The station despatched DJ’s to headline gigs in the Merseyside area including their participation in an anti-heroin campaign which was launched at Mr Pickwick’s nightclub in February 1984, headlined by Nova DJ’s.

 

Only a handful of British advertisers used Nova and the office closed, this despite the fact that Nova aimed their programming at a British audience with British news, weather and traffic reports. As one commentator reported "What would the guy listening in the Liberties, Dublin want to know about traffic jams on the M6"[3].



[1] Liverpool Echo Newspaper November 16th 1984

[2] October 10th 1984

[3] The Sunday World

Sunday, 27 September 2020

A Century of Irish Radio including Pirate Radio in Words and Pictures.

A century of Irish radio has delivered wonderful entertainment, social change and political upheaval. 


In 1926 the first official radio station in Ireland took to the airwaves on January 1st 1926 with the arrival of 2RN, later to become Radio Eireann and today as RTE Radio


The State broadcaster enjoyed a monopoly for more than fifty years bar a couple of illegal stations mostly of a political nature, but with the arrival of the transistor radio, pop music and offshore pirate radio stations like Radio Caroline, Irish pirate radio stations began to take to the airwaves.



To counter the arrival of pirate stations, the State broadcaster RTE began to tour the country with a mobile radio station that visited towns, villages and communities usually for the duration of a local festival. Rather than demonstrate the RTE could provide regional and local broadcasting, these local mobile operations led in many instances to the opening of a pirate radio station in the wake of RTE's departure.
 

Pirate stations appeared in every corner of Ireland, providing local information, local advertising, advertising, local news and a local voice. 







To celebrate the contribution of Irish pirate radio to the political and social history of Ireland, I have lectured at home and abroad on various aspects of Irish radio history. 


Pirate radio stations not alone proliferated in the Republic of Ireland but also in Northern Ireland especially sectarian pirate radio during the early years of the troubles from 1969-1975



      
  

In December 1988, a golden era of pirate radio in Ireland came to an end with the introduction of stricter broadcasting laws and the replacement of the pirates with legal, commercial and independent radio.



For more information on the history of Irish radio, my book 'A Century of Irish Radio 1900 - 2000' is available in hardback and on kindle. Copies are available here
https://www.amazon.co.uk/Century-Irish-Radio-1900-2000/dp/1717899641

For a signed copy of the book including post and packages (in Ireland & UK) are available by contacting theirishpirateradioarchive@gmail.com with payment through the secure paypal service. 




 

Sunday, 28 June 2020

FM Radio Bandscan – Dublin, Ireland, 1 pm Sunday June 28th 2020


FM Radio Bandscan – Irishtown, Dublin, Ireland,
Sunday June 28th 2020 - 1pm – 1.30pm

FREQUENCY       NAME                   STATION STATUS                             RDS        SIGNAL
                                                                                                                        *** NO RDS       
  1. 108mhz               Blank Carrier          PIRATE                                       ***          Strong
  2. 107.6mhz            Newstalk                 Legal, Commercial, National       RDS        Strong
  3. 107.1mhz            Club FM                 PIRATE                                        RDS        Strong
  4. 106.8mhz            Sunshine                 Legal, Dublin Commercial            RDS        Strong
  5. 106.4mhz            Raidio Na Life        Legal, Local, Irish Language        RDS        Strong
  6. 106mhz               Newstalk                 Legal, Commercial, National        RDS        Strong
  7. 105.5mhz            Today FM               Legal, Commercial, National        RDS        Medium
  8. 105.2mhz            Easy FM                 PIRATE                                        RDS        Strong
  9. 104.7mhz            iRadio                     Legal, Commercial, Regional        ***        Medium
  10. 104.4mhz            FM 104                   Legal, Dublin Commercial            RDS        Strong
  11. 103.8mhz            Spin 1038                Legal, Dublin Commercial           RDS        Strong
  12. 103.2mhz            Dublin City FM      Legal, Dublin Community            RDS        Strong
  13. 102.7mhz            Radio Na G            State, National, Irish Language      ***        Weak
  14. 102.5mhz            Kiss FM                 PIRATE                                         RDS        Strong
  15. 102.2mhz            Q102                      Legal, Dublin Commercial             RDS        Strong
  16. 101.8mhz            Today FM              Legal, Commercial, National         RDS        Strong
  17. 100.9mhz            Today FM              Legal, Commercial, National         RDS        Strong
  18. 100.5mhz            Nova                      Legal, Dublin Commercial             RDS        Strong
  19. 100.3mhz            Nova                      Legal, Dublin Commercial             RDS        Strong
  20. 99.9mhz              East Coast             Legal, Wicklow Commercial          RDS        Strong
  21. 99.5mhz              Blank Carrier        PIRATE                                          ***        Strong
  22. 99.2mhz              Lyric FM               State, National, Classical                RDS        Strong
  23. 98.7mhz              Lyric FM               State, National, Classical                RDS        Strong
  24. 98.4mhz              90s Network         PIRATE                                           ***        Medium
  25. 98.1mhz              98FM                    Legal, Dublin Commercial              RDS        Strong
  26. 97.6mhz              KFM                      Legal, Kildare Commercial            RDS        Strong
  27. 97.3mhz              Today FM              Legal, Commercial, National         ***        Medium
  28. 97mhz                 East Coast             Legal, Wicklow Commercial          RDS        Strong
  29. 96.7mhz              Lyric FM               State, National, Classical                RDS        Strong
  30. 96.2mhz              East Coast             Legal, Wicklow Commercial          RDS        Medium
  31. 96mhz                 Inner City Radio   PIRATE                                          ***        Medium
  32. 95.7mhz              Nova                      Legal, Dublin Commercial             RDS        Medium
  33. 95.5mhz              LMFM                   Legal,Louth/Meath,Commercial    RDS        Strong
  34. 95.2mhz              Lyric FM               State, National, Classical                RDS        Medium
  35. 94.9mhz              Classic Hits            Legal, Commercial, Multi              RDS        Strong
  36. 94.6mhz              Classic Hits            Legal, Commercial, Multi              RDS        Strong
  37. 94.3mhz              EASY                     PIRATE                                          RDS        Strong
  38. 93.9mhz              DSFM                    Legal, Community, Dublin             RDS        Strong
  39. 93.5mhz              Radio Na G           State, National, Irish Language       RDS        Strong
  40. 93.2mhz              Blank Carrier        PIRATE                                          ***        Medium
  41. 92.9mhz              Radio Na G           State, National, Irish Language       ***        Weak
  42. 92.5mhz              Phoenix                 Legal, Community, Dublin             ***        Medium
  43. 92.2mhz              Spirit                     Legal, National, Religious              RDS        Strong
  44. 92mhz                 Retro FM              PIRATE                                          ***        Medium
  45. 91.8mhz              2FM                      Legal, National, State                     RDS        Strong
  46. 91.3mhz              2FM                      Legal, National, State                     RDS        Strong
  47. 91mhz                 Hot FM                 PIRATE                                         RDS        Strong
  48. 90.7mhz              2 FM                     Legal, National, State                     RDS        Strong
  49. 90.3mhz              Near FM               Legal, Community, Dublin             RDS        Strong
  50. 90.1mhz              Spirit                     Legal, National, Religious              RDS        Strong
  51. 89.9mhz              Spirit                     Legal, National, Religious              RDS        Strong
  52. 89.5mhz              St. Ita’s                 Legal, Hospital, Community           ***          Weak
  53. 89.1mhz              RTE Radio 1         Legal, National, State                     RDS        Strong
  54. 88.7mhz              BBC Radio 2        Legal, National, British                   ***        Weak
  55. 88.5mhz              RTE Radio 1        Legal, National, State                      RDS        Strong
  56. 88.1mhz              Pirate FM             PIRATE                                          RDS        Strong
  57. 87.8mhz              RTE Radio 1        Legal, National, State                      ***        Weak



Saturday, 23 May 2020

‘The Modern Swash Buckling Pirate Phenomenon’


On any given Sunday on the Dublin airwaves in 2020, the listener is treated to a melange of radio stations delivering a wide variety of speech and music entertainment. However, the Dublin airwaves are a uniquely Irish solution to an Irish problem. Radio in Ireland is the most consumed form of media with over 80% of the Irish adult population listening to the medium, whether it’s in the home, exercising or stuck in the car in a rush hour traffic jam. Because of its unique ability to connect with its audience, the listenership figures have stayed constant for the past quarter of a century and as a result, advertisers have flocked to the national, independent commercial and local radio stations across Ireland.

The Broadcasting Authority of Ireland issues licences for the independent sector, advertising different genres to accommodate all tastes. This radio industry we have today, was born in the 1970’s and 80’s when the state broadcaster RTE, had its monopoly position challenged by a plethora of pirate radio stations, stealing frequencies, listeners, and advertisers from RTE. In 1988 new stringent legislation plugged loopholes in the law and allowed for the orderly opening of legal licensed alternatives both nationally and locally. The BAI, and its predecessors the IRTC and BCI have struggled to blend listener requirements with commercial demands. Since deregulation in 1988, the market has solidified with some major media moguls commanding ownership of vast swathes of the airwaves.

In the eighties the success of the pirates was driven by market forces as a youthful market demanded to hear the music that they wanted, a direct alternative to RTE, who’s darkened halls attempted to accommodate everyone  on a national level when listeners actually wanted a local voice and perspective. RTE had failed the younger listener and even with their attempt to placate that constituency with the launch of the ‘pirate light’ RTE Radio 2, the uplifting super pirates like Radio Nova, Sunshine & ERI dominated their markets. In the quest for the local listener, once again RTE lost out to community stations like BLB and Kilkenny Community Radio and local stations like Mid-West and West National Radio 3 rapidly eroded any credibility RTE had with its listener.

Licensing has regulated the airwaves is the Government response, but even a cursory glance along the waveband on a Sunday tells a different tale. When the pirates were at the height of their success, every genre of music was catered for by individual stations, pop on Nova, rock on Phantom, C&W on TTTR, religion on ICBS or album tracks on Capitol. Today’s youth population listens to their music, dance, garage, trance, and rap but these music trends do not sell advertising and therefore find every little light on the current station playlists. That demographic is younger, usually under eighteen and therefore unimportant to current stations and their advertisers. Once again in step the pirates and as enforcement retreats like the tide, the pirates are empowered to start up their transmitters once again and fill up the Dublin FM frequencies. Not only has a need been created for these stations but technology has made it easier to get on air. Gone are the days of medium wave transmitters, home built, strewn over an attic floor with an aerial strung between the attic and a tree or telegraph post. FM transmitters are cheap and highly effective. They do not cause the interference that their Medium wave forbearers did, and computerisation has removed the need for bulky turntables and mixing desks. Because of their appeal to an under eighteen audience, these stations utilise social media avenues far better than their legal counterparts.

In Dublin on FM on a Sunday there are a number of national and quasi national stations like RTE, Radio na Gaeltachta, Newstalk and Spirit Radio, there are community stations including Dublin City FM, Near FM and Phoenix Radio and there are five legal local franchises 98FM, Radio Nova, Sunshine 106, Spin 1038 and FM 104 all competing for the listeners ear and you would say to yourself that surely that is a comprehensive choice but yet despite five Dublin licensed stations, on Sunday April 19th 2020 there were thirteen pirates radio stations on FM, one on Medium Wave, Energy 1395 and four on short wave broadcasting to the world. The majority of these pirate stations were broadcasting some form of dance music but other genres were being catered for that licensed stations seemed to have covered but yet pirate station were on the airwaves covering similar including The 90s Network and Easy FM.

Some legal stations are now voice tracked removing that personal touch with the listeners. This is simply a cost saving exercise for the media conglomerates that own them. This would be obvious if they used in studio cameras like watching RTE’s Today programme with the now retired Sean O’Rourke. A camera could show the DJ actually choosing and enjoying the music he is playing. The pirate DJ is not hampered by the playlist or the format. The reasonable pirate example of this is Phever FM.

The inertia caused by the lack of enforcement has given pirate radio a new lease of life with a number of them including Club, Pure and Pirate FM carrying a significant amount of advertising, not just relying on advertising club nights to generate revenue. Despite the coronavirus lockdown, the closure of venues and therefore the closure of those station revenue streams, the FM band is alive with pirate radio. These stations are catering for audiences ignored by mainstream stations who have once seen themselves as cutting edge, but the commercial reality has diluted their position. None of these pirates broadcast salacious, threatening or terrorist content and are simply on-air to entertain their constituency, they give airtime to new and struggling dance and rap artists and without causing interference they do little harm. They are however illegal and subject to a minimum of €10,000 fine either for broadcasting, advertising or providing transmission land and if Comreg continue to not implement the law and the BAI fail miserably to cater for the people who are actually listening to the radio, not the listeners that stations wishes to portray to advertisers, then pirate radio will continue to blossom. Is it too early to claim ‘long live the pirates’?

Friday, 22 May 2020

Dublin's Pirate Radio Stations of the Early Twenties





The Irish Free State authorised 2RN to become the State’s official radio station and on January 1st 1926 it would officially go on air. Irish listeners, especially those on the East Coast, were already avid listeners to the new medium of radio. The sales of wireless sets had blossomed, with businesses like Hogan’s in Henry Street, Dublin supplying imported sets to those who could afford them. For those who could not afford them, a homemade crystal set gave them access to the airwaves. Listeners were entertained to broadcasts by London, Newcastle, Cardiff and Manchester amongst others. Following the formation of the new state, there was a divergence from the British laws that governed life in the country. Many of the laws were embraced by the Government including the British 1904 Wireless Telegraphy Act. Then in February 1924, the Irish Government implemented a licensing scheme for radio sets which was to be collected through the post office.

For many listeners south of the border, the arrival of 2BE in Belfast in September 1924 increased the urgency of having a Southern voice but there was division within Government circles as to whether the Free State’s venture should be commercially and privately run or State operated. In the end 2RN was a State body.

Many amateurs were building crystal sets to listen-in, but some inventive radio engineers were discovering that it was easy to turn their listening devices into transmitting devices. These amateurs were warned by newspaper columnists like ‘Radio Rex’ and ‘Jack Broadcaster’ that this was illegal and they should desist.

The so-called experimenters who were in actuality ‘pirate radio stations’ outside the law, were rebroadcasting British stations received on sophisticated sets in order that the amateur built crystal sets would be able to pick up a signal. This too was referred to in the newspaper columns with one declaring that,
‘Now I am informed that some people in what may be described as misplaced kindness are endeavouring to re-radiate received broadcast from their aerials to those of nearby crystal users. This is absolutely illegal and must on no account be attempted. You are not allowed to transmit. I shall be glad to assist those who try to locate offenders.’
On January 18th 1923 in The Evening Telegraph, readers with an interest in radio was left in little doubt as to the legalities of ‘broadcasting’ rather than listening. It advised,
‘The position of the Free State in regard to the question of broadcasting, it may be taken for granted that broadly stated (1) Broadcasting of any kind is not legal yet in the Irish Free State. (2) That any instruments for the purpose of broadcasting are illegal. (3) That any attempt to bring in such instruments would be frustrated, the instruments of discord on-route would be sequestrated.’

Despite this information, an unusual pirate broadcaster turned out to be an attempted fraud and was exposed on the front page of the Evening Telegraph in November 1923. An authorised radio set dealer became aware of fraudsters who were selling sets at an unbelievably cheap price, purporting to receive all the British stations. He made an appointment to view the set and when the seller turned it on, he said that they were tuned into the Manchester station 2ZY. They listened to gramophone records and an announcer. After a period of listening the scam unravelled as the authorised dealer said that the announcers voice had a distinct Dublin accent. All was then revealed. The scammer and his confederate had set up a pirate transmitter nearby and was broadcasting the records and using a crude microphone to deliver the announcements pretending to be 2ZY. The ‘wireless set’ that they were trying to sell would barely be able to pick up a station that was just twenty miles from the receiver, it only contained a single value.  The uncover businessman remarked to the reporter that
‘The amusing part was that he had a rather clumsy contraption fitted up with the idea of humbugging innocent people into believing that the results obtained on his 'single valve set with a frame aerial were better than any of the demonstrations by the big wireless firms.’
He added
‘This kind of work is very good for experiments, but when it is done for the purpose of leading people to believe that they are listening to an actual station broadcasting, well it does general wireless work harm, first by making people suspicions and secondly by disappointing them by bad results.’



One pirate station seemed to make a genuine attempt to become the ‘Dublin station’ in advance of any officially sanctioned station. In May 1924, ‘The Grand Central Station Dublin’ was heard on the airwaves of Dublin on 390m medium wave. Reports said that on some of its broadcasts it suffered from interference from 2NO in Newcastle. The station broadcast from 9pm – 9.30pm. The ‘Dublin Studio’ as it deemed itself was located Northside of the city and introduced its pirate transmission with the announcement ‘calling Dublin, Glasnevin and everybody’. One writer to the newspapers wrote a critique of the broadcasts and offered some advice,
‘I would recommend that he is again whistling ‘Father O’Flynn’ for broadcasting that he should not blow directly into the microphone, as the result last night was more rushing wind that musical.’

The station carried on intermittently throughout the rest of the year with various reports appearing in trade magazines. They appeared to be coming from the one station although there were many experimenters as the frequency used was regularly on 390metres. In January 1925, The Radio Digest magazine in the United States reported in its ‘European Notes’ section that,
‘broadcasting is being carried out nightly from an unknown location near Dublin, Ireland, much to the annoyance of the Irish post office authorities who have been unsuccessful in their attempts to locate the illegal station’.

Pirate radio would be a thorn in the side of the authorities throughout every decade up to the present days with many pirate radio stations still taking to the air.